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Chapter 117 Integration

117

The color of this skeleton is like white jade, with a bright color, like the python transformed into a dragon skeleton that Wu Ma Xi saw.

It is said that for those who have advanced in cultivation, the bones of the whole body will be re-tempered from the inside out, making them as smooth and firm as jade, which will remain unchanged for thousands of years. Looking at the color of the bones, it is obvious that this senior is also the same

Gong participates in creation.

However, even if it is as strong as a diamond, it still cannot withstand the erosion of time. On the surface of the bones, some traces of time can be clearly seen, and some details at the joints have become missing.

Wu Ma Xi picked up the skeleton, came to the stream, and sank it into the water. She took a regular stone nearby, bit off her finger and drew some runes on it, then put it into the water and sank with the skeleton.

This is called water burial. There are many types of funerals on the Tianshu Continent. Corpse chasers are funeral experts. They know these burial methods very well, and they can handle them properly according to the situation.

After handling the funeral, Wu Ma Xi found a few strange outlines on the ground where the skeleton was sitting. The lines were very simple and a little blurry, but Wu Ma Xi recognized it at a glance. This was a map.

It's a very unfamiliar map, I don't know where it is.

Wu Maxi drew the map on kraft paper, followed it around the bottom of the stone wall, and finally returned to the stone chamber.

He set up a bonfire in the stone room, ate some food, and then practiced and slept.

Starting from the next day, Wu Ma Xi focused his main attention on the six views of Jingzhe, took out a blank kraft paper and a twill pen, and prepared to copy the six views.

According to the six views, Jingzhe is a twenty-four-branch artistic conception. The weaving scale is roughly the same as that of Summer Night Firefly. Among the battle artistic conceptions, the scale is not small. From the perspective of the weaving style, the artistic conception has a compact and dense structure, which is similar to today's witchcraft.

The mantras are of the same origin, with only a few places adopting special structures.

With a solid foundation in three-dimensional structure, Wu Ma Xi completely copied this picture in less than two days, and the structure was almost memorized. Wu Ma Xi spent another two days to copy the entire structure.

Memorize it completely, and then start to calculate the traction.

Most of what is used in traction calculations is the theory of projectile.

This theory was first laid by Guan Chong, and Shi Qinglan and Gu Zizang have developed this theory, but it is not in-depth. In the past few hundred years, with the emergence of major artistic conception schools and theoretical research institutes, the theory of projection has been

After considerable development, a complete theory was gradually formed.

It can be said that seven or eight hundred years ago, the realm of realm cultivation did not have sufficient theoretical guidance for the exploration of unfamiliar artistic conceptions. Most of them relied on experience and extremely dangerous personal trials.

Wu Ma Xi has already finished studying the chapter on casting, and can barely cope with the pull and calculation of this artistic conception.

This calculation required a lot of work. Wu Maxi was a newbie to the project. In order to avoid missing out on one thing, the calculation speed was extremely slow. It took two days to complete a partial calculation on the lower left. Through these two days of calculation practice, Wu Maxi’s progress

It started to accelerate rapidly, and within four days, the entire lower left corner was calculated, and the speed further increased.

Nine days later, the traction calculation of the entire drawing was completed. Among the entire artistic conception, there are four tractions that cannot be perfectly woven at this stage. Fortunately, it only has some impact on the efficiency of the artistic conception and will not cause any variation in the artistic conception.

Various calculation formulas were filled with sheets of manuscript paper. Wu Maxi's traction calculations also officially came to the fore, and the principles of various formulas were used in a decent manner.

After that, Wu Maxi spent another five days checking the calculation results, correcting a few minor errors, and then started learning to knit.

Since it was her first time knitting, Wu Ma Xi knitted at an extremely slow speed. It took about half a minute for the entire artistic conception to be completed.

The whole artistic conception is like a snake of lightning, traveling through a void invisible to the naked eye. Wherever it goes, bursts of lightning are everywhere.

Generally speaking, this artistic conception is similar to the principle of Little Jingzhe, which is to activate the static current in the body and turn it into an invisible thunder and lightning, stimulating or crushing the organs and tissues in the human body.

Compared with Little Jingzhe, the power of thunder and lightning caused by Jingzhe's artistic conception is more powerful. At the same time, this lightning becomes controllable and can concentrate its power to hit a certain organ. In addition, this artistic conception finally has a striking distance of about ten meters.

, although it is incomparable to the more than 500 meters of the corpse curse, but it finally no longer requires physical contact.

Wu Maxi stopped Jingzhe in the void. Wherever his thoughts pointed, the artistic conception would immediately arrive. It can be said that he hit wherever he pointed, and the control was controlled by the heart. In the process of maintaining and controlling, this artistic conception would frantically extract the master's soul.

With Wu Ma Xi's cultivation level, after less than three minutes of testing, his spiritual power was already somewhat stretched.

He planted Jingzhe on Wujiao, controlled the thunder and lightning, and struck a muscle on the tail. After more than ten seconds of lightning, the entire muscle seemed to have been beaten hundreds of times and became much tighter, and,

The color of the color has also changed slightly. Among the fleshy red color, there is a little bit of bright silver color. After testing it with the corpse exorcism spell, the power of the tail of the black horn has been slightly improved.

