267, Gusu travel, the hustle and bustle are getting far away
Su Fu's body shook for a moment, and a slight tremor seemed to spread along Cheng Tianle's fingers to his whole body. He said, "You..." and did not make any more noise. Then Cheng Tianle's legs stretched in from the bottom of the quilt, followed by his entire person.
He finally hugged her, and could feel the softness and elasticity of her body. Then he unbuttoned her pajamas... and then entered her. Su Fu's tense body suddenly became soft, trembling more and more violently, and he kept pushing his hands away and hugging his waist tightly. The world seemed to have become blurred...
When it was dim, Su Fu saw his long hair and scattered face red, curled up in Cheng Tianle's arms, his eyes closed, but his long eyelashes were trembling slightly, and then Cheng Tianle turned over and hugged her under him again...
As for women, Cheng Tianle can be said to be experienced or inexperienced. He was a virgin when he graduated from high school and left his motherland to study in Europe, but he was not the case when he came back. He left his innocence to the little foreign horse in the red light district of Germany. That time Yu Fei took him there. After returning home, he studied in Shanghai and studied in art. He also had a girlfriend. He rented a house outside the school for several months, but later broke up.
The reason for the breakup may be very simple. At that time, Cheng Tianle was absolutely not outstanding in all aspects. When considering the real problem, it seemed that he would always be the one who was injured. Today, this experience may be just a need for lonely men and women. After coming to Suzhou, Liu Shujun once made him a little moved, but it was just a natural sensation. If it is said that he was pursuing the girl he was moved for the first time in the true sense, it was Xiao Su.
The past loss, missed dates, and ripples of love have all been saved in the world of the scroll. In fact, from the perspective of the bystander, Cheng Tianle just proves one thing: as long as he wants, he can do this. But is there any need? Cheng Tianle did not think too much about it. The world of the scroll gave another trajectory different from reality, and this feeling was also very good.
If Cheng Tianle's original intention of painting was to practice martial arts, then now he is addicted to the feelings of the world of this scroll. There is a vague sense of satisfaction and accomplishment of time travelers changing history. But on the other hand, he is also very sober and does not want to do any earth-shaking achievements in this scroll. This is nothing more than a scene developed by the scene of the soul.
Perhaps anyone in his situation will be more or less addicted, and Cheng Tianle is not lost after all. He is very clear that he is still himself in the world of the scroll. He does not have the cultivation and ability beyond reality. If he wants to stay in the world of the scroll for longer and open a larger scope, he must have stronger soul magic power.
In addition to taking turns to enter the picture with "mouse" every day, Cheng Tianle also practices martial arts in the back garden pavilion to cultivate his spirit, but he almost never goes out again and rarely calls together demons to gather together.
Su Fu and Cheng Tianle in the picture form a semi-cohabitation relationship. The two often do things together that men and women in love can do. Cheng Tianle likes that feeling, or feels excited and exciting. In the picture world, Su Fu is still Su Fu, and she is still submitting resumes to various places, looking for new positions. But she always has to go too far or too low.
Of course, Su Fu wanted to find a white-collar job with good treatment and good social status. Even if he was not as good as the original assistant to the general manager, at least he would not be too different. But reality is always unsatisfactory. Her social circle in Suzhou was originally closely related to Dong Luo, and all kinds of friends who had dealt with in the workplace did not introduce her to her desired position. As for posting her resume aimlessly, the effect was not very ideal. There were even a few interviews that she could detect something wrong with the other party’s eyes, so of course she didn’t want to do such a job.
Xiao Su still retained her reserve and self-esteem, and refused Cheng Tianle's suggestion to arrange a good job for her. If Cheng Tianle wanted to find a way, it would be nothing more than to ask Yi Bin to arrange it. Cheng Tianle even thought of finding Hua Bin for help. But Su Fu didn't want him to do that. In a sense, she was still sensitive and had a knot in her heart. Otherwise, she would not have resigned from Dong Luo on the voluntary basis, and she still hoped that she could prove something.
The time in the world of the picture cannot be measured by reality. How long has it passed? It depends entirely on the depth of Cheng Tianle's magic power in the state of concentration. Cheng Tianle and Su Fu have been together for several months, but Su Fu still has not found a satisfactory job. One day, he suddenly received a call. A relative introduced her to a good position in another place. His working conditions and salary were very good, and his development prospects were also very good. He needed to go to an interview.
Su Fu was moved. Just then, she received another call. Her father was sick and needed some money for surgery. She didn't have enough savings. Su Fu took the initiative to ask Cheng Tianle for help for the first time, and Cheng Tianle was generous, not to mention that he didn't feel sorry for spending money in the world of painting. I heard that he was still short of more than 200,000, so he gave Su Fu 300,000 without thinking.
