264、God enters, and the new body retraces the old style
Cheng Tianle was stunned for a moment, thinking that the "mouse" was talking about a problem, so he unfolded the painting and did not enter it. Instead, he looked at the painting in the inner scene of Yuanshen as before. But as soon as the painting was unfolded, the inner scene naturally turned into
Exterior scene, he goes in again! The mystery of this painting has changed for him. When he controls the weapon, he automatically senses it, and a world directly unfolds and embraces his soul.
Cheng Tianle was taken aback, exited the state of concentration and said: "This won't work. Use the state of concentration of Yuan Shen to observe the Dharma and the imperial weapon, and now you will naturally enter the world in the painting."
"Mouse" also tried it and found that this was indeed the case. He said in confusion: "So, this painting mark cannot be changed?"
Cheng Tianle: "The traces of paintings cannot be changed, but when we enter the paintings, the world we each see is evolving."
"Mouse": "Melander once borrowed this painting to look at it for three days. After we got it back, we didn't find any changes. We can still use the method of viewing the painting to change the traces of the painting. How can we explain this? Didn't he have any changes at that time?
After entering the painting, or after entering the painting, he can no longer change the ink marks on the painting?"
Cheng Tianle frowned and said: "I haven't thought about it clearly! Since we can enter the world in the painting, and this is also a way to cultivate the soul and energy, let's try to figure out the mystery of the world in the painting. Maybe then we will be able to
There are answers.”
Since it is something that cannot be understood, there is no use in daydreaming. It is better to go into the painting to find the answer. At least first understand what kind of world it is? Since the exterior scene and the inner breath are integrated into the calm state, entering the painting is also a practice, so Cheng Tianle
During the next period of time, I didn’t go out, but traveled around the world in the painting every day.
It’s interesting to say. When you have reached this level of cultivation, all you need is to travel. Whether it’s exterior scenery, inner breath or inhabitation, it all focuses on understanding the world outside the body. Cheng Tianle lacks the conditions in this aspect, but he enters the other side of the painting.
A world.
He is a real person and thinks about real problems. For example, not long after he first entered the world of paintings, he went to a shopping mall to swipe his credit card to buy a set of clothes. Then he exited the Dingjing, put away the paintings and went straight to the bank. When he checked his balance, there was no money at all.
Change. The painting is indeed another world. No matter what he does in that world, it will have no impact on the real world.
Cheng Tianle couldn't help feeling that this painting seemed to contain proof of various levels of cultivation. The magic techniques he had practiced could also be reflected in the wonderful use of this painting. The world in the painting originally overlapped with the real world.
But from the moment Cheng Tianle entered the painting, they became two parallel lines that did not interfere with each other. It seemed like it was just a dream.
The only person who has an impact on the world in the painting and the world in the painting is Cheng Tianle himself! In a sense, he is equivalent to the person who walks into the painting from outside the painting, and is also equivalent to the person who walks out of the painting.
.
No matter who encounters such a thing, they will inevitably have an idea - what has happened in the real world. Will it happen in this picture scroll world? This has been confirmed before when viewing the painting, but at this moment
There is one more variable, which is what Cheng Tianle himself did in the painting.
Cheng Tianle enters the painting every day and still lives in an apartment next to Shuige Road. There are two worlds inside and outside the painting. So there is no reference for time advancement. Everything depends on the depth of his magic power in the calm state. He first
What is confirmed in the scroll is - can a new scene be opened?
Cheng Tianle used to be able to visit many places in Suzhou when viewing paintings, but he has never been to more places, whether in the paintings or in real life. Even if a person lives in a city for a lifetime, it is impossible to visit every street.
It is impossible to enter every room in every building. Even if it is the neighbor next door, Cheng Tianle has never been there in the world of picture scrolls. Knocking on the door to visit is equivalent to opening a scene, which requires the consumption of divine energy.
After all, this is the world in the painting, and the range of scenes he can open is also limited, depending on how powerful the soul is. For example, Cheng Tianle walked to an alley that he had never been to before. Looking around, it was chaos, and he needed to walk
When he opened the scene in the past, this experience also reminded him that this was not the real world, or showed him the mystery of the scroll.
After understanding this, Cheng Tianle stopped wandering around. If he used his limited spiritual power to open unnecessary scenes in the scroll, after reaching the limit of his power, other more important scenes would not be able to open the scroll.
The time passed quickly on the fifteenth day of the first lunar month, and Cheng Tianle received a call from Wu Jiaming.
Wu Jiaming told Cheng Tianle that he indeed found a yellow weasel demon at the construction site of Ningbo Anda Company, but he accidentally let the yellow weasel demon contaminate his soul with its astonishing fart. He is currently hiding in a hotel to recuperate, it seems.
It's something we can't handle, and we have failed to fulfill our expectations.
Cheng Tianle was a little surprised when he received this call. It seems that the world in this picture is still moving forward according to the original rules, and he himself is the only variable. This thing did happen in reality, and he answered the phone
The place was in his hometown, but in the world of the picture scroll, because of his intervention, the place where he answered the phone was Suzhou.
