In the next ten days or so, Wuma Xi stopped here. The scenery of this place was magical and magnificent, but it was too cold and not a comfortable place to live. However, Wuma Xi's long-depressed sadness began to emerge.
His wild beast-like howls echoed from time to time in the cave, and the colorful pool was also mixed with his tears while bathing.
There is a stele-shaped standing stone next to the camp. Wu Maxi often sits leaning on it, talking to the stele while studying, as if the stele is an old friend whom he has not seen for a long time.
There is absolutely no clue about the research on the texture of the bottom of the pool. According to Wu Maxi's guess, the emergence of Ningsi Lian must have a very profound connection with these textures. And Wu Maxi's current method is to use a set of sharp edges to reproduce it on the bottom of the pool.
These textures, observe whether there will be any condensation after these textures are painted on.
The technique of counting love silk is mainly to rotate the wrist and fingers, and the force is relatively small. The texture on the bottom of the pool is quite thick, so it is difficult to carve it with Tao Feng and number love silk. Often, each texture must be carved repeatedly to achieve the scale of the pattern.
It meets the requirements, but the resistance in the water is large, which makes carving even more difficult.
The water in the pool is cold to the bone, and often the hands become numb from the cold within a short time of carving. I jump up to read a book, and then jump back into the pool to carve.
Fortunately, the texture that Wuma Xi needed to carve was not complicated, and it was completed after five or six days of intermittent carving. Through these five or six days of carving, Wuma Xi's number of emotions actually made great progress, and the blade became much more flexible.
, the grasp of hardness and softness becomes more and more comfortable, and the lines of the hands become more graceful and agile, like a sparrow.
However, no changes have occurred in the texture of the finished carving. The water in the pool is still as clear as a mirror, and the texture depiction on the bottom of the pool can be directly seen. Wu Maxi studied and observed by the pool. Five or six hours passed.
However, no changes occurred between the lines, and there was no trace of Ningsi Lian.
This time the experiment ended in failure. But Wu Maxi did not give up. While thinking about the reasons for the failure, she chose the pot for the next experiment.
The study of the theory of artistic conception is still making great progress. Wu Maxi, a student of artistic conception analysis, has finished the preliminary course on trigonometric rules and has begun to come into contact with the theory of trigonometric functions.
"Artistic Concept Analysis Rules" is a course that Taiyin emphasizes. Before the incident, the main course in Taiyin's realm room was artistic conception analysis. Among these young people, Guan Xunxian has made the fastest progress, and his trigonometric function learning is close to
It's the end.
There are eight trigonometric functions, and the transformation between them is extremely wonderful. Relying on the calculation of mutual transformation between these eight functions, many turning structures in the weaving of ideas can be easily analyzed.
Wu Maxi was initially exposed to trigonometric functions and made rapid progress. She was already trying to use these functions to analyze some structures in Xia Yeying's language and had already made some gains.
Xia Ye Ying Yu** has two missing places and five imperfect weaving places. After this period of analysis and calculation, although no improvement has been made to these weaving structures, the understanding of the entire artistic conception has become deeper.
, and the deeper you go, the more you worship the creator of this artistic conception.
This artistic conception has hundreds of structures, large and small. Although these structures have different styles, their operation efficiency is extremely high. In addition, the mutual cooperation between the various structures is also wonderful.
In today's realm of realm cultivation, when many realm cultivators create artistic conceptions, they select ready-made and suitable small structures from the "Impression Structure Spectrum", and then combine them with each other through calculations, try to weave them successfully, give them a name, and sign them.
If you put your name on it, it will be considered a success.
Tai Yin is somewhat disdainful of this creative method. However, this opportunistic method has also brought about the rapid development of structural investment theory. It can be said that today's structural investment theory is better than that of three to five hundred years ago.
It's an earth-shaking leap. But what's very interesting is that among the several artistic conceptions that Wu Maxi has come into contact with, the ones with the best structural coordination are all those with a longer history.
Among the artistic conceptions Wu Ma Xi came into contact with, the one with the best structural coordination is the Corpse Exorcism Curse, followed by the Summer Night Firefly Language. These two artistic conceptions have a long history, and they must have been used to exorcise corpses thousands of years ago.
The structural coordination of the mantra is more precise, while Xia Yeyingyu is more ingenious, with many fantastic ideas. It is obvious that the creator of this artistic conception is a genius with rich imagination.
The overall weaving style of this artistic conception is relatively light, close to the Platonic style mentioned in the textbook. According to the introduction of the textbook, this style should be suitable for tranquil scenes.
There was too much suppressed sadness in Wu Maxi's heart, and her emotions affected the waveform of the artistic conception through the branches of her mind, which ultimately led to a decrease in the execution efficiency of the artistic conception. As she vented these days, her sadness gradually settled, and her mood gradually calmed down, Xia Ye Yingyu said
It has also restored its original efficiency, but from a subtle point of view, Xia Ye Yingyu is different from before after all. Tian.
In the past few days, Wuma Xi has remade the Nanli Urn. Due to the fine materials, good carving techniques, and professionalism, the quality of this Urn is extremely outstanding and has surpassed some of the best Nanli Urns sold on the market.
Ruined.
