The stone steps spiraling up became steeper as they went up. Kang Long found that as he went up, the Xuan Gong energy in his Dantian also showed signs of condensation.
He unknowingly used his thoughts to guide the Xuan Gong energy into the meridians of his legs and feet. Unexpectedly, the Xuan Gong energy could actually be used.
Once he gained the strength of Xuan Gong, he was no longer as cautious as before. He quickened his pace, eager to see what else he was looking forward to ahead of him.
Not long after, the spiraling stone steps suddenly disappeared, and when they went up again, they reached the end. The stone steps led to a small hole on the top of the rock. The small hole could only allow one person to pass through. The small hole was opened in the entire cave space.
The sides of the top of the top, and the rest of the place, were inlaid with a large number of gems that exuded a faint light. The gems were arranged very regularly. When he looked closely, Kang Long discovered that they were arranged according to the pattern of a starry sky map.
It is a simulated starry sky map.
A very large gemstone was also inlaid in the position of the small hole, and there were actually words on the hole. Kanglong looked at it with a faint light, and it turned out that they were also several ancient seal characters.
"The land of Ziwei, the platform of the emperor".
The position of that small hole occupies exactly the position of the purple star in the starry sky map.
Kang Long checked for a long time and found no other special places on the starry sky map, so he walked along the stone steps and entered the small cave. At this moment, his Xuan Gong energy had been fully restored, even if he encountered danger,
It also has the power to save lives.
This small hole is actually very long. Every few meters in the small hole, there are stones inlaid with soft blue light for illumination. The strange thing is that this small hole can only be climbed up. It is actually according to the slope of six meters.
It was dug up in a ten-degree direction.
After half an hour of climbing, the entrance to the cave in front was bright. Kang Long thought that it had already left the mountain, reached somewhere on the top of the mountain, or had reached the Wuji Pavilion, so he accelerated his pace in excitement and quickly climbed out.
to the entrance of the cave.
After exiting the cave, I realized that this was not on the top of the mountain, but actually in the cave.
However, this cave was dug very large, and the mountain walls inside were actually inlaid with a large number of luminous pearls. The bright light seen in the cave was emitted by these luminous pearls.
The night pearls were inlaid very strangely. They were arranged according to some kind of pattern that Kang Long couldn't even name, and there was some kind of Taoist rhyme in them.
The cave dug out is actually octagonal, with a cave on each side. The position occupied by Kanglong's feet is exactly a high platform in this cave, which is one foot long, one foot wide and one foot high.
This high platform is obviously the "Emperor's Platform" mentioned below.
On the roofs of the caves on all sides, there are seal characters engraved, which are arranged according to the directions of the Eight Diagrams: Qian Palace in the northwest, Kan Palace in the north, Gen Palace in the northeast, Zhen Palace in the east, Xun Palace in the southeast, Li Palace in the south, Kun Palace in the southwest, and Dui Palace in the west.
.
Kanglong jumped off the Imperial Platform and found that there were characters engraved on all four sides of the Imperial Platform. These characters were not seal characters, but ancient Chinese characters. In addition to the characters, there were also many figures engraved on it.
On the first wall of the Imperial Terrace, the pattern engraved is a picture of an ancient battle. There are countless armored warriors fighting on it. However, the armors worn by those warriors are very weird and do not look like the armors worn in the world.
The pattern, and the texture didn't look like metal. As for what it was, Kang Long felt a little familiar for a while, but he couldn't remember what it was.
Those armored warriors, led by two leaders, fought somewhere. One of the leaders, tall and handsome, was holding a broad sword majestically and leading the human warriors to the opposite side.
The enemy launched an attack. Another leader looked weird. Although he had a human face, he had two long horns on his head and his hair was red. This leader with horns was even bigger and stronger.
, half taller than the average warrior. He was holding a giant ax in his hand, and his whole body was full of domineering aura.
In his hand, there were actually some strange and strange warriors growing up. Some had the head of a bull, some had the head of a human and the body of an animal, and there were also people with wings flying in the sky.
The text next to it cleared up Kang Long's doubts.
"The Yellow Emperor's Battle with Chi You".
This is actually the scene of the battle between the Yellow Emperor and Chi You in ancient legends. There are many descriptions of this war in the text, most of which are similar to those written in later scriptures. They all glorify the Yellow Emperor and reprimand Chi You. However, at the end of the text,
, but said a few words that made Kang Long very concerned.
"After the great war in ancient times, the Yellow Emperor surveyed the world and left behind a copy of the Yellow Emperor's Classic and a copy of the Classic of Mountains and Seas. He learned that he could rule the world. After defeating the demon god Chiyou, the Yellow Emperor beheaded him, buried his head, and obtained the axe, the god of war.
Build a platform for the God of War, place the God of War's ax as a sacrifice, and the world will be settled."
In the past few days, Kang Long has been hearing people talking about Jiuzhou artifacts, three classics, three pictures, and three artifacts. Three of them are also mentioned here, the "Yellow Emperor Sutra", "The Classic of Mountains and Seas", and the God of War.
ax.
The second picture is the "Picture of King Yu's Flood Control". In this picture, King Yu, holding a fork in his hand, is leading the people of Kyushu to dig river channels in full swing. It is exactly the same as what was recorded in the scriptures and biographies passed down by later generations. Likewise.
, at the back of the text, there is a passage that surprised Kang Long.
This text also mentioned two things among the Jiuzhou artifacts, the "Picture of King Yu" and the Jiuzhou Tripod. According to those words, as long as these two things can be obtained, the location of the world's treasures can be found.
Damn it, these two treasures are incredible. They are the treasures in the world. These treasures may not be gold, silver and jewelry. The words in those words are very vague, but Kang Long speculates that it is very likely that the map of King Yu is on the map.
The locations of many metal mineral deposits have been recorded, and the Kyushu Cauldron is most likely an instrument that can sense the veins of these metal mineral deposits.
Kang Longxin said, Damn it, if you can get these two treasures, you won't be rich. What gold, silver, and gem mines are all at your fingertips!
Unfortunately, he had no clue where these two treasures were, so he could only take a look.
The third picture is the "Picture of the Ascension of Dao Ancestor". There is only one scene in this picture, that is the legendary Dao Ancestor, riding a legendary auspicious beast, carrying a long sword on his back, and holding a sword in his hand.
With a whisk in hand, the auspicious beast stepped on the auspicious clouds with its four hooves and flew away through the sky. On the ground, many disciples and disciples dressed in Taoist costumes knelt all over the ground, shouting something, and knelt down to say goodbye to the Taoist ancestor.
The text does not record the name of Daozu. Whenever he needs to be mentioned, the title of Daozu is used.
In the text, several treasures are also mentioned, including the "Tao Te Ching", "Heavenly Map" and the Kyushu Tripod. Unexpectedly, the Kyushu Tripod is also mentioned here. The Kyushu Tripod mentioned in the text is the same as the "King Yu's Flood Control Map"
The treasure, however, here has become an artifact for refining Taoist treasures.