Wu Maxi turned on the dim oil lamp a little brighter, and looked through her luggage and past memories under the oil lamp.
In the corner of the package, there were several large and small books bound in various styles. Among them was a thread-bound book with six seal characters "Analysis of Three-dimensional Structure" written on the page.
This book is the only gain from my great-grandfather Wu Ma Shisan’s trip.
Historically, this book has caused great controversy. This book was excavated 120 years ago. It is said that the location where it was unearthed was the tomb site of the Wanliu era, and it was signed by Shi Qinglan. This person was from the Wanliu era.
He is a famous artistic conception master and has published many works on artistic conception theory.
Although the status of three-dimensional structural science was declining at this time, this book immediately became popular around the world through Shi Qinglan's name.
In the last chapter of this book, there are several research results on artistic conception that had never been seen in the realm of artistic conception at that time.
Then many practitioners practiced according to that research result, and in ten years more than 6,000 people were killed in it, including some venerable and master-level figures.
However, because Shi Qinglan's reputation was so great, and those research results seemed to be very reasonable, the realm of spiritual cultivation at that time still had full confidence in this book, and believed that it was an ineffective practice.
A few years later, a tomb thief dug up the tomb of Lan Min, the master of astronomical phenomena, and found her diary. The truth was finally revealed to the world.
It turns out that the real author of this book is actually Lan Min, and those so-called research results of Shi Qinglan are just some speculations of Lan Min. Due to his limited reputation and difficulty in promotion, he had to borrow Shi Qinglan's name and write it.
I wrote, directed and acted in such a farce.
In addition, there is a very deceiving news. Lan Min himself practiced those guessing results to death.
Suddenly there was a lot of curses in the realm.
The book was banned for decades.
Because this book still has merit, especially the part about three-dimensional structure that is really brilliant, it was reprinted many years later, but the author's name was changed to Lan Min, and all the deceptive speculations in the back were deleted.
As for the book in Wu Ma Xi’s hands, the author’s name is still Shi Qinglan.
This book is Wu Ma Xi’s only textbook on artistic conception theory.
Influenced by her great-grandfather's stories, Wu Maxi has been full of curiosity and longing for Jingxiu since she was a child. But she didn't realize how difficult it was until she started practicing.
The first artistic conception that Wuma Xi practices is Feng Pan.
Compared with other artistic conceptions, this artistic conception is very simple. But for a new artistic conception, especially a six-year-old child, it is too difficult. Recording the six views of the wind disk is the simplest six
Even though she had a full view, she was still not much smaller than six-year-old Wuma Xi when spread out.
Wu Maxi lay down on the six drawings and memorized the lines bit by bit, often remembering the latter but forgetting the front.
This kind of homework occupied all of Wu Ma Xi's free time. By the third month, Wu Ma Xi finally became proficient in memorizing this artistic conception and began to practice.
But the first time I practiced, I went crazy.
The wind disk has been passed down in the Wuma family for thousands of years, and time has already proven the reliability of this artistic conception. Obviously, the reason for the obsession is that the artistic conception weaved by Wuma Xi is not accurate enough.
This obsession almost made Wuma Xi crippled, and his legs were paralyzed for three months. From then on, Wuma Shu would not allow his son to try to practice artistic conception again. And Wuma Xi's homework became this book
"Three-dimensional Structure Analysis".
Hundreds of years ago, when Yi Jian was not invented, artistic conception was recorded on the six views. If you want to accurately weave an artistic conception according to the six views, you generally need to have a foundation in three-dimensional structure. Therefore, at that time, three-dimensional
Structural studies is also one of the important courses in environmental studies.
In recent years, due to the popularity of Yi Jian, three-dimensional structure has become less and less important. It has changed from a compulsory course to an elective course, and from a half-year course to a three-month course.
The Wuma family did not intend to simplify this thing. The corpse exorcism spell and the wind disk are all recorded on the six views. However, because the wind disk is a two-dimensional artistic conception, and due to the lack of teaching materials on three-dimensional structure, for many years, the Wuma family has been unable to get started.
When studying, courses on three-dimensional structures are often ignored.
Because of this obsessive accident, Wumash regarded this course as extremely important and occupied almost all of his son's free time.
The specialized study of "Three-dimensional Structure Analysis" lasted for a full year.
The study of basic theories is boring and cumbersome for a child. However, due to his father's supervision and his own desire to cultivate artistic conception, Wu Maxi studied very hard and quickly became immersed in it.
During that time, Wu Maxi's mind was filled with lines in space. Even when she was dreaming, all kinds of monsters in her dreams were made up of lines.
It can be said that this book killed his childhood.
This year's study was extremely fruitful. A year later, when Wu Maxi saw the six views of the wind disk again, the lines on it were no longer so messy. In his eyes, these crisscrossing curves were
It became clear and organized. Almost within half an hour, he remembered this artistic conception accurately and clearly.
However, Wu Mashu was frightened by that obsession and did not believe that his son had clearly memorized the artistic conception, so he still did not allow him to start practicing.
