This book has always been a garden play and a court play, or the promotion of the protagonist. The road to promotion is staggered, and finally corresponds to the title of the book, so the rhythm has always been this way.
In addition, focus on answering a few questions.
First, why not speed up the timeline?
As soon as I said it, everyone understood.
The story takes place within a few years. To put it bluntly, I am writing about the wonderful stories of these few years.
If three or five years suddenly pass, let's deduce it.
Three years later, how old is Baochai? How old is Daiyu, and how old are the characters in it? It’s time to get married by now, right? There is no time to cultivate relationships, no space to write interesting emotional dramas, and I suddenly accelerated three years,
The rhythm of the story was broken and it became unwatchable.
If you were the author, you wouldn't write like this.
Therefore, my control of time must serve the development of the story. If I think the story is mature and needs a time node, then I will speed up the timeline.
Second, why not always write officialdom dramas and why not always let the protagonist pursue a career?
As soon as I said it, everyone understood it.
Putting aside the question of whether the logic of letting the protagonist keep rising in title and official position in a short period of time is reasonable, and whether downloading dungeons will make some people boring, if I want to keep writing officialdom dramas, I need to promote the protagonist, because
A plot that has no reward is meaningless to readers, and it is just a waste of work. Well, this involves creative theory.
Let me say one more thing. Authors who read my books should know this. I found that quite a few authors read my books.
Even if I now make the protagonist a county king due to his merits, everyone feels very happy.
But I'm sorry, this feeling of satisfaction and joy will not last for thirty chapters, and you will continue to scold me for procrastination, because as I start the plot for the protagonist as a county king, your new needs have come again, maybe a prince, plus
Jiuxi is inferior to one person and superior to ten thousand people. He can even be an emperor or a thief.
Gradually, everyone will get used to the fact that the protagonist is a county prince, but they are not satisfied with the fact that the protagonist is a county prince.
It's like if you win five million in a lottery, you'll be happy for a whole year. Are you still happy in the second year? What about the third year, what about the fifth year? What about the tenth year?
You will gradually get used to it.
Therefore, I cannot overextend the life of the book so much. I need to integrate the exciting and twists and turns of the story into the career line.
Another problem is that some readers like to watch garden dramas. They think it is boring to get promoted and make a fortune. They only need to know one result. Your protagonist does a big thing, gets promoted, and then lives in the garden.
The Holy Appearance is completed.
Of course, the business you write about shouldn’t be too trivial; it needs a certain degree of authenticity and rationality.
Therefore, it is destined that the career line cannot be like a senior who wrote many chapters in one copy. The ten-day stem volume is almost used up, and it is time to divide it into earthly branch volumes.
I am not cueing him, I respect him very much. He is more successful than most people including me in writing books and real work. The promotion route in his article is very real and reasonable, but in some chapters, I think it is
Readers will also jump to read it.
It's just that the two writing paths are different, so it's difficult to distinguish between them.
Third, about the garden opera.
First of all, as a senior harem writer, although I am not as good as the harem master who can integrate love, lust, and desire to the highest level, I still have my own pursuits, even if the book I am writing is for a fan.
For the previous Yuan, Xi, Tan, Bao, Dai, and Miaoyu, I have given character descriptions and roles opposite the protagonists. In fact, in this book, due to considerations of performance and layout, I have suppressed a lot of animalistic nature, to be honest.
You can read my original old book, Wheels and Wheels Crush People to Pieces, but that book was unlucky and did not highlight my writing strengths. Even though I also wrote a lot of essays on classical Chinese strategists, it did not achieve success in the end.
generally.
The day before yesterday, someone said that I have been writing about Kiss Me Me all the time, and even had some uglier words. Actually, that’s not true. Look, how many protagonists have I recommended so far?
A Qin, a princess, gone.
A simple question, if we don’t describe these golden hairpins, should we let the protagonist pack them together in the end?
Then another group of readers will definitely complain that the characters are thin and the paper is full of people. Is this about the Red Mansion?
