Cheng Zhen Shirui frowned slightly and said, "What a beautiful piano! But I have never seen this style before. Where did you see it?"
Cheng Tianle: "One day I walked across Shantang River and saw a girl sitting on a boat playing the piano. I was very impressed, so I drew the piano afterwards. I didn't expect that even a big expert like Boss Zhen had never seen it... Just look, what kind of piano should be? I felt at that time that it should have a history of at least hundreds of years and is a precious antique."
Zhen Shirui replied: "According to the fourteenth guitar styles, the guitar you painted has both the characteristics of "Crane Song Qiuyue" and the shadow of "Nine Sky Ring Peng". If it is really an antique, it should have appeared between the Tang Dynasty and the Ming Dynasty. But it is difficult to confirm that I did not see the real thing, and I am not an expert in cultural relics identification, and even if I see it, I may not be able to accurately date the generation."
Cheng Tianle was stunned and said, "From the Tang Dynasty to the Ming Dynasty? This time span is too big!"
Zhen Shirui smiled: "Chronicong, it seems that you don't understand the guqin. The usual detection method is that there is no way to break the guqin. You can only look at its style, craftsmanship, lacquer pattern, tone and material. In fact, the most accurate basis is not these, but to identify the retained styles by the guitarist at the bottom of the guitar."
Cheng Tianle asked in confusion: "Why is the usual identification method not possible? The piano is made of wood. Although I have not studied it, I have also heard of the carbon 14 detection method."
Zhen Shirui explained: "The zither is indeed made of wood, but how many years can a tree grow? It may be a thousand-year-old ancient tree; the materials for making pianos also need to be processed and stored for a long time, and the processed wood can also be stored for thousands of years. Moreover, the ancients are used to using ancient wood to process guqins. Just look at my piano. Its style is the Heming Qiuyue. Some people say it was from the Tang Dynasty, and some people say it was from the Ming Dynasty. But I can tell you that the paulownia wood that was processed was from the Han Dynasty, and the verbalization of guqin refers to when the guqin was made."
Cheng Tianle was startled again: "Your piano is so expensive! So what era is it from?"
Zhen Shirui smiled and said, "Didn't I say it just now? Even I can't break the age of this guqin. Just judged by its craftsmanship and tone, it was the Tang Dynasty and the late Ming Dynasty. The guitar you drew should appear after the Jiuxiao Huanpeng and before the Autumn Moon. If it was an antique rather than a copy by modern people, what era should it be?"
Cheng Tianle nodded: "Thank you, Boss Zhen, I understand...... I have a small question to ask for advice. I don't know if there is any paper and pen here."
Zhen Shirui waved her hand and asked the waiter to bring a pencil and a loose-leaf book. Cheng Tianle drew a double-stranded long hairpin on the notebook and asked, "Do you know if you have any research on this kind of hairpin? It is a shape of a crane spreading its wings and trying to fly. The wings spread into hairpin flowers, with beads in their mouths, and the crane's feet were processed into hairpin forks. I didn't see the hairpin forks, but it was drawn based on imagination, but the hairpin flowers and bead strings looked like this. I don't know what Boss Zhen could see?"
Zhen Shirui asked in surprise: "Mr. Cheng, are you really a good artist?"
Cheng Tianle replied shyly: "Have Nangong Yue mentioned it to you? I did learn art design, but my grades were not very good, and I was not very embarrassed to mention it to others."
Zhen Shirui shook her head and said, "No, no, Mr. Cheng is too modest! This is the hair accessories of ancient women. It is called Bu Yao. Its shape is elegant and melodious, but I have never seen it before. Mr. Cheng can be so vivid when he draws it casually. His skills are not simple!"
Cheng Tianle replied modestly: "It's not all learned in school. I've graduated for a long time... Boss Zhen has never seen Bu Yao of this style. Can't you see any origin?"
Zhen Shirui smiled and asked back, "Zheng Cheng didn't see the hairpin fork, but saw the hairpin clearly, which means that this Bu Yao was inserted in a woman's bun at that time. Since someone was wearing it, why don't you ask the girl herself?"
Cheng Tianle explained embarrassedly: "It's a pity that I saw it in a painting. If possible, I would like to ask her."
Zhen Shirui asked again: "So what about this guqin? Did Mr. Cheng see it on the painting? If it was just the guqin in the painting, it would be impossible to conclude that it was an antique."
Cheng Tianle explained again: "I really saw the piano, and even the patterns on the paint surface are clearly visible. It turns out that Boss Zhen's piano is also an antique, but I didn't expect it to be so expensive, and you actually use it to play music every day."
Zhen Shirui smiled very gently and said, "The song is something to be heard. Of course, the piano is used to play. Antiquities are not dead objects. Only when the strings are plucked will the piano have life. You cannot draw the patterns on the lacquer surface of the piano in the picture, but you should listen to your description, the flowing water and ice breaking; and you can also see the patterns on my crane and autumn moon, which are snake patterns and plum blossoms breaking. Cheng Zong saw the piano at that time. Is there anyone playing it? What kind of music is playing?"