So Wu Maxi spent an hour redrawing the six views of the wind disk.
The so-called six-view, the full name is four-dimensional six-view. It is generally composed of views from six perspectives, up, down, left, front and back, and then uses colors to mark the time dimension. The three dimensions of space plus the time dimension make a total of four dimensions, six.
Views. So it is called four-dimensional and six-view.
In history, the four-dimensional and six-dimensional view occupies a very important position. It was its invention that freed practitioners of artistic conception from the curse of obsession. It is the key to the prosperity of artistic conception.
The wind disk is just a two-dimensional artistic conception, so it has only one view, plus the time dimension, to be precise, it should be called a three-dimensional view.
Wu Mashu carefully compared the two six views of Feng Pan and found that they were exactly the same, and finally agreed to Wu Maxi's cultivation requirements.
From then on, Wu Maxi began to practice with the wind pan artistic conception. That year, he was only seven years old.
The process of artistic conception cultivation is very boring, especially when using an inefficient way of cultivating artistic conception. After practicing for several hours a day and persisting for half a year, you still cannot see much progress. This boredom and frustration are enough to make most of the artistic conception practitioners practice.
Intimidated.
After practicing for more than half a year, he still couldn't see any improvement in his artistic conception. Wu Maxi had already lost his original optimistic mood. He began to feel bored with practicing and became very irritable before each practice.
However, daily practice is unavoidable. On the one hand, it is because I am still full of yearning for the life of spiritual cultivation, and on the other hand, it is because of the persistence of my father Wumash.
Although Wu Mashu has no hope for his son's future, he has very strict requirements for cultivation. Three hours of cultivation time every day is unbreakable. Even during the journey of exorcising corpses under harsh conditions, as soon as he settles down, the first
The thing is to practice.
The compulsive practice continued for about half a year, and the boredom slowly disappeared. Practice seemed to have become a part of his life. Three hours of practice every day seemed to be a natural behavior, just like eating and drinking.
This practice habit has continued, even under the worst conditions. On the day his father passed away, his heart was so empty that he stood on the top of the mountain and looked around at a loss. He was so confused that he wanted to die with his father.
, the only way he can think of to relieve his stress is still practice.
Wu Ma Xi breathed out a breath, and the oil lamp in front of him formed a small lantern. His eyes fell on the seemingly gentle flame, and his eyes gradually became blurred, and the motionless flame seemed to become
Blurred.
When he was seven years old, there used to be a bonfire in the Yiren Mountains.
Sitting around the bonfire were Jingxiu, businessmen, poets, scholars who came to Beijing to take the exam, and the father and son of the Wuma family who handed over the body. At that time, the father and son were regarded as refugees and were preparing to seek refuge in other places.
Relatives and friends.
It was the beginning of the month, and the sky was full of stars but there was no moonlight. A group of people gathered around a bonfire and listened to a poet singing "The Biography of Master Jingwei", which tells the story of a great master of Jingwei who traveled to Jingwei. Everyone ate barbecue.
From time to time, someone cheered and interrupted, and the scholar shook his head and recited poems to add to the fun.
At that time, Wu Ma Xi was pink and cute, and she had been cherished for a long time after being held in the arms of a female cultivator. It was in that gentle embrace that Wu Ma Xi saw the magic of artistic conception for the first time.
In the jade hand, various changes of light and shadow are performed, and flowers bloom and fall.
On that poetic night, what fascinated Wu Ma Xi was not only the magical artistic conception, but also the gentle embrace and beautiful face of the female Jingxiu, which was close to the taste of her mother. Many years later, Wu Ma Xi
I want to understand that at that time, besides myself, the person who was fascinated by the female cultivator should also be the handsome scholar who peeked at her from time to time.
One day half a year later, Wu Maxi found out that the female cultivator at that time wanted to accept her as her disciple, but Wu Maxu refused.
In a ruined temple, while the father and son were preparing dinner over a bonfire, Wu Masu accidentally mentioned this matter. Wu Masu's heart was full of grievances and resentment towards his father. He had been introverted and withdrawn since he was a child, and his children acted recklessly.
He didn't know how to do anything at all, he was just sulking alone. And this sulking was not noticed by his careless father at all.
Looking back, my father has always been so dull. In my memory, the sad expression has almost solidified on that weathered face. Of course, I have seen other expressions on that face, but
In my memory, this scene is so far away.
When I was five years old, I followed my father to remove corpses for the first time, and I saw my father being beaten. Three or four big men surrounded Wu Maxu and stamped on him. The young Wu Maxi stood a few meters away, howling in fear.
Cry loudly.
When those people left with satisfaction, Wu Maxu got up from the messy ground, with his head covered with dust and grass clippings, making all kinds of funny faces in front of his son, but still could not stop Wu Maxi's laughter.
Choking, it was not until Wu Mashu handed a large bunch of hawthorn candied haws to his son that his tear-stained face finally showed a smile again.