Zeming has been practicing honestly with this. He is a Taoist in the mountains. With his cultivation, he cannot write such extraordinary aura as his master. After he became an adult, his handwriting has been fixed, and the words are written like that, which is nothing more neat. Although he can achieve the perfection of the Nine Turns of the Golden Pill, he cannot break through the realm of great success of his cultivation.
It can be imagined that the pen in a person's hand is always so difficult to fall. He never pursues what the characters can be written every time, just to finish them, but never learn calligraphy well outside of practice. When the handwriting is fixed after becoming an adult, how can he achieve both form and spirit? When He Guang realized this, he was a little late, so he took severe medicine. He collected calligraphy from various famous masters in the world and asked Zeming to specialize in calligraphy for ten years, experience the artistic conception and charm, and bluntly talk about where Zeming lacks it.
It is not so easy for ordinary people to practice calligraphy masters in generations, let alone an adult reverses the style that has been formed? Zeming later entered the delusion in front of the wall of the mind, copied and created in the delusional realm, and even became a famous Chinese calligraphy master. However, every time he left the delusional realm and came to the wall of the mind of the mind, the words he wrote were still unsatisfactory. In this way, after ten years of practicing calligraphy, Zeming finally achieved great success in delusion, and at that time he was already forty-five years.
He Guang introduced Zeming's experience in the study of the heart wall. Cheng Tianle and others didn't say anything for a long time. On the one hand, they were feeling and thinking, and on the other hand, they were not easy to make too many comments. Zeming is Lu Shi's master. Senior He Guang can comment on his disciples, but if the younger generation commented on this level, it would be inappropriate.
He Guang also said something very interesting, which is Ze Ming's false realm. He pointed out that Ze Ming's practice is lacking. Ze Ming copied and created calligraphy in the false realm, and even became a famous Chinese calligraphy master. Such false realm must have lasted for many years. However, practicing the method of transforming false realm is not just about entering into concentration in the false realm. Before breaking false realm, there is still a process, constantly leaving the false realm and returning to reality and entering the false realm, just like repeatedly traveling between two worlds.
Only those who are trapped by the false realm or are addicted to the false realm and do not want to escape will sit in the false realm. Whenever their spirit is exhausted, they will return to reality and then enter into false realm again after they are cultivated and recovered. For such people, everything in the world can no longer make them linger, and the feelings in the false realm are their pursuit in this life. In this way, it is difficult to break the false realm, and they will even sit and transform in the false realm until the end of their life.
This also shows the danger of the false realm. But to outsiders, this is dangerous, but in the eyes of those who are in the false, it may not be. The life time they enjoy is the same as in reality, and they finally gain the supreme satisfaction of all their wishes. Some people cannot be broken or willing to break it, while others lack enlightenment.
Cheng Tianle also encountered silent dangers and was trapped by the false realm. It was not that he wanted to indulge in it, but that he thought he had left the false realm and returned to reality. In fact, it was still the false realm in the false realm. He had never told anyone about this experience. Since ancient times, disciples could not speak of the false realm, and the master would not force him to ask for questions. But Zeming obviously said some things in his false realm, perhaps because he felt that there was no need to hide these, or it was necessary to ask Master for advice. He Guang also recounted them today.
After a long time, Cheng Tianle spoke first: "The wonderful enlightenment of seniors makes me admire you! I wonder if I can have the chance to meet Zeming Zhenren this time?"
Lu Shi quickly explained: "My master has been very busy recently and is not in the mountains. He was elected vice chairman of the Chinese Calligraphy Association not long ago. He has been visiting New York these two days and is holding a large-scale personal calligraphy art exhibition."
Cheng Tianle was shocked. The feeling in his heart was indescribable, while Jiang Zhang was surprised and said with a "ah". He Guang looked at Shi Tianyi with a smile: "This little fellow Taoist who wrote Longshan. The tricks you have to have a self-taught Longshan inheritance. I am determined to revive the Longshan Sect. Do you know why the Longshan is called Longshan?"
Tielong Mountain is located deep in Yunnan and Guizhou. It is the name of a sect, not a mountain. Its sect temple is of course in a mountain, but that mountain is simply unknown. Shi Tianyi is a child in the local mountain village and has never heard of the place name Tielong Mountain nearby. He answered respectfully: "The founder of this sect is named Tielong Zhenren, so the sect is also named Tielong Mountain, just like the master of Zhengyi is Zhengyi Zhenren."
He Guang said meaningfully: "The Dharma name Zhengyi was enthroned by Emperor Minghuang of Tang back then, and the reasons are very complicated. You have entered Zhengyi Sanshan several times, but this is the first time you have come to this question of the Heart Wall? Senior Wei Zongda, the founder of Longshan who wrote 360 years ago, also came to Zhengyi worship mountain like you today, and came to this question of the Heart Wall. He is not only a famous casual cultivator in the martial arts world, but also a famous painter who once drew a dragon on the heart wall. From this, he realized it. Shortly after leaving, he founded the lineage of the Longshan lineage and called himself the Dragon."