Cheng Tianle replied: "Someone is indeed playing, it's a song about Gusu."
Zhen Shirui asked in surprise: "I have heard of playing the pipa, playing the flute, and interpreting the guzheng, but it is rare to play it with the guqin."
Cheng Tianle frowned and asked, "Why?"
Zhen Shirui explained: "The rhythm of this song in Gusu Xing is a small fast pace. It was originally composed for the flute, and it was played with the flute and was cheerful and joyful. Later, I heard that people played it with the pipa. The fret distance of the left hand of the pipa is shorter, and the fingering of the right hand is also suitable for playing that rhythm. The pitch change of the guqin depends entirely on the left hand pressing the strings, and the distance between each emblem position is also large. The rhythm of this song does not seem to be suitable for the style of the guqin."
Cheng Tianle also asked in surprise: "But I have heard Boss Zhen play this song, just using this guqin! That was the first time I came here to have tea. At that time, I didn't know what the tune you played, so I went to ask the waiter. The waiter asked you again and told me that it was a Gusu Travels... I didn't study these, and I only knew after listening to them. The piano music I heard that day was played by Boss Zhen once."
Zhen Shirui was stunned for a moment before explaining: "I have indeed played Gusu Xing with the Guqin, but I only used its main melody. One reason is that my level is limited, and the other reason is that if I use the original score, the charm of the Guqin cannot be reflected, and the song is adapted by myself."
Cheng Tianle touched the back of his head and said, "It turns out that it is a tune you adapted by Boss Zhen, and I have never heard of the original score. It seems that the person who played the piano must have come here to drink tea like me and listen to the song you played."
Zhen Shirui: "Even after Mr. Cheng said this, I was curious. What kind of girl was playing the song I adapted with such a piano? If it was convenient, could Mr. Cheng introduce it to me?"
Cheng Tianle smiled embarrassedly and said, "I want to ask you, otherwise I wouldn't have come to ask for advice today. Now I finally know what's going on. She must have come to this tea room to listen to Boss Zhen playing the piano. If you see her again next time, you might as well tell me."
Zhen Shirui asked, "I don't know who that girl is yet, how can I tell Mr. Cheng?"
Cheng Tianle picked up the pen and wanted to draw the girl in the painting, but she felt that she could not write it. Maybe she didn't see it very clearly, or maybe her painting skills were too clumsy, so she had to put down her pen helplessly and said, "Boss Zhen has known that Bu Yao, right? If you see someone wearing it one day, please tell me, thank you!"
Zhen Shirui covered her mouth and smiled and said, "Didn't Mr. Cheng just say that he saw it in the painting? Can the girl in the painting come out?...Okay, I won't ask. In short, when I see this girl Dai Bu Yao, I will tell Mr. Cheng."
...
I still didn't see the girl playing the piano outside the painting, but Cheng Tianle unexpectedly learned that the girl played "Gusu Travel" was not the original score, but a piano piece adapted by Zhen Shirui. On the way home, "Rat" muttered: "Cheng Tianle, I'm curious about how good it is to play the piano? I can't find it in the painting, and I even ran outside the painting to inquire, just like I lost my soul! Have you forgotten Su Fu? Why haven't you mentioned her these days? Did Xiao Su dump you in the world of painting?"
When talking about Su Fu, Cheng Tianle suddenly remembered something. In the scroll world, Xiao Su's father was sick and needed some money for surgery. At that time, he was still more than 200,000 yuan. Cheng Tianle lent Xiao Su 300,000 yuan. The scroll world is a deduction of reality. For things that Cheng Tianle has not changed, it will also happen in reality. In the real world, Xiao Su did not meet Cheng Tianle again, but her father still got sick. Who did she borrow that money from?
Since Cheng Tianle wanted to stay as much as possible in the world of the picture scroll a while ago, the mana of its operation is getting stronger and stronger and longer. The time in the world of the picture scroll is moving forward very quickly, which is very close to the time in the real world. Calculate the day, Xiao Su's father was sick and needed surgery, which should have happened in the past few days!
During these days, Chang Tianle never left home, immersed in the world of painting, enjoying the satisfaction of changing past encounters, but forgot that what was happening in the real world did not change anything.
After lingering with Xiao Su in the world of painting for so long, Xiao Su mentioned this to him in a pleading tone. Cheng Tianle lent the money to her without thinking. She seemed so generous and generous, and felt so good at herself. But in fact, in reality, he did nothing!
Thinking of this, Cheng Tianle suddenly remembered another thing. He met Su Fu in the world of painting. It was precisely after he bought the lottery ticket that was about to win the jackpot. There were two same numbers on the lottery ticket, each of which would win five million. After tax deduction, it would be an eight million jackpot, ten times that of Cheng Tianle's entire deposit. But in the world of painting, he forgot about this matter and did not redeem the prize! (To be continued. If you like this work, you are welcome to (.) vote for recommendations, monthly votes, and your support is my greatest motivation.)
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