Cheng Tianle is faced with a choice. In this picture scroll world, should he conquer the golden-threaded rat Shenglong? If he doesn't go, it means that the world will be different from now on, and the people and things around him will undergo great changes.
Cheng Tianle thought about it for a long time and decided to go there.
It is not surprising to do this. It is completely in line with Cheng Tianle's character. He would only feel entangled if he did not go. The world in the painting is also the world, and the feelings are no different from reality. Why not do something that can help the golden-threaded mouse?
However, after making this decision, he faced another problem. The scenes in this scroll world were not something he could open if he wanted. The project site of Anda Company was in Ningbo. Can he go there in the painting?
Can you always give it a try? Cheng Tianle also wanted to take this opportunity to confirm certain things.
In the world of picture scrolls, he called Yi Bin and asked Yi Bin to send a special car to take him to Ningbo. Yi Bin was overjoyed and of course he hurriedly did it. When Cheng Tianle left Suzhou in the car, he looked out the window and saw a hazy scene. What?
He couldn't see clearly, and then he finally realized the difference between being inside the scroll and painting outside the scroll.
In the scroll world, he is not a bystander but a participant. He can touch and change various things. For example, he can leave Suzhou by car. This is not difficult. The scene that needs to be opened is just the space inside the car, but he
He couldn't see the world passing outside the car window. He was happy to use his magic power to look out the window, and the fields on both sides of the road immediately appeared clearly. Then he felt the magic power passing by quickly, and then he was shaken and exited the state of tranquility, still in the real world.
Sit down with a picture scroll in your hand.
He sat in the car and left Suzhou. He wanted to see the scene outside the car clearly, which was equivalent to opening up the world that had not yet been shown in the scroll at a very fast speed. At this moment, his energy was exhausted and he could no longer control the weapon. After understanding this, he became a god.
Le regained his composure and entered the world in the painting. He was still sitting in the speeding car. He closed his eyes and stopped looking at anything.
He walked through the road in the scroll in a strange way. The only scene that opened was the car he was riding in. After arriving in Ningbo, he opened his eyes and a new scene opened. Li Liqian, the owner of Anda Company
Come to greet him, Professor Song Zhaonan also rushed to Ningbo that afternoon, and ate with Cheng Tianle at the reception dinner held by Anda Company.
What happens in the picture scroll world is slightly different from what has happened in the real world. In the real world, Cheng Tianle and Song Zhaonan met at the airport and arrived on the same plane, but in the picture scroll, they were first in Ningbo.
We met for the first time. At this time, Cheng Tianle was wearing a Chinese suit and a ponytail. He looked confident and graceful. He already looked like a "master".
Song Zhaonan didn't know Cheng Tianle, but Cheng Tianle knew Professor Song. He was very humble at the banquet and asked to accompany Song Zhaonan to the historical records to check the information the next day. The story that happened is also represented in the scroll in another way.
It started one way, and there is no need to repeat what happened next. It was almost exactly the same as the previous experience, and Cheng Tianle did not deliberately change anything.
They still set up an array to subdue the golden-threaded rat, followed Huang Shang's plan to steal the dragon and turn it into a phoenix, and sent Shenglong back to Suzhou; according to the plan provided by Professor Song Zhaonan, Anda Company rebuilt the Temple of Heroes of the Sea; Zhou Feng and Yu Wenting came to visit one after another.
, Cheng Tianle got three Huangya Dan and a stone he didn’t recognize; when he left Ningbo and returned to Suzhou, he had an extra five hundred thousand yuan in his pocket.
Of course, there are still subtle differences in the details of the matter. One of the most interesting tidbits is that when Wu Jiaming, Huang Shang and other demon cultivators saw Cheng Tianle, they were surprised and asked: "Mr. Cheng? Why does your hair grow so fast!"
It’s just been the Spring Festival, and you’re already wearing braids?...Well, this hairstyle is really chic!”
Cheng Tianle smiled and explained: "I have been practicing a secret kung fu recently, and my vitality is strong, so my hair grows very fast."
Still in the same way, I returned to Suzhou with my eyes closed in the car. Next, the young man sent by Melander arrived as promised and completed all the procedures for lending the house to Cheng Tianle. Cheng Tianle once again started to draw pictures.
The world has moved into that house. The strange thing is that the "mouse" has never appeared in this world. Cheng Tianle can't figure out why the "mouse" disappeared?
It may be because Cheng Tianle did not bring the "mouse" with him when he entered the world of picture scrolls, thus changing some of the existence of this world; it may also be that the "mouse" also entered the world of picture scrolls in his own way, so Cheng Tianle's picture scroll
Can't see it in the world
See him; or it may be for more strange reasons. For example, the "mouse" once entered the scroll world by mistake, but was taken in by the stone fox statue on Shantang Street, and was photographed out in time by Cheng Tianle.
, so it disappeared from the picture scroll world.
Cheng Tianle couldn't determine the specific reason. In short, his participation led to some subtle changes in the world in the painting, and the disappearance of the "mouse" was one of them.!~!
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