Su Fu told Cheng Tianle that the money would be paid back, but Cheng Tianle said why bother? Su Fu asked back, who am I? So Cheng Tianle had nothing to say. He might not understand, maybe he could understand Su Fu's feeling. Even if he met again in the world of painting and completed the missed date, Su Fu was still the same Su Fu. Su Fu was unwilling to Cheng Tianle to look down on him. The more she relied on Cheng Tianle, the less she wanted others to treat her like this.
Su Fu suggested to Cheng Tianle again that she wanted to go out to take a look. The job opportunities introduced by that friend were really good. Anyway, they were not too far from Suzhou, and their position was sent to Suzhou as the supervisor of the branch. Cheng Tianle knew her temper and could not let her go. Anyway, this is the world in the picture, so it depends on how everything happened.
When Su Fu left Suzhou, he disappeared from the world in the painting. Cheng Tianle was a little uncomfortable for a while, and even calmed down when entering the country. Only then did he wake up that he was a little too addicted to the world in the painting, but instead lost the original intention of opening the scroll, so he reorganized his spirit and examined everything he encountered in the painting. Is this a dream? If this is a dream, it is entirely possible in the real world, but he is just going to another trajectory!
Su Fu is not in Suzhou, and Cheng Tianle has no specific purpose for entering the world of painting. On this day, he came to the familiar Shantang Street again, walked from Huqiu toward Changmen, and looked at the stone raccoon statues that changed his destiny all the way. Cheng Tianle suddenly thought that he was watching paintings and practicing martial arts to take out all the magic tricks in these stone raccoon statues, but if he only acted for this purpose, he missed the scenery of the Qilishantang since ancient times. If he had not understood the scenery along the way, he would not be able to get the magic tricks!
When he walked across the Shantang Bridge, he suddenly heard the sound of Cong Cong's strings, which were emitted from a black-sailed boat in the river. Someone actually played the guqin on the boat, playing a modern song "Gousu Travel". The song is divided into three sections. The first section describes the beautiful scenery of Suzhou gardens; the second section describes people's mood when they enjoy the gardens; the third section is the harmony between the scenery and the people linger in the scenery.
Cheng Tianle suddenly remembered that he had listened to the song live. It was in a tea room in Suzhou. The performer was a graceful woman. The owner of the tea room was named Zhen Shirui, and the guqin teacher who Zhang Xiaoxiao introduced to Nangong Yue. Cheng Tianle subconsciously looked at the boat, and a gust of wind lifted the corner of the curtain in front of the boat tent. When he saw the person playing the piano, he suddenly stood still and didn't move away for a long time.
When the wind blows open a corner of the ship curtain, he sees a zither table in the cabin, and there is a guqin on the zither table. This zither is made of paulownia wood, with yellow rosewood, rhinoceros horns and clam emblem. The chrome lacquer on the surface of the zither is already chestnut-shelled, covered with fine flowing water and ice cracks. The body and waist of the zither are graceful, and they look like a graceful beauty.
The slender hands that plucked the seven-strings had skin like mutton fat and jade. Looking at the person who plucked the strings behind the piano table, it was a 28-year-old woman in ancient costume. She was wearing a short waist-length skirt with a light green skirt and kneeling on the mat. The short jacket on her upper body had only half-sleeved sleeves, and the cuffs spread like lotus flowers at the bend of the elbow, revealing a pair of tender lotus-like forearms.
A colorful embroidered shawl was hanging down from her shoulders. It was a shawl or a scarf from the ancients. It was slightly raised in the wind and drifted with the sound of the piano. This short robe and long-hem skirt, paired with a yarn silk, was a Tang Dynasty clothing. It had a high waist and made her look elegant and slender, and at the same time outlined the beauty of the curves of the female breasts. Looking at the collar between the shawls, the upper end of the bulging curve of the front chest was as tender as white clouds.
The woman had bright eyes and white wrists, and her facial features were as exquisite as flying in the mural. The ends of her long eyelashes were slightly curled. When she plucked the strings with her hands, she looked at her eyes. She seemed to be looking at the flowing water in the mountain pond, and she seemed to have traveled through the Gusu people in the painting. Her expression, her breath, and her vitality rhythm were completely integrated into the rhythm of the strings.
The sound of the piano of Cong Cong seemed to be completely integrated into the Qili Mountain Pond, Gusu in the scroll between heaven and earth. The language cannot describe the feeling of hearing the sound of the piano. At this moment, Cheng Tianle seemed to feel that the sound of the piano should have floated between heaven and earth since ancient times, and it is the rhythm that this Gusu scroll should have.
This piano, this person, this sound, this scene is integrated. Although it is just a glance, Cheng Tianle suddenly feels that everything has gone away. In the world of painting, the only sound of this piano is floating, containing the charming feelings that have flowed through the mountains and ponds for thousands of years. There is no need to look at it or search. There is this piano sound in the world. When you hear this piano sound, you seem to see the person plucking the strings. (To be continued)
{Piaotianwen www.ptwxz.com Thank you for your support, your support is our greatest motivation}