With the power of this Nanli Lu, Qing Dan and Yu Liu Dan were also refined. At the expense of a significant decrease in the number of Cheng Dan, the efficacy of the medicine was greatly improved, and it was close to the level of Ju Hansong.
, it can satisfy Wuma Xi’s use. But if we want to calculate the cost, we will lose Dafa.
His method of refining alchemy is a complete waste of medicinal materials. Fortunately, the ancient dagger stock is extremely abundant, which is enough for him to waste it for a long time.
In addition, he is still planning to refine the Giant Whale Pill. He has two copies of the Three Return Pills and the Spirit Drink Pill in stock. As long as the Giant Whale Pill is in place, he can try the three pills at the same time again to boost his cultivation level.
But there was another situation that made him a little worried. After advancing to the seventh level, the hidden wounds inside Yi Zhu tended to become stubborn. Considering that taking the three pills together would make it more difficult to cure his hidden wounds, Wu Ma Xi still took the
He is undecided, but this will not affect his alchemy process.
The Giant Whale Pill is not a simple elixir like Qingdan Yuluo Pill. Twenty-nine kinds of medicinal materials are needed, and they are very valuable. Wu Ma Xi’s Xiang Ring has a rich store of medicines, but it still lacks two flavors.
, Fortunately, those two medicines can be substituted with other medicinal materials. The last time Ju Hansong refined the Giant Whale Pill, he used six substitute medicinal materials, which resulted in an insufficient quantity of completed pills and a somewhat reduced efficacy of the pills.
.
This time the elixir was made using only two alternative medicinal materials. Although the technique was not as skillful as Ju Hansong's, the effect of the elixir should not be much worse than Ju Hansong's.
The alchemy furnace and medicinal materials were placed next to the color pool. The refining of the giant whale elixir was very time-consuming, and it often took three to five days to condense the elixir. The reason why Wu Ma Xi chose the alchemy location next to the color pool was because she wanted to make the elixir in the same place.
At this time, continue to copy the texture of the silk.
This time the elixir refining took a long time, and the requirements for the furnace fire were not so changeable. Wu Maxi was afraid that he would not be able to supply his spiritual power, so he chose animal beads for the spirit.
A silver-gray beast bead has been embedded at the bottom of the Nanli Urn. With a little guidance of spiritual power, the entire alchemy process begins.
The preheating option is slow fire. A few flames are burning at the bottom of the purple solution furnace. After about three minutes, half a cup of melting agent made by blending six kinds of medicinal materials is put in and simmered over low heat. This cooking period needs to last for about 20 minutes.
For hours, the fire remained unchanged.
After Wu Maxi set the fire intensity, she jumped into the color pool and started copying the texture again.
With the experience of the last time, the copying this time was much smoother. The tip of the sleeve rotated under the water like a snake, accurately and dexterously carving on the rock formations at the bottom of the pool, outlining it one stroke at a time, and soon the painting was completed.
After figuring out the outline of this pattern, the next step is to use time to carve these patterns in depth.
Time passed slowly amidst the busy work on and off the shore. The situation in the alchemy furnace had always been normal. The color and smell of the alchemy liquid were in line with the description of the alchemy recipe. The process of refining the alchemy was proceeding smoothly.
Three days later, the copying of the texture was completed first. Before Wu Ma Xi had time to observe, he immediately began to pay attention to the movement of the alchemy furnace. The alchemy was nearing the end. From this moment on, the control of the fire and the alchemy furnace became more and more urgent.
jing accurate.
Wu Ma Xi calmly dealt with it and carefully passed through the Dan recipe one by one, and everything went normally. In the end, the melt in the furnace instantly turned into a golden green color, Wu Ma Xi quickly threw the Marmock Lake and Xian Urea into the furnace, and the fire suddenly became fierce.
At the limit, the volume of the golden-green liquid in the furnace quickly began to condense. After about half a minute, it condensed into two brown pills, emitting a fresh smell. They were the giant whale pills.
With two pills, this achievement is already higher than that of Ju Hansong.
Wu Maxi put away the elixirs, took a short rest, and then began to observe the changes in the color pool. Unfortunately, the color pool was still quiet, and the copied textures failed again.
One gain and one loss, as it should be. Wu Maxi had a good mentality and began to reflect on the reasons for the failure.
There is absolutely no deviation in texture copying, but it still fails. Why is this?
There must be a factor here that I have overlooked. What could it be?
Wu Maxi returned to the two colorful pools with silk threads and observed them carefully.
There are slight differences in the textures in these two color pools, and the condensation threads in them are also slightly different, but this is by no means the reason for the failure of copying.
In this lottery pool, what factors have been ignored by you?
Wu Ma Xi sat next to the colorful pool, looking at Ning Si Qian and lost in thought.
A drop of ice water fell from the cave ceiling and landed on Wu Ma Xi's head, instantly opening up his inspiration.
Yes, it's water, it's water.
Although the water in these colorful pools is the same, the flow speed and direction are different. This should be the difference between these colorful pools.
Thinking of this, Wu Maxi immediately started to do experiments, took out the dark sand and sprinkled it in the colorful pool, tested the speed and direction of the water flow, and soon got the result. The water flow speeds of the two pools with condensate threads were roughly similar.
, the water flow direction is almost exactly the same as the cutting angle of the texture.