360、The first meditation, the truth is the evidence
Zi Hao blinked his eyes and thought for a long time, and finally nodded, "I have to admit that what you said makes sense. But what is your experience in the world of the scroll, and what is going on in the world of the scroll? Can you tell me in detail?"
Cheng Tianle asked Zi Hao to do this, just to ask him to help analyze it. He had many things he could not tell others, and he could only discuss with Zi Hao who knew the inside story. He immediately entered the painting and practiced martial arts, and roughly explained the various situations he had experienced. He had a real time in the scroll last night. When he had an idea, he tried this.
Now the result is in front of you, what needs to be analyzed is - what kind of world is that and what kind of experience is it? Zi Hao put forward his own opinion -
When they were watching the painting, they just watched coldly without any intention of doing anything. At that time, the painting was a reflection of the real world, but if they wanted to see it clearly, they would consume their magical power. Later, when they entered the painting scroll, the situation changed, and it was no longer completely consistent with the real world.
Cheng Tianle entered the scroll to practice the way of controlling the form. The inner and outer scenes of the soul are in line with the outer scenes. The Su world in the scroll is both in his soul's state, and he himself is in this world. Since he entered this world after all, the Su Su in the scroll has been different since then. It is equivalent to the natural evolution caused by the factors starting with the real world and adding him.
Cheng Tianle didn't understand how this process happened. I'm afraid only the master who made the picture scroll would know that he was just involved in it.
The things in the world are evolved according to two laws at the same time. One is to advance naturally on the basis of the real world. The other is to integrate the changes caused by various activities of Cheng Tianle, which is indeed wonderful. To achieve this, you must have corresponding magical powers and cultivation realms.
Entering the scroll world will continue to consume mana. Even if you do nothing, there will be a weak but constant consumption of spirit. If you want to open an unknown new scene, the consumption of mana will become very intense. When the unfolded scroll exceeds the limit that the soul can accommodate, the new scene will not be opened. When the spirit and magic power is close to exhaustion, people cannot stay in the scroll world.
In other words, since the day Cheng Tianle entered the world of painting, it has become another world outside reality, consistent with the origin of Gusu in reality. But it is no longer the same world, it is the world in the painting! It looks like a dream, awakening, a virtual, a real, a real, and a delusion. It is difficult to describe it, but it can be experienced personally.
Cheng Tianle entered the world of painting to practice the way of controlling the form. He did not have other ideas, and occasionally did something unexpectedly. His real wish was to open a complete picture of Suzhou, which also means the perfection of a certain level of cultivation. But Cheng Tianle's wish is very grand. If someone else might not think so, it would be even more impossible to do such a difficult thing. Different people will have different ideas when entering this magical world, such as Zi Hao. They probably wouldn't choose like Cheng Tianle.
If Cheng Tianle really did it, then this Gusu scroll would be equivalent to the inner scene in his soul, and when he was in it, it would be equivalent to the outer scene of his soul, which would be completely confirmed to the perfection of the way of observing the form. In one thought, it would be able to accommodate this world, and the soul would be quite powerful.
Hearing this, Cheng Tianle couldn't help asking again: "I want to open this world, just like a Suzhou reappearing in the soul. It's true that you said. But I'm not only active in Suzhou in the picture, but also went to Ningbo and Sheyang. What's going on with that kind of experience?"
Zi Hao thought about it for a long time and analyzed it-
Cheng Tianle's experience of going to Sheyang and Ningbo was to conquer Liu Shujun and Sheng Long in the world of painting. He could do it like in the real world or make different choices. For example, Cheng Tianle did not go to Tianjin to settle the score with Chexuan in the world of painting. It was not that he was unwilling to do it, but that it was difficult to open so many new scenes from such a distance.
Even the experiences of Ningbo and Sheyang are very subtle from what happened in reality. This is equivalent to a natural deduction caused by combining Cheng Tianle’s own knowledge of the world and participating in it with personal behavior. Many people may have thought about what would happen if they could be prescient and travel through the past, and the world could be started again? What would happen if they could make different choices and have another possibility?
This world of painting seems to be providing such an answer.
Cheng Tianle didn't think much about this. He started from the perspective of paintings and developed the habit of not deliberately touching anything from the beginning. What he did in the world of paintings was actually related to the experiences in the real world, and he discovered something in the picture, mostly to solve problems in the real world. Although he traveled through the two worlds, he did not deliberately split his existence.
