On the sixth day of filming, it was finally Jiang Yang's turn to appear. The progress was one-third faster than expected. Everyone was looking forward to Su Ze.
Especially for several veteran actors, when they saw the sunny and handsome Jiang Yang appearing in front of the camera for the first time, they had only one thought:
It’s great to be young!
"This is the role he should play at his age!" As a woman, Tan Zhuo can feel the beauty exuding from Su Ze at this moment, so energetic, so full of hope, so desirable.
"The future is boundless!" Ning Li couldn't help but exclaim. What is the highest realm an actor pursues?
Isn’t it just acting like something!
Anyone who can reach the standard is a top master. Who would have expected that he would see such potential in a young man in his early twenties?
The waves behind the Yangtze River push the waves ahead!
Liao Fan is also very complicated in his heart. If he has never watched White Night, Su Ze's performance can only be regarded as quite satisfactory. After all, is it difficult for an actor to interpret the state of his age?
This is why many so-called idols choose to act in costumes or romantic dramas. After all, the male and female protagonists are both handsome men and beauties in their prime. They meet the requirements and personality, and the threshold for control is lower.
In Liao Fan's opinion, whether a truly mature actor can play cross-age roles is an important criterion. What is difficult for a young actor to play an old actor is the vicissitudes of temperament and accumulated experience.
The difficulty lies in the invincible hope of the young playing the role of the young. No matter what, it is not something that can be solved simply by obeying the Tao.
By comparison, the character Jiang Yang in The Silent Truth is still slightly less difficult than Chasing the Murderer in the White Night.
Su Ze didn't care what other people thought. The moment he stood in front of the camera, he transformed into Jiang Yang and experienced every move of the character.
Characters that are too beautiful are often untenable. One effective method is to increase the details and flaws, and the other is to enhance the sense of tragedy of being destroyed.
In my opinion, Jiang Yang's flaw lies in his various hesitant attitudes in the early days. For example, his girlfriend Wu Aike complained that he would not be a man if he did not reverse the case?
Jiang Yang was angry and funny and said with a bit of a couple's coquettish tone: How can this have anything to do with whether he is a man or not?
The reason why Su Ze handles the details in this way is because this character obviously agreed to investigate the case out of utilitarian considerations, which is also an important trigger for the character's step-by-step transformation.
The core of the character Jiang Yang is only three words:
Tragic!
Su Ze's request for himself was to show different states in the past ten years, from a high-spirited young man to a dying man with gray hair and gray beard, from comfortable to overwhelmed in body movements, and from bright to sad in his inner state, and then to the final stage of digestion.
Compassion.
The breaking point is set in the final scene where he hangs himself!
Therefore, Jiang Yang was angry in the early days. When he heard about Hou Guiping's injustice, he was filled with indignation. Faced with Li Jianguo's ugly posture, he was furious. When Hu Yilang of the Kahn Group threatened his son, he ran away on the spot.
Because he is young and frivolous and has not seen the dangers of society, and because his passion has not been polished by reality, in short, Jiang Yang's understanding of justice at this moment is shallow.
As the plot develops, especially when the three heroes of Pingkang and Kang are drinking hot pot in several scenes, Su Ze deliberately handles the drinking situation differently every time.
When he drank it for the first time, he looked like a professional novice. He took a bold sip but was immediately stoked. He even made a small expression to show that he was okay to his worried girlfriend.
The next few times I drank it, it became more natural each time, and every time there was a little design to show the gradual transformation of the character.
Until the last hot pot game after he was released from prison, he suddenly raised his glass and clinked it with the other two people in a very awkward and unnatural manner, which immediately showed the gap in Jiang Yang's psychology and status at that time.
It also serves as an emotional foreshadowing for crying when I lose my wallet later.
Fortunately for onlookers, after all, many details are difficult to capture. The most shocking thing is the immersive co-actors, especially Zhao Yuanyuan, who plays Wu Aike.
I know Su Ze is awesome, but only by experiencing it personally can I understand how awesome he is!
The most shocking scene is the scene where the two break up, which is short, silent, full of metaphors and full of great tension.
Especially looking at Jiang Yang's extremely complicated and nostalgic eyes, at that moment Zhao Yuanyuan seemed to be under an illusion, and the beauty of the past appeared one after another like a movie version...
It’s vivid in my mind!
My heart is broken!
At this moment, I truly understand how big the gap is between myself and the powerful group!
A simple look can crush you without any suspense!
This is how Zhao Yuanyuan feels, but it would be different if it were someone else. For example, Zhu Wei, played by Zhao Yang, is also the actor who plays the most roles with Su Ze. Every time, Jiang Yang seems to be standing in front of her alive.
Not to mention anything else, the detailed design of the cough is breathtaking. What makes him a terminally ill patient is not that he is hunched over and old, but that he has a terminally ill cough.
Su Ze was very restrained every time he coughed, often forcing himself to stop mid-cough. It perfectly showed that people who are really coughing and people who are really sick actually really don't want to cough up on their own.
He also doesn’t want his cough to last too long, thus showing that he is seriously ill or coughing too loudly to disturb others. This subtle inner state is vividly expressed by Su Ze.
Jiang Yang didn't have many scenes when he was young, and it was basically not difficult for a master of Su Ze's level. The highlight is to experience the joys and sorrows of the world and taste the cold desolation. How will he behave after that?
I was pleasantly surprised to find that Su Ze was calmer about the character's condition, with the fear of taking a step back and the compassion of seeing through life and death.
This kind of fear does not mean that he does not dare to face evil forces, but it is specifically aimed at the people he loves, respects and cherishes. He does not dare to get too close to them, and he does not dare to accept their good thoughts.
For example, when Chen Mingzhang gave him a big red envelope, he was very confused when accepting it?
If it had been him ten years ago, he would have accepted it generously and even made some jokes about reciprocity.
But ten years later, Jiang Yang would feel that even a casual kindness from a friend was too heavy.
Walking on thin ice!
When the plot reached the scene where Jiang Yang lost his wallet and saw his heart-breaking state, Zhao Yuanyuan even didn't understand why it was like this?
It wasn't until Su Ze gave the answer that he suddenly realized that the direct reason was that bank cards and ID cards needed to be reissued.
For someone like Jiang Yang, who has suffered an unjust injustice, every formal occasion, every time he introduces his past and identity, is like revisiting old wounds.
It's like torture!
This is why Su Ze kept mumbling to himself: My wallet is lost, my wallet is lost, my wallet is lost...
The obsession is too much, the spirit is too depressed, and the seemingly unimportant chatter about trivial matters is as sharp as a sword, which makes people sigh and unbearable.
Only those who know the industry understand that Su Ze's good intentions in many seemingly simple details can only be compared with the smallest changes to create a world-like texture that makes the audience feel heartbroken.