Therefore, it is necessary to properly write about their interactions and see what happens to them after meeting the protagonist. In fact, isn’t this what you want to watch when watching Red Mansions?
Third, why is Mrs. Wang so disgusting?
Ah, this...
As soon as I said it, everyone understood that in a play, there must be both clowns and protagonists.
Even if it is the masterpiece "A Dream of Red Mansions", have you discovered that Aunt Zhao is the clown chosen by Cao Gong, who behaves everywhere and becomes a joke?
In fact, if the Rongguo Mansion really wanted to be harmonious, the play would not go on and would become boring.
In addition, Mrs. Wang’s thoughts are just disgusting and she is a reasonable extension of my character in the original work. In fact, she has not caused any actual trouble to the protagonist so far.
Throughout this book, Jia Zhen is already dead, the Lai family is gone, the blood-sucking Shan family is also dead, the Wang family is half dead, Jia She is almost dead, and now only Mrs. Wang is left to play the leading role.
We have run out of writing, who should play the clown? Aunt Zhao or Ma Daopo?
Also, who said my pace is slow? How many people have this solved?
It's not magic. You can't expect to blow a breath and all enemies will disappear.
Of course, Mrs. Wang will eventually solve it.
Fourth, catching up on updates is not as good as reading it in one sitting. Don’t impose your feelings on following up on the author.
There are many readers who read it in one go, so they feel happy, but as soon as they stop to catch up on updates, they wonder what the author wrote? Is it a foot wrap?
He doesn't look at the foreshadowing, he just jumps to the climax.
How to put it, it's like watching a movie, scrolling through the progress bar, and trembling because of that one moment, everyone knows it.
But I can't always give you high-intensity stimulation and keep you in a state of explosive pleasure. This will definitely come at the expense of overdrafting the life of the book.
A plot has its ups and downs, and if the foreshadowing is not in place, you will definitely not enjoy it.
But I won’t keep delaying it to prevent you from enjoying it, that is, it will be difficult for you to subscribe.
My understanding is that a writer with mature skills can make readers feel happy whenever they can, and feel happy in whatever posture they can make readers feel happy with, and they can feel happy as long as they feel happy.
Well, with that said, why do you look so much like a technician?
In short, don't let the feeling of chasing updates cover up your overall feelings about this book.
In fact, when I first released it, I had no experience. One chapter was 2,56 words long. I remember a story about resigning from a title. I was scolded many times for breaking the chapter, saying that I was not able to have a good bowel movement, and had all kinds of unpleasant words.
Of course, their desire to pursue updates is actually very strong, which means they are right, ah, that’s not what it means.
But now I read the original chapters in one go, how do you feel?
Complete it in one go and enjoy it heartily.
There is also the chapter where the prince makes trouble. At that time, everyone's desire to subscribe was very high, and there were many apprentices who couldn't wait for free prostitution to follow up. The apprentices were very cruel.
Later, after I finished writing the plot, I slowed down the pace a bit and wrote the garden play. I thought this was no problem.
My editor once told me something.
He said that you don’t want to let the story be more enjoyable, but use the skills to force the story structure. If you think this writing method is no problem for the subsequent plot, then you should write it. Don’t just do it for the sake of enjoyment.
I remember when I was writing a plot about suppressing bandits, I found out that the order had been cancelled. I was very anxious at first. I asked him about it, and he said this to me.
This time, I felt that I needed to write a garden drama instead of jumping to the plot of a military parade. Of course, some readers supported it.
Having said so much above, I just hope that everyone will be more patient, especially some readers. There is really no need to use harsh words.
Finally, I would like to express my solemn thanks to the leader of the book friend "First Cause" for the reward. I saw it relatively late and didn't mark it in the chapter title. I can only post it tomorrow. Thank you very much.
In addition, generally no updates are added. I personally think that any update that is not saved is a plot adventure. So you can see that if I am in mood, I will write two more chapters. If I am not in mood, I will even write two more chapters that day.
There is only one chapter.
But the overall update word count is still quite impressive, right?
Table of contents, it seems that the 9,000-word label is being updated every day?
That's it for today, good night everyone.
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