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Chapter 122 Writing Fonts

"Going hunting? Do you want to take me with you?"

Song Mu's face was full of shock at this moment. He also knew that this hunting expedition was the largest one in the recent history of the government, but everyone among them was either a scholar who had practiced for many years, or someone who had reached a certain level.

Instructor.

Such a hunting mission must be very difficult, but now Tao Fengming actually has to take him with him.

Tao Fengming reacted calmly and looked at Song Mu calmly with a gentle smile on his face.

"What? Can't you?"

Song Mu also paused for a moment, then said: "Master, I have just started to practice literary skills. Even in foreign lands, I am so weak. Then when I go hunting, will I be held back..."

Tao Fengming's eyes with dark circles showed no emotion at all, he just stared at Song Mu and said.

"But what does it matter?"

After saying this, Song Mu opened his mouth but immediately paused. He was also suddenly confused. What does this have to do with it?

The Tao Fengming in front of him was a powerful Jinshi.

If you go out with a Jinshi, what kind of dangers can you encounter?

Song Mu lowered his gaze slightly, feeling much calmer at the moment. He also felt that his performance just now was a bit too flustered and unconfident, while Tao Fengming poured tea for Song Mu again and said straightforwardly.

"That's it, let's go with me in the middle of next month."

Tao Fengming refilled his cup of tea, looked up, thought for a while, and spoke.

"Speaking of it, these more than half a month should be enough for you to learn something carefully."

Song Mu said nothing more and just nodded. At this time, Tao Fengming agreed on something with Song Mu again.

"Then starting from tomorrow night, come to my place every night to learn about foreign lands. Today is just the unfolding of a small foreign realm. As for the various foreign lands in the future, we will learn slowly from now on."

Song Mu stood up and bowed his hands respectfully. Tao Fengming didn't say anything and let Song Mu leave.

Coming out of Tao Fengming's courtyard, the cold autumn wind suddenly made Song Mu's thoughts clearer. Thinking back on it, his face was full of disbelief.

I didn't expect that I had just come to study in Fuzhou and that I would be leaving soon.

But soon Song Mu also figured out that it was not his turn to say anything. The disciple obeyed the master's wishes. Whatever the master asked him to do, as long as it was reasonable, there was absolutely no reason to refuse.

Besides being able to go out with the other party, Song Mu already had a lot more plans in mind at the moment.

Hunting is specifically to hunt monsters. In this process, not only can you test the situation in your own foreign land, but you can also make a good plan for another matter.

Poems from my own ancient books.

There are still only a few poems written by me in the ancient book, and the second half of the book is almost empty. If I can use this hunting trip to perform some war poems on some demons, then the poems I will get by then are

Quite a few.

This is actually a good opportunity.

With this idea in his mind, Song Mu was very excited at the moment. He planned to collect some war poems for study in the past two days and then try them one by one.



"At present, war poems can be divided into many types. According to the usage categories, there are strong war poems, military war poems, beast war poems, and material war poems."

"Its function is to activate the poems on the paper to enhance people, weapons, animals, and even objects such as water and fire. Of course, this kind of war poem is also the most common and can be adapted to changes."

"As for the factions, there are four major categories: the Romantic School represented by Li Sheng, the Realist School represented by Du Sheng, the Frontier School represented by Gao Sheng, and the Pastoral School represented by Tao Sheng, the oldest.

"

"Among them, romantic and frontier poetry have the greatest direct power. Realistic and pastoral poetry can enhance collective combat effectiveness through empathy. Of course, if it can be released through mind power, the effect is generally stronger than ordinary poetry."

In the Chinese language class one day, a master surnamed Zhong was explaining to Song Mu and other scholars the differences in poetry in the use of literary power. At this moment, everyone was listening attentively, and they even felt refreshed.

Speaking of war poems before, everyone just swallowed them wholeheartedly and used them casually.

But here, having a teacher like this carefully differentiates the genres of poetry and explains the usage of each type of poetry is really a great benefit.

Even Song Mu was recording carefully at this moment, and he was constantly flipping through the poetry album handed out by his master.

On it, there are thousands of poems or short sentences, all from various poems in the Tang Dynasty and before.

Even "Three Hundred Tang Poems", "Bai's Changqing Collection" and "Chu Ci" are now included in it, and various poems have very detailed descriptions and records of their effects.

After Master Zhong talked about the usage of poems for a long time, he suddenly changed the subject and began to talk to everyone.

"Poems are used for combat after all, but on the battlefield the warplanes are changing rapidly, and we often need to react in a very short time. If every word is written correctly, it will never be enough time."

Everyone nodded when they heard this. This drawback is also a topic that everyone often discusses.

That regular script poem, even the shortest five-character quatrain, would take several breaths of time to write down. If you were in a battle, you would definitely be overwhelmed, or even be killed immediately.

"In order to solve this problem, countless literati have also made a lot of innovations, and we have used a completely new way of writing."

As Mr. Zhong said this, he suddenly took a brush and started writing on the white paper on the table. After a moment, he picked it up and there was a line of cursive writing on it.

"We call this writing style combat style. In this style, a poem can be completed in just a blink of an eye. In the blink of an eye, it can be unleashed to kill the enemy."

This chapter is not finished yet, please click on the next page to continue reading the exciting content! Everyone looked carefully, with a look of surprise on their faces, because among the calligraphy and painting of dragons and snakes, they could vaguely identify each one.

font.

However, the strong strokes of the font have been weakened a lot, and all the characters have become longer and rounded.

At this time, Master Zhong also shook his head slowly, with a look of helplessness on his face.

"As you may think, this writing method also has a fatal flaw. Because the writing time of poetry is too fast, the time for infusion of literary power is correspondingly shortened a lot. Therefore, one blow is often more powerful than that of normal regular script writing.

It lacks a lot of power."

After hearing this, everyone had a bit of silence on their faces, and at this time someone stood up and asked questions,

"Master, is there a better way to replace this writing method?"

Everyone nodded and asked. Master Zhong stroked his goatee, then nodded and said.

"Yes, that is official script. The writing style of official script is round and smooth. If the font is simplified to today's writing style, the time can be shortened a lot."

“But it’s still very time consuming.”

Everyone's expressions suddenly changed, and Song Mu, who was sitting among them, was thinking slightly at this moment, making some comparisons in his mind.

As a hieroglyphic character in the strict sense, Chinese characters are bound to have complex strokes, and they have been continuously simplified in the long process of civilization evolution.

How literary power allows poetry to exert specific effects is actually to inject literary power into every word in it. When literary power talks about these fonts and completes a hook, the effect can be exerted.

During the battle, poetry actually had some shortcomings in this aspect, but an idea suddenly flashed through Song Mu's mind.

"Do you think there is any good way?"

Master Zhong asked again at this moment. Song Mu immediately stood up, cupped his hands and said.

"Master, the student has an idea and doesn't know what to do?"

"Let's talk about it." Master Zhong said to Song Mu with great satisfaction.

"Although we write poems to control the power of literature, in fact when we use some poems, we obviously use very few words in them to concretely attack."

"So..." Song Mu raised his head and asked, "Then can we use two fonts in a poem, with the unimportant parts using fighting font, and the important keywords using regular font?"

After hearing this sentence, everyone suddenly realized that this was very feasible.

Master Zhong also nodded with satisfaction, and immediately spoke.

"Yes, this is the method we finally concluded. This mixed calligraphy system, which we call Wenzhan style, is currently the most commonly used method by the border army."

After saying that, Master Zhong looked at the crowd and said, "This is also the level that every one of our civil war masters must achieve every time they write a battle."




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