"Being able to make such a dry game illustrates a problem."
Zhang Zifeng stared at Su Ze, slowly placed his fingers on the other person's heart, and said word by word: "Are you missing something here?"
Su Ze looked at the pretty face so close, and even felt the fragrance coming to his face. His eyes gradually blurred, but his expression became stiffer, his mouth went dry, and he said hoarsely: "What's missing?"
"It's missing." Zhang Zifeng's heart was beating wildly. He looked at the object of his crush and gradually came closer. His face turned red and he said, "A princess!"
"Ka!" The moment the director shouted "ka!", he was stunned for a moment, then remembered something, quickly jumped forward, and kissed Su Ze directly.
Then he immediately jumped up and said quickly: "I'm sorry, I'm so deep in the drama that I didn't hear you."
Su Ze: "..."
director:"……"
"We should be more calm here."
"Yes, do you understand teasing?"
"Okay, this is how it feels!"
At first, the two of them were a little bit reluctant to let go, especially Su Ze, who rarely did intimate scenes and was seriously inexperienced.
Later, I got used to it. After all, I was so familiar with it. My sister also had experience, and she got into the mood quickly, especially Zhang Zifeng. This is the biggest highlight of this role.
A man in trouble, a science engineer, and a neglected illegitimate daughter, both had unfortunate childhoods, and they were both destitute. The characters are designed to share the joys and sorrows, and they are two people who can resonate with each other.
In such a depressing relationship, where they were hiding and escaping all the way, Yu Hai showed his tenderness to Lu Jie in every way, the small thoughts of a straight engineering man.
"From the beginning to the end, I must remember that you are a lively, free-spirited, gentle and delicate girl." Su Ze brainwashed Zhang Zifeng during the break. This girl always felt a little out of control.
"The difficulty of this character is that he shows off his youthful willfulness in a lively and free-spirited way, while at the same time telling about his bleak growth path."
"The key point you need to grasp is the image of an optimistic and open-minded person despite his misfortune, sometimes resolute and strong, sometimes pitiful."
"What's even more terrible is that he is considerate and understanding of Yu Hai's fragility and treats him gently, carefully protecting Yu Hai's soul."
Zhang Zifeng is speechless, this is too difficult!
"Take your time." Su Ze knew not to rush, but to spend more time polishing it. Anyway, other actors are progressing very quickly. Zhang Zifeng is a big selling point here, so it's normal to spend more time on it.
Taking the fruit peeled by Zhang Zifeng himself, he continued: "She has a strong sense of empathy. You see, when she pretends to be Lu Jie, she obviously understands and sympathizes, right?"
"When Xiang Yu Hai told the story of Lu Jie's childhood, the sadness was not disguised. Instead, I felt that it was true feelings, mixed with feelings of sympathy, regret, regret, guilt, etc."
"When we were living together, after knowing that Yu Hai had a rough life, we understood and cared for him from the bottom of our hearts. The more empathetic and considerate a person he was, he had to betray his own heart in order to escape guilt.
, betraying the one you love deeply..."
Staring at Zhang Zifeng, he said seriously: "Although you seem to be acting as a perpetrator, how can she not be a victim?"
Zhang Zifeng was thoughtful, carefully pondering Su Ze's words, analyzing the character's heart, and having absolute confidence in Su Ze.
The role is very challenging, not only in appearance and temperament, but also in the heart. Fortunately, Su Ze is by my side, and he can pinpoint the problem every time. As long as I can feel his gaze, everything feels at ease.
Su Ze also fell into deep thought, and during this time he had a deeper understanding of the male protagonist. He was a character who had an unfortunate childhood and a sensitive heart despite his high IQ.
Yu Hai is probably the most miserable in the play. First he suffered domestic violence and then his father finally died. Finally, he was bullied at school and even became a tool for his mother to vent her anger.
After finally growing up and owning his own business, he fell into the abyss of loan sharking due to the machinations of investors, and was deceived by a honey trap because of this.
But even if he planned the kidnapping, I still think he is the most magnanimous person in this drama, and the person who lives the most upright life despite being deceived.
He is serious and responsible for his team and will do whatever it takes for the team's results. For those who are tempted to make a kidnapping game, knowing that Shen Hui's family is well-off and no one will be hurt, and without the burden of conscience, the most worries are just rational risks.
Facing the deception of my lover, I have been healed in my heart bit by bit in my life. Although I am very angry, I am still willing to go through fire and water for love.
Su Ze can only use three words to describe this character: It’s hard to calm down!
From the beginning to the end, Yu Hai never complained about his misfortune, which is what makes him most distressed about this character. He buried all the haze deep in his heart and never told others.
Until a girl appeared, understood his inner sensitivity and fragility, carefully protected his heart, and for the first time gave him the warmth of home and a sense of belonging he had never felt before.
It is precisely because of this that he is willing to sacrifice himself for that girl, including sacrificing his favorite game design.
The filming progress is going very smoothly. Apart from filming every day, Su Ze likes to stand near the director to study. In order to create a strong sense of cinema and suspense, one aspect is visual and artistic, and the other aspect is narrative and editing.
There are a lot of indoor scenes in Ten Days Game. In terms of art style, Zang Xichuan uses a lot of purple-red and neon lighting to render the color of the indoor space. It is worthy of being used by Lao Mouzi.
According to his words: purple, neon and blood are similar in color. First, they represent the danger and uneasiness hidden in the calm, and second, they are used to show the ambiguous feelings between the kidnappers and the hostages.
Then there are two timelines running in parallel. One of the two timelines is aligned with Yu Hai and Lu Jie telling the main storyline ten days ago, and the other follows Geng Le and Miao Jia telling the reverse storyline of solving the case ten days later.
The design of two sets of timelines makes the audience curious about what happened to the criminal who was alone in the same room with a man and a woman ten days ago?
And eager to learn the truth from the police ten days later.
Does it feel like the first 100 pages and the last 100 pages of a detective novel are shown to you side by side?
There are all kinds of details before and after, and every detail is not missed. Only when the two story spines meet can the overall layout of the story be suddenly understood.
A hair in the room is easily seen by others, but an elephant in the room is invisible!
At the suggestion of Su Ze and Liu Yijun, the director re-adjusted the beginning of the first episode. In the first scene, Yu Hai is directly kidnapped by a loan shark and taken to an abandoned building. The explanation of the predicament also paved the way for the kidnapping game later.
The second key shot is to show the squadron leader Wu Yuke who has just been transferred to the police station. In one shot, the character information interpreted by Geng Le is constantly added.
The third shot shows the found female body, wearing a leather jacket and leather pants, a butterfly tattoo on her waist, and high heels.
It tells the story of how a well-designed kidnapping case went out of control!