Wu Maxi was overjoyed. In the past few months, he had been using Xiao Jingzhe to strengthen Wujiao's body, but with little effect. Wujiao's body seemed to have reached a certain limit, and it was difficult for Xiaojingzhe to increase his strength.

Now that I have learned the complete version of Jingzhe, the strengthening of Wu Jiao can finally continue. In addition, other corpses in the Elephant Ring can also be tempered using Jingzhe, and the efficiency will definitely be much faster.

In the next few days, Wu Maxi experimented with Jingzhe's performance over and over again.

Several corpses were tempered by him tossing and turning. The corpses of several Suiyu Que and Han E could not withstand the power of Jingzhe and were directly roasted. Fortunately, the remaining mountain beasts were always known for their solid bodies. After Jingzhe's tempering,

Under the training, the body has been strengthened rapidly. Drilling into the mountains is as fast as a weaving shuttle. The strengthening of Wujiao's body is also obvious. He can run on the ground and become more agile and vigorous.

In addition to body tempering, Jingzhe's fighting ability is also extremely powerful. Before the Starry Night Era, Jingzhe's violent fighting was famous far and wide. Some people were proficient in Jingzhe's witchcraft and even dared to fight hand-to-hand with the Shape Controller. Thirteen hundred years

Recently, in the finals of the Lanchi Tournament, the master of witchcraft Gao Jiesha knocked down the master of shape control Gu Xidi from close quarters, using Jingzhe.

Wu Ma Xi controlled Jingzhe and continued to practice underground. Jingzhe's artistic conception was like a snake made of lightning, containing extremely powerful and violent energy, and seemed to be ready to die with the enemy at any time.

Through these exercises, Wu Ma Xi has a general understanding of the power of Jingzhe. Next, he is going to sort out his artistic conception. He has learned a lot of artistic conceptions now. After the addition of Jingzhe, the whole artistic conception becomes more complicated. It is necessary to think about how to combine it.

Only in this way can the greatest power be exerted.

After that, Wu Maxi sat on a huge rock, thinking and experimenting. About half a month later, the initial integration of the artistic conception was nearing completion.

Generally speaking, he is quite satisfied with several of his artistic conceptions, including Moon Like a Bow in the distance, Jingzhe in the near area, Xinxue Kuangchao and the Little Divine Conferment Technique for containment, Spiral Cone Jingzhe Wandering Snake for breakthrough, and Kapok Spreading Fragrance for treatment.

, with the support of Spirit Fox and Sui Feng into the Night, coupled with the guidance of the detection spirit lamp, the practice of Xia Ye Yingyu, and the multi-functional corpse exorcism spell. The entire artistic conception has almost become a system, which is relatively complete. After advancing to the realm,

You can also learn about Ziji’s cycle of sun and moon to make the whole system richer.

After the integration of the artistic conception was completed, Wu Maxi turned his attention to the huge stone wall engraved with people's names.

Judging from the current information, the senior who carved this stone wall should also be one of the 20,000 witchcraft of Chaos Realm. But why did he carve this stone wall? What other content is on the stone wall?

Starting from the next day, Wu Maxi started to be busy in front of the stone wall. He wanted to place a Huabiao array in front of the stone wall. After the array was formed, a virtual light pillar would be stretched out, and the brilliance would shine, illuminating the surrounding area.

It is as bright as day. In the palace of the Great Xia Dynasty, during the first festival, a Huabiao Pillar hundreds of meters high was erected, illuminating the entire imperial city like a nightless paradise, extremely luxurious.

Huabiao Zhenyin has relatively high requirements for Feng Shui configuration. Wu Maxi is just a beginner in Feng Shui. He walks underground every day to explore. After about a week, he calculated a rough estimate of the entire terrain. Due to time and level constraints, he could not go any further, so he

Start arranging the array and place some required materials in the appropriate positions according to calculations.

The arrangement of this formation guide was not time-consuming and was completed in about half a day. However, the formation guide took up too much material. After this arrangement, a large piece of Wu Ma Xi's elephant ring was completely empty.

When the last beast bead fell into the spiritual cave of Zhenyin, a twenty-meter-high Huabiao Pillar was formed in the void. The brilliance on it flowed like white clouds floating in heaven, illuminating the entire space.

It was bright.

This is a magnificent underground space with a radius of 300 to 400 meters, surrounded by green and brown stone walls, which stretch straight towards the sky and only begin to close up at a height of more than 800 meters to form an arc-shaped dome.

It is like a colorful and strange picture on the roof of the temple, depicting the chaos and splendor of the beginning of the world.

Wuma Xi turned around and stared at the top of the stone wall. The writing on the stone wall started from a height of 600 meters and went down. Each character was as big as a human standing and was written all the way to the bottom of the stone wall.

This is such a huge project. Even if there are natural stone walls provided by nature, so many words are engraved on it, which is enough to be called great.

Wu Ma Xi stood in front of the stone wall, feeling like an ant standing in front of a great man. Apart from admiring and admiring him, he could not touch his height at all.

He stood in front of the stone wall for a long time before he began to read the text below, chanting slowly word by word, as if he was reading a poem about the beginning of the world.dd

This chapter has been completed!
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