She knew how her mother was willing to be the second best person after the camera - her father's gay lover Joy.
She knew why her so-called younger brother Wang Chuqi had gray-blue eyes, and she also knew that her mother was completely devastated because of this child who did not belong to her.
She knew the truth about Yu Chengqiao being fooled by his father, but she didn't even have the power to let this man escape.
The most important thing is that she knows that her father, Mr. Wang, has been lost in this game!
So in the end, the almost dramatic patricide at the dinner table is essentially a reasonable and even inevitable behavior. Rather than Wang Chutong’s madness, it is better to say that at this moment, the looming ex-wife Xiaoxue finally came back.
.
The secret of Wang Chutong is the determination of human nature.
Thinking of this, Su Ze picked up the script that Duan Yihong put down on the table, pointed to the last few pages and said: "I think that in fact, everything the director has done up to this point has been successful."
"But why tell this story again from Mr. Wang's perspective?"
"That's right!" Duan Yihong slapped his thigh and agreed, "That's the truth."
Their eyes met, and they instantly understood what the other person meant, and Su Ze smiled.
The biggest failure of this work is that in the end, the secrets stored in the four people were forcibly compiled, and the story of Mr. Wang was woven through the arrangement of the plot.
Due to family arrangements, she had no choice but to separate from her same-sex lover, but her good friend Xiaoxue, who already had a daughter, insisted on marrying him.
But after in vitro fertilization, she gave birth to a child belonging to Mr. Wang’s same-sex lover!
After Xiaoxue's collapse, Mr. Wang poured all his love into Wang Chuqi, but in the car accident, Wang Chuqi died, and the driver Yu Jianqiao was found not guilty by the court in a coma.
Reluctant, Mr. Wang decided to form such a pieced-together family out of grief and anger, and inflict ethical and moral torture on the amnesiac Yu Kangqiao.
Chen Zhengdao's ambition finally passed the understanding of normal audiences!
"Mr. Wang's character is too self-deceptive." Duan Yihong said helplessly: "It seems to be a complete and self-consistent logic, and he finds some comfort in forming a family that should not exist."
"But this secret is in direct conflict with his attempt to torture the trapped woodcutter with ethical and moral punishment."
"Yu Kengqiao's secret is too thin!"
"All of his behavioral logic cannot be justified by Stockholm Syndrome!"
"Not to mention the moviegoers in the future, even I don't know..."
"What exactly does Mr. Wang want?"
"After shooting the first half with a literary film, you want to shoot the second half with a commercial film?" Su Ze said.
"Yes!" Duan Yihong agreed: "There are too many secrets in this family and they are too deep. Rushing for dozens of minutes will only make the audience more confused about the logic that is not mentioned or cannot convince them."
"Don't you think it's twisted?"
Su Ze and Zhang Zifeng nodded at the same time, "The actor is the character who lives in the script. He has the most say whether the plot goes smoothly or not. What if a character makes even the actor feel confused?"
Do you expect the audience to be enlightened?
"Have you noticed?" Zhang Zifeng couldn't hold it in anymore and whispered: "Whenever Chen Zhengdao lets himself go, he discusses that..."
"That's it!" Seeing Duan Yihong's confusion, he said anxiously: "Same-sex topic!"
Su Ze suddenly realized, yes, it was the same in the future during the last midsummer.
It's obviously a youth idol pure love story, but it has to be broken into pieces in the end, so why bother?
After listening to Zhang Zifeng's explanation, Duan Yihong took a deep breath and felt a headache growing more and more. Why?
Where has the powerful team-up that was originally full of expectations gone?
"Forget it, let's make peace with it as it comes." He gave up somewhat and said, "That's how we actors are, we can do very little, so we should do our best and let fate dictate."
Su Ze helped Duan Yihong fill up the tea. It was useless to say anything at this time. The other party was an old Jianghu, and it was not like he had never made bad movies.
No matter how good the script is, it won't reach its destination if it goes off track, because the text still needs people to operate it in the end.
Looking back on my own experience, Psychological Crime and The Silent Truth are both masterpieces by well-known best-selling suspense experts. One is based on his own style, and the other is based on society.
To be fair, even if there is a difference in level between Remy and Zijinchen, it is not that big. What’s more, Remy is also a professional law professor and has richer and deeper experience.
But why is Psychological Crime so beaten down by Silent Truth in terms of ratings and popularity?
It’s because of the adaptation!
The Silent Truth is 95% adapted from the original work, only a few details have been modified for review, and other directions have remained unchanged.
In addition, Chen Yifu is a new director, and he completed the filming in a regular manner. He basically does not have the qualifications and confidence to let himself go, so he can ensure the authenticity of the final work.
For original fans, seeing their favorite work completely put on the screen will naturally make them laugh out loud.
For new viewers, seeing such a sharp and large-scale TV series is also very exciting. After all, they have rarely seen it before, and it is full of freshness.
In other words, if The Silent Truth is broadcast in South Korea, the response will definitely be average. Look at other films like Memories of Murder, Sowon, The Melting Pot...
A small witch meets a big witch!
The right time, the right place, the right people, and the right people gave birth to a so-called magical drama. If psychological crime is a process of accumulating experience for five hundred years, Chasing the Murderer in the White Night is the result of accumulated accumulation, ability and confidence to control everything.
The same goes for Xin Yukun. The Maze of the Heart is just a practice, and then the Invisible Guest becomes a blockbuster. Bursting into Silence is the work that really expresses the heart.
The director is also a human being, and he also has emotions, joys, anger, sorrows, and joys. Many times he starts to add all kinds of private things while filming, such as Chen Zhengdao's impulse towards homosexuals, such as Xin Yukun's persistence in detailed metaphors...
In the end, there are good and bad results. At least Xin Yukun is basically good. The interlocking details and metaphors are the highlight of suspense reasoning, but Chen Zhengdao...
"You're right!" Duan Yihong finally came to his senses. After all, it was the first time we collaborated together, so many things were confused. Now Zhang Zifeng broke through the window paper and finally realized it.
"The situation is hard to say." Seeing the dull atmosphere, Su Ze said with a smile: "After all, who knows the result before the box office is out?"
"It's not about the box office!" Duan Yihong waved his hand, knowing that Su Ze meant well to comfort him, and explained: "I never consider the box office when making a movie."
"Otherwise, I wouldn't have played Huang Lihui!"
"Ogre?" Su Ze nodded. Although the film was not released in China due to its large scale, it must be said that this work can be regarded as one of Duan Yihong's peaks.
In other words, Duan Yihong has never starred in a so-called box office hit so far, but no audience doubts that he is the top acting actor of the Mesozoic era.
It's too late to say anything now. Secret Visitor is about to be filmed and everything that needs to be filmed has been filmed. All we can do is wait for the final result.
Duan Yihong was even more impressed by the junior Chinese actor in front of him. No wonder he could play the truth of chasing the murderer in the white night and being silent. His analysis and grasp of the script was amazing.
Acting is an actor's external interpretation of the character's inner understanding and analysis. Let alone the false and empty attempt to combine human and drama, how many can do that?