Su Ze designed many small details, such as scratching his head unconsciously when doing things, licking it first when smoking, throwing it away when he was angry on the phone, especially when talking to his father, he always lowered his head unconsciously.
When Father Mo lifted the stick, he instinctively drew back his neck nervously.
Various details not only reflect Mo Sanmei's rough living conditions, but also reveal the inner inferiority complex caused by her father's strictness for a long time.
This work embodies the ups and downs of ordinary people's lives. It is destined not to require earth-shattering dramatic conflicts. Su Ze's request for himself is only four words: relaxation and relaxation.
Tighten when it should be tight, loosen when it should be loose.
He even deliberately restrained the point and placed it between the audience and himself, conveying emotions through the children's reactions.
Ten days later, the life experience is over and the filming of life events officially begins.
As a director, Liu Jiangjiang stayed up all night, imagining various scenarios and problems in his mind countless times. Although everyone ate and lived together during this period, experienced life together and cultivated a tacit understanding, but...
I’m still nervous about having live ammunition!
"Don't be nervous, Su Ze is very good." Luo Jingmin, who played the role of Father Mo, came over, handed over a cigarette, and comforted: "This guy is the most stable actor I have ever seen!"
"You!" Liu Jiangjiang was stunned. Ninety-nine percent of the scripts for major events in life were produced by the team arranged by Kanazawa. As a director, apart from the script, he only brought two actors.
One is Yang Enyou, and the other is Mr. Luo.
In the 35 years since his debut, he has always carefully interpreted every small role and infected every audience with his superb acting skills.
He is the father of Xu Sanduo, the father of Mo Sanmei, and Veterinarian Hao of the Cannon Fodder Corps. He is a professional father of the male protagonists in many dramas.
I love Mo Sanmei very much, my only son, so I named her after a female doll just to hide from the little devil.
In fact, Mo Sanmei never lacked love, but lacked communication.
"Don't worry, this drama is fine." Luo Jingmin looked at the busy and unhurried crew, and then looked at Su Ze who was carrying and running not far away, and couldn't help but sigh: "They are all capable people.
ah!"
"Uncle!" Liu Jiangjiang felt warm in his heart. He not only had a cooperative relationship with this old man, but also an elder and relative who had supported him for many years.
"With your words, what are you afraid of?" Liu Jiangjiang stood up, stamped out the cigarette butt, and said confidently: "Just keep an eye on it!"
"Well, let's go!" Luo Jingmin smiled and waved his hands, looked at Liu Jiangjiang's back, and murmured to himself: "Su Ze, Su Ze, let the old man see what you can do."
The filming of the first scene started, and the moment Liu Jiangjiang officially saw Mo Sanmei appear on the monitor, he was completely relieved!
Stable!
Full of details!
Even the dialects have different variations!
"Is this still Brother Ze?" Not to mention the director, even Shishi Xiaotong, who had been with him day and night for several years, was stunned. This arrogant ruffian turned out to be the gentle and elegant eldest son of the Su family?
I do not believe!
"This kid!" Kong Xue sat in front of the monitor, watching the foul-mouthed Su Ze fight with the heroes, but he still had no trace of his usual elegance and calmness!
Unknowingly, his acting skills have reached this level?
There have been more than a dozen works since his debut, no matter whether they are good or bad. If Kong Xue is asked to comment, last year's Love of Mountains and Seas Ma Defu has broken through the bottleneck, and his appearance is so rustic and ugly that it is simply amazing.
But today I discovered a truth:
There is no worst, only worse!
Not only is Mo Sanmei's appearance, but her behavior, personality and temperament completely different from Su Ze's, they are two extremes, okay?
It's like throwing an Antarctic penguin into the African savanna to play the role of a free-range chicken?
Can this be performed?
Damn it!
"Brother Ze is really awesome, his acting skills are second to none!"
"If I hadn't known him, I would have thought he was acting in his true colors. It was amazing."
"My dear, is the usually elegant and easy-going Su Ze fake?"
"This is the true face of our boss!"
Everyone on the set was shocked by Su Ze's earth-shaking changes. We are all from Kanazawa and usually know Su Ze very well. Unexpectedly, when the very elegant and even quiet young master Su turned into Mo Sanmei...
Standing in a narrow alley and arguing very loudly with a shrew?
Even fight with men and women?
My jaw dropped!
A proper low-level person, naive and rude, always relying on instinct when doing things, rogue and tender at the same time, with the aura of wild and savage growth in the world.
"Work hard!"
"Try harder!"
"Can't you understand what I'm talking to you?"
"Hit hard!"
"Are you not full at lunch?"
"Yes, try harder!"
Liu Jiangjiang watched Su Ze asking to do it over again, forcefully forcing him to cry loudly again. When the scene ended, he hugged the child and apologized desperately, saying he was sorry.
Eye circles are red!
After actually filming, I realized that Mo Sanmei is really not a character that can be completed by just putting in the effort.
Wu Xiaowen is the child and the most important emotional engine. Her role is to guide Mo Sanmei to complete the entire emotional construction. Therefore, her Nezha appearance and the red-tasseled gun cloth tiger that never leaves her hand were all added on the spot.
Take the first scene as an example. Su Ze jumped out of the car and wanted to light a cigarette but found that he didn't have a fire, so he lit a cigarette with paper burning on the roadside and almost burned himself.
The idle man walked to the door of the room, threw away the cigarette butt, and accidentally bumped his elbow because of his temper while dealing with the deceased.
A set of actions completes the construction of the character in just five minutes. In the eyes of the audience, Mo Sanmei is an irritable old man who makes a living from funerals but has no belief in life and death.
What shocked Liu Jiangjiang the most was Su Ze's eyes, as if his eyes were "ambiguous" at the beginning of the movie.
Confused and confused, without goals, an unfilial son.
True samadhi!
His eyes were full of smoke and dust.
It seems like there is a layer of turbidity attached to it.
Although I am engaged in funeral work, I only regard it as a means of making a living. However, I have experienced a new understanding of funeral work, mutual support from Xiaowen, and my father's heartfelt friendship and death...
His eyes gradually became clearer, and the ambiguity disappeared, becoming clear and moving, and even more clear.
The eyes that are inadvertently revealed in many moments are full of sincerity, gentleness, integrity, and even...
There is some compassion of Buddha nature!
Don't be afraid of external things, just follow your heart.
In the eyes of everyone on the set, he is the third brother. The person named Mo Sanmei really once lived in that alley full of various aspects of human life.
He is slovenly on the outside but delicate on the inside. As a mortician, he allows dead bodies to leave with dignity and secretly does many good deeds. The most proud thing is that he adopted a child named Xiaowen.
All kinds of trivial things, running around every day to support the family, and relatives turning against each other and fighting for money.
The ordinary people seem to be the ordinary people around them. There is no exaggerated preaching or condescension. It truly shows the happiness, sadness, joy, anger, sorrow and joy of an ordinary person...
It happened that there was a movie called "Life Events" and he was filmed.