If someone else got this painting, it would not have the same experience as Cheng Tianle, and the feelings would be different. But even Cheng Tianle, who didn't think much, was doing something intentionally or unintentionally, such as his reunion with Xiao Su in the world of the painting, and for example, he killed Cao Kuang in advance in the world of the painting.
These are different choices from reality. The reason for this change is not the mind, but the fact that he can do more in the world of the picture. This time, letting Zi Hao buy lottery tickets is a reflection of this thought, but it confirms the mystery of the world of the picture at this moment.
After Zi Hao finished speaking, Cheng Tianle stood up and bowed and said, "Thank you for your advice. It turns out that the bystander is clear! Your words today have explained a lot of joints and explained a lot of things that I didn't expect, and I feel like I suddenly realized."
Zi Hao also stood up: "Wow, when did you become so polite?"
Cheng Tianle is indeed grateful to Zi Hao's analysis. He is not easy to see through in it. The opinions of the bystanders are very important, not to mention that Zi Hao also understands the secret of this scroll. Zi Hao is very smart and likes to think about it more carefully than Cheng Tianle. He has studied many things more carefully and analyzed more comprehensively than Cheng Tianle. But Zi Hao only analyzed and did not personally confirm it. Cheng Tianle listened to these words and put it into practice.
A verbal talk may be just about empty talk about the principles, but the listener can realize his enlightenment but realize his practice. Cheng Tianle replied: "Thank you for the reason. As early as when I started my practice, I was the one you guided me. Some questions have nothing to do with cultivation, but they just need another perspective and idea to supplement. In your opinion, what suggestions do you have for my practice?"
Seeing Cheng Tianle asking for advice so seriously, Zi Hao felt very proud. He thought about it for a long time before saying, "You entered the scroll to practice the way of controlling the shape, but practicing the way of controlling the shape may not necessarily be in the scroll. In reality, you are in Gusu! I am also practicing the way of controlling the shape, walking to and from get off work every day, and the place you pass by is actually the same as when you walk in the scroll.
All the scenes you open in the scroll are related to the knowledge of reality. I have a feeling that if you walk through places you have never been to in the scroll before, it will be easier to open those scenes in the scroll. Now that you are limited by the soul, some places in the scroll are still difficult to open quickly, then just walk through reality. Those places are in Suzhou, and you can go at any time."
This really reminds the people in the painting! Cheng Tianle practices the way to control the shape in the world of the painting, but he is in Gusu, so why should he be obsessed with the painting? The origin of the world of the painting is the insight of the real world. He can completely withdraw from the painting, walk out of the house and follow the path he designed throughout Suzhou, which is also equivalent to practicing the way to control the shape perfectly.
The magic of the picture scroll is that it allows him to spend more time overnight. Compared with reality, he practices more time and his skills grow faster.
If Zi Hao's prophecy is true, it will be easier for him to practice the form of control in reality first, and then enter the world of the picture to open unknown scenes, which is equivalent to integrating his own knowledge into it. As for whether this is the case, it still needs to be verified. If this is true, it will prove all Zi Hao's analysis today.
That night, Cheng Tianle did not enter the scroll again, but quietly practiced and recuperated. The next day, he left the house when he was full of energy. He wanted to go to Suzhou to practice in reality and follow the planned route.
Practicing the way to control the shape is different from ordinary walking. It is not just a quick walk or an ordinary shopping. Walking into meditation, the spiritual consciousness expands, and all the scenery you see is contained in the soul, and the interior and exterior scenes are in line with it. It requires mana to consume spiritual energy, and the speed cannot be very fast, but compared with the world of paintings, Cheng Tianle will not enter into chaos.
Cheng Tianle walked for a day. He looked a bit crazy, his eyes were straight and smiling, and he walked slowly with his hands on his chest, as if he was no one around. In addition, his long shawl hair was lightly raised in the wind, which attracted people's attention. A young man who looked very handsome and elegant, but he seemed to be unnatural. Many masters would probably look crazy or trance for a while during their practice.
He walked a long way that day, much faster than opening a new scene in the scroll; but don't forget that time passes much faster in the scroll world than reality. It was not until his spirit was exhausted that Cheng Tianle finished his work and returned to the house, and then adjusted his rest for a day and a night, and then re-entered the scroll world on the third day.
When he walked through those roads again in the world of the picture, as Zi Hao said, the speed of opening new scenes became extremely fast, almost no difference from walking under normal circumstances. This section of the road saved him at least three months of effort in the world of the picture. But Cheng Tianle calculated it in his mind. He also spent nearly three days in reality to do this, but there was no difference!
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