"Ahem, in short." Chen Gang also realized that it was a bit much, so he quickly smoothed things over and said, "You are very hopeful this time."
He patted Su Ze's shoulder hard and said with a smile: "Well done!"
Looking at the back of Old Chen who didn't recognize his relatives, Su Ze breathed a sigh of relief. He had done everything he could and just obey fate.
As soon as the junior year started, I noticed a lot of changes. Professional courses were greatly reduced, and the time left for students increased. As long as there is a formal reason, leave can be approved.
The performance class suddenly had the illusion that the sky is high enough for birds to fly, and the sea is wide enough for fish to jump?
After a short period of relaxation, many people began to take action. The first choice is various stages. No matter how big or small, it is an opportunity to hone their acting skills. If you are not afraid of hardship and tiredness, you can go on stage every day in Chinese opera.
Li Landi finally asked for leave and left campus. I heard that there was a youth romance web drama to be filmed for three months. It was a small-budget drama with a female lead.
Hu Lei also began to receive film offers. Although it was only three girls and four girls, it was a rare opportunity. Su Ze asked the studio to help handle it and she would be responsible for the acting.
Not to mention Zhao Yuncheng, Wu Tiqun is not short of work at all. As long as he is willing, he can work every day. However, this guy is lazy and cannot be looked down upon by ordinary roles. According to his words:
I will go wherever the boss goes!
Su Ze: "Shameless!"
Zhang Yu, Ding Feng and Hu Jianfeng have not received a film contract for the time being. Psychological Crime is only a supporting role after all, and White Night Chase will not be aired until the end of the year at the earliest. They need to continue to study and accumulate. Of course, they are not panicking and follow themselves to film dramas every day.
In Chen Gang's opinion, because of Su Ze's presence, the entire performance class has a very good atmosphere and mentality. In the previous classes, it would have been a mess.
There are all kinds of envy, jealousy and hatred, all kinds of intrigues and intrigues, and there are people who steal the role of classmates from behind every year, and as a tutor, there is nothing you can do about it.
This time, because of Su Ze, the acting class as a whole has had the opportunity to practice. Whether it is the already popular psychological crime or the highly anticipated "White Night", having a masterpiece is the starting point that every new actor dreams of.
We are both newcomers, auditioning for roles together. You have never acted in anything, and I have acted in psychological crimes. Who do you think the director will choose?
To put it bluntly, these bastards are eager to get close to Su Ze's golden thigh and work hard to submit their resumes to win small supporting roles?
Being bullied, suppressed and looked down upon in various ways?
Is there any unspoken rule that girls are even eaten tofu?
Wouldn’t it be fun to hang out with Boss Su?
Chen Gang can even predict that as long as Kanazawa Studio is willing, at least half, no, more than half of the acting class will sign the contract!
In the evening, I drank and chatted with Wu Bai, and I started post-editing of Chasing the Murderer in the White Night. Wang Wei is busy every day, but the big bald head is very free.
I'm very happy to hear that I was shortlisted for the Golden Horse Award. Although it wasn't because of any of my works, Su Ze rose to fame through psychological crime, and he can be regarded as an actor who personally made a name for himself.
"Actually, there is a big problem with domestic films right now, that is, commercial films are too shallow and superficial, literary and artistic films are too earthy and dull, the polarization is very serious, and there is an extreme lack of middle ground."
After five hundred sips of cold beer, he burped comfortably and said: "That's why I like Yao Shen very much, because it is one of the few commercial movies with sufficient quality, depth, and artistic sense."
“Who says that art films can’t be big hits at the box office?”
Su Ze agrees with this statement. The reason why he cooperates with Wubai is not only the professional level, but also the mutual aesthetic agreement. Many opinions coincide with each other.
"Zhang Yimou, Chen Kaige, Lu Chuan, and Jia Zhangke are all so awesome in artistic films. Why do they get blinded when it comes to commercial films?"
"For example, Jia Zhangke's shots of the human entanglements of small characters in small cities are very good, but when it comes to the modern and futuristic parts of big cities, it's so awkward that it makes people want to pick their feet."
"Zhang Yimou himself is a photographer. Needless to say, the image quality is good, but the image performance is only good enough in specific themes, such as the sorghum field in "Red Sorghum" and the old house with the red lantern hanging high."
"When I encounter big commercial productions, such as "Golden Armor" and "The Great Wall", I am blinded. The whole picture looks like a large cotton-padded jacket in Northeast China, with bright red and green colors that make people want to pop their eyes out."
Su Ze laughed, his words were crude but not crude. Yimou's directing skills were good, but there were many shortcomings. Last year's film was a work that I admired a lot, but that's all.
Originally, Ning Hao had high hopes from everyone, and was said to be one of the few directors who could make commercial films look good?
It's a pity that the path dependence is too serious, and it seems that it can't be played without Sanbanaxe?
Is it possible to avoid aesthetic fatigue by just using these two tricks over and over again?
During this time, I think about why a spoon was nominated for multiple awards including Golden Rooster and Golden Horse?
According to your own understanding of four words: poverty drama!
Poverty drama always puts people on trial in desperate situations, showing the absurdity, profundity, rebellion, paradox, complexity and change of human nature, etc., thereby conveying profound philosophical thoughts, and is deeply loved by old academics.
"Mr. Tree", "Looking for a Gun", "Bullfighting" and "A Spoon" are all in this style. There is no way, the old people just like to appreciate art with a critical eye.
Then there is the starring role. The reason why Chen Jianbing was nominated for the Golden Rooster and Golden Rooster Best Actor is that his own strength is beyond doubt.
Over the years, he has continued to act in dramas, even longer than in film and television dramas. He was born early and entered the era when literary and artistic ideas were strongest. He acted in "The Accidental Death of an Anarchist".
The most classic example is the daytime fireworks. The flurry in Liao Fan's movie is even the same as the flurry in Jia Zhangke's "Platform". It was learned from a French movie a long time ago. I forgot to go back and read the book.
The narrative structure also makes clever use of the classic heritage of "Vertigo" and "Double Indemnity". It can be said that it is not a domestic shooting technique, but a local story that happened in the land of China.
Foreign judges can recognize at a glance that this is their classic stuff, with various familiar pictures and familiar shots. Can the old academics not be moved?
Bullfighting also won the Golden Horse Award, focusing on migrant workers, social reality, and historical issues. The Piano of the Gang won the Tokyo Film Festival. Qin Hailu paid for it out of her own pocket because she liked the script.
"No way, there are really very few rural themes. We used to have "Old Well" and "Qiu Ju's Lawsuit", and then foreign investors invested in us to shoot third-tier towns like "Xiao Wu", "Platform", "Wushan Yunyu" and "Looking for a Gun"
.”
"These are closely related to us. This is real and tangible life, which can awaken common memories. Although times have passed, the memories left to us are uncontrollably recalled and repeated by images, music, and atmospheric background sounds.
, missing, remembering..."
After five hundred glasses of wine, he raised his glass and sighed: "This is the true aesthetic value of small towns, villages in cities, second- and third-tier small town movies."
Su Ze also raised his glass. There can only be one big-budget movie like "Titanic", but not a second one.
But there are many more stories in small town movies. They happen around you, maybe you, and they are worth commemorating. They are memories that you don’t dare to recall easily when you dream back at midnight.
The fear of being involved in the whirlpool and sinking deeply is decadent, underdeveloped, corrupt and silent...
Movies record these. You discover yourself through movies, think about the past, and recall your own stories. This is the most profound humanistic care.