After a lively meal, Teacher He said to the four young people: "Okay, now it's time for you young people. We two old people will go back to sleep."
Everyone returned to the B&B. Teacher He Huang Lei went back to his room to rest. Peng Peng happily pulled Su Ze to the room, followed by Zhang Zifeng and Zhang Yixing.
"Brother Ze, can you give me some advice on my acting skills?" Peng Peng got straight to the point and said seriously.
Su Ze was a little hesitant. After all, they had just met each other, so they had a bit of a conversation, right?
"It's okay, feel free to say it boldly!" Zhang Zifeng saw the excitement and didn't think it was a big deal. He smiled and said from the side: "My brother is used to being shameless!"
"you shut up!"
"No, no!"
"I'm going to hit you!"
"You fight!"
Watching the two of them fighting, Zhang Yixing was a little envious. Although they had collaborated for one season last year, their relationship was definitely not as natural as that of brother and sister. It is difficult to force the fate between people.
"In that case." Seeing Peng Peng's insistence, Su Ze could only say politely: "I have seen your Flash Girl and Take My Brother Away Quickly, why don't you just talk briefly?"
"Please advise!" Peng Peng was very serious. He admired Su Ze's acting skills, especially the one who played two roles in the White Night. Only those who are truly knowledgeable can understand the difficulty.
"First of all, it's the accent, which is the problem of flat tongue." Su Ze analyzed: "Peng Peng, the pronunciation of some of your words gives people a feeling of exertion, which causes some of the tilted sounds to be pronounced like flat tongue."
"It sounds a bit squirting." Seeing that the other party was listening attentively, he continued: "Once or twice is okay, but if you do it more, it will have a bit of a stiff effect."
"The second issue is the use of facial features. I feel that you tend to raise your eyebrows and pout your mouth a bit when speaking, so..."
"Hahaha, that's right!" Before Su Ze could finish speaking, Zhang Zifeng laughed wildly and said, "Did you hear that?"
"I told you before that you didn't believe it?"
“Let’s get real now!”
Peng Peng was a little embarrassed and said: "Is it really so obvious?"
Su Ze smiled and comforted: "Everyone has habitual movements. This is normal. We actors will even take the initiative to add small iconic movements to shape our characters, right?"
"Is there any more?" Peng Peng asked: "Don't hide it."
"I found that your previous successful works all have one characteristic: the interpretation of the character is extroverted, which does not mean that the character's personality is exaggerated, but that the character is expressed through exaggerated and explosive performances."
"If you want to continue to improve your acting skills, I personally recommend trying to keep your acting skills in check, use more details to fill in the characters, and strengthen the micro-expressions. The effect should be better."
Seeing Peng Peng thoughtfully, Zhang Yixing next to him couldn't help but ask: "How do you usually choose scripts?"
"I feel like your choices are all great, whether it's a movie or a TV series. Do you have any secrets?"
As soon as these words came out, even Zhang Zifeng was full of expectations. Yes, why are you so discerning?
"This question." Su Ze scratched his head and said, "There are really no specific standards. I just rely on intuition every time. When I get the script, I just act if I feel like it. That's it."
Seeing the complicated looks in the three people's eyes, he could only say: "Well, good scripts have their own merits, and each subject matter is different, but there are indeed traces of bad scripts, at least I think so."
"For example, it is routine, and another example is that the theme is not clear."
"Take idol dramas as an example. It's like two women competing for a man or two men competing for a woman. The second man or the second woman uses various moves to hinder the male and female protagonists."
"Maybe the overbearing CEO forces love, and the woman has Stockholm Syndrome. Anyway, she just falls in love with him."
"Everyone knows this kind of script, right?"
Everyone burst into laughter, I understand, I definitely understand.
"As for the unclear theme, my personal immature view is that after reading the script, I cannot summarize the entire work in three sentences immediately."
"Because all good screenwriters must know what intention they want to express. The content of the whole play is consistent and there are no redundant lines, so the audience can understand it at a glance and have a sense of involvement."
After speaking, he looked at Peng Peng and said: "For example, the sky of Feng Dog, in one sentence, it is: I finally discovered that Brother Gou and I have been like relatives for a long time."
"The main line of the story is to show the process of how the two became like family members early on. The emotional tone is as warm and healing as family members, but then I realized that doesn't it just mean that I had regrets?"
"For example, the father-son line is: I have been complaining about the old man all these years. Only when I came here did I realize that he was actually very hard-working. The main line of the story is why I complained. The emotional tone changes from complaint to understanding. The explanation is a warm growth line, and the emotional attitude is propaganda.
You understand your parents, don’t you?”
Peng Peng instantly felt like he was enlightened. Damn it, is it so profound?
"There is a saying in the introduction to art that whether it can make people have aftertaste is the criterion for distinguishing ordinary works of art from excellent works of art. The audience remembers one or two accurate and general lines, which means that they can have a flash of aftertaste after watching the movie.
point."
Su Ze laughed and said: "If you talk about something in general but don't seem to say anything about the impressive script, don't accept it. If the director's level is average, even if it is filmed, it will only consume the audience's trust in our actors, but it will be of no use!"
"
"Hey!" Zhang Zifeng sighed. Most of the time he stood up and talked without pain in his back. Which actor wouldn't want to accept a good script?
Who doesn’t want every one of his works to be a classic?
But will the company agree?
Can you refuse due to human nature?
Can the mess be avoided?
"I finally understand why you like to shoot suspense themes." Peng Peng looked at Su Ze and sighed: "It's because of the complexity of human nature and the reality of society, right?"
"Well, that's right." Su Ze responded: "I think the subject matter of film and television works is not the most important. The key is to have a realistic perspective and to cast the author's serious thinking about life."
"This kind of work is also a huge test and improvement for us actors, isn't it?"
"Brother, what role do you think I am most suitable for?" Peng Peng took Su Ze's hand and said excitedly: "Give me some advice."
"This?" Su Ze was speechless, and after thinking for a moment, he said: "A bad guy with a complicated life experience, crazy and desperate, but calm and composed, without regret or looking back."
"Finally, he looked back sadly at this world, hoping that in the next life he would be able to get the love that he had fallen into the abyss because he had not had it in this life."
Peng Peng: "..."
"Hahaha!" Zhang Zifeng laughed wildly again. He couldn't help but slapped Peng Peng's somewhat hunched back, and complained: "You are the most suitable person to play the role of Prime Minister Turtle."
"Having a hunchback and a long neck is nothing but the Prime Minister Turtle!"
Zhang Yixing couldn't help but laugh and said: "Peng Peng's back is a bit hunched, so he will practice dancing with me from now on."
Seeing them playing around, Su Ze also laughed. To be fair, Peng Peng needs to improve a lot, especially his micro-expressions are too rich and too typical is not enough.
An actor's performance is similar to a painting. The more content on a blank sheet of paper, the better. Too many things will make the audience confused and unable to grasp the key point.
The masters always stop by staying still and stop moving. Their movements are shocking and they use the simplest and most direct way to defeat their opponents.