Cheng Tianle and others were shocked again. Unexpectedly, Shi Tianyi entered Zhengyi Sanshan and traced back to the source of the sect. Shi Tianyi's feeling was even more shocked. He quickly stepped forward and bowed to the heart wall of Heguang and the behind him, "I have never heard of it before. Thank you for telling me today!" Then he paused and bowed.
After Shi Tianyi finished worshiping, He Guang waved his sleeves and helped him up and said, "If you open the sect temple and see the dynasty of the dynasty of Longshan, you will naturally know this record... I heard earlier that a disciple of Longshan practiced in Wucheng. Later, you entered Zhengyi Sanshan several times. Today, it is said that the fate has arrived."
Shi Tianyi didn't know what to say, so he had to bow and bow again. He Guang said to Cheng Tianle again: "Cheng Cheng, I'm here today and I'm destined to be here. How can I pass through this wall without leaving any traces? Write an article to open my eyes to the old Taoist."
Lu Shi also said: "Yes, yes! Cheng Cheng came to this question and had to ask a question. The younger generation also wanted to appreciate Cheng Cheng's work."
Cheng Tianle couldn't refuse, because He Guang had handed over the bamboo pole in his hand, which was clearly to test his meaning. This senior talked about so many things and wrote a wonderful calligraphy himself. Cheng Tianle commented very well, but he couldn't just say it and practice it, right?
He had no choice but to say ashamed, took the bamboo pole and bowed, and walked to the edge of the pool. Cheng Tianle had never learned the Shenxiao Tianle Thunder Technique, and there was no realm of superbness. Fortunately, as he said just now, the different cultivation methods of this stone wall inscription had different ways of writing. He reached out and inserted the bamboo pole into the pool to dip it in water.
There was no cotton ball tied to the bamboo pole, so how could it get water? He waved his hand and when the bamboo pole left the water surface, it was wrapped with a ball of water droplets the size of a sea bowl at the end, just like transparent marshmallows. When he shook the bamboo pole, the "marshmallows" turned into a pen shape and were still flowing and moving continuously.
This skill of condensed water into a pen tip is more brilliant than spells such as laser shooting rain arrows. It looks calm, but the control requirements for the spiritual consciousness are extremely subtle. This is not like a fighting attack that only a moment. It is necessary to continuously activate the spiritual consciousness in this state, and the soul must also condense such a pen tip.
But this is not a difficult problem for Cheng Tianle. When he first started his practice, he was best at controlling his spiritual consciousness, and a Gusu painting world was clearly condensed in his soul, let alone this mere painting brush? Then the pen tip fell on the stone wall, Cheng Tianle's expression was slightly stunned. The texture of this stone wall was very special and it was not touched by water at all.
When water falls on it, it feels like mercury. If a bucket of water is poured onto this stone wall, it will pour out instantly and no drop will get wet. Cheng Tianle originally planned to use the wet marks on the stone wall to fix the water marks, which is a bit troublesome. Since the stone wall does not touch water, according to the principle of surface tension, even if he fixes the water droplets in the air, each stroke will naturally shrink into a small water droplet. If the word does not form a word, the number of strokes will condense into as many droplets of water droplets as it falls.
In this way, he had to use another method. He not only had to fix the water droplets on the stone wall, but also condensed the shape of the water droplets into the shape of each stroke. Not just one stroke, he also had to write a complete magic trick. Every time he wrote a stroke, a water trace would be condensed from his soul and used his magic power to fall on the stone wall.
I saw him writing stroke by stroke on the wall of the title: The God of Valley is not dead, which is called the mysterious female. The door of the mysterious female is called the root of heaven and earth. If it exists continuously, it will not be used diligently.
This is the sixth chapter of "Laozi", Cheng Tianle wrote one after another. He Guang Zhenren walked to the stone wall, looked at the handwriting and asked: "Chapter 81 of the Tao Te Ching, why did Cheng choose this 'Xuanpin Art'?"
Cheng Tianle replied very realistically: "So it is called Xuanpin Jue? I didn't know it before. It was because this chapter was the shortest, only thirteen words." Then he added, "I also feel the most about this chapter."
Heguang nodded with a complimentary look and said, "Chen Zhong is a simple and realistic person. How do you think this letter is written?"
Cheng Tianle: "Not good, it's not as good-looking as I usually write. Of course, no matter how good-looking it is, it cannot be compared with the magical books that my predecessors have just made."
This is not modesty, but the truth. This "calligraphy" is far worse than Cheng Tianle's usual writing. Some people may be good at writing on the wall, but what will it look like if you hang dozens of bricks on the pen? Cheng Tianle's meaning is not messy, but the depth and thickness are different. Although it is just written, it looks like a mottled remains left in ancient times. Fortunately, there is no shortage of every stroke.
The Xuanpin Art has been written, and there is no water at the end of the pen, but Cheng Tianle cannot stop the pen, because Senior He Guang walked to the stone wall and commented, talked with Cheng Tianle for a few sentences, and then began to recite one word by one. He read it very slowly, and accompanied by the long sound of the divine thoughts, he explained the wonderfulness of this Xuanpin Art to Cheng Tianle in his soul. He only read it for a long time in just thirteen words.