The big screen then started playing a scene, in which Sister Tianxian had a face-to-face quarrel with a top man who was already in jail.
Since you don't like me? Why do you kiss me? Why do you want to give me hope? Since you don't like me? Why don't you reject me?
Su Ze frowned, feeling a little annoyed?
"The lines express emotions such as anger, complaint, and incomprehension, so the overall rhythm of the male protagonist must be strong. This is handled correctly."
"But why is the effect so poor?"
"Zhang Zifeng, tell me."
Zhang Zifeng felt all eyes focused on him, and his heart was beating fast. He quickly stood up and said, "I think the accent is wrong."
"Well, very good." Zhao Yunning said with satisfaction: "Let's see in detail how to deal with the accent."
Zhang Zifeng sat down and broke into a sweat. Fortunately, his agent was not here, otherwise?
"We can see in the picture that he raised the pitch of "let" and "thoroughly", and greatly extended the duration of "give up". According to his treatment, five of the six words are key points?"
"How would you handle it if it were Li Landi?"
Li Landi was well prepared. He stood up and said seriously: "I should put the emphasis on the words "let, me, completely, and give up".
Zhao Yunning nodded. The reason why he asked the three people questions was that Su Ze was the first in his major and had two full marks in the art test for lines.
After all, Zhang Zifeng and Li Landi are somewhat famous and have mature works, especially Zhang Zifeng, whose acting skills are remarkable.
"Have you ever seen Fu Dalong's Great Qin Empire?"
"Listen to how people control their emotions."
Su Ze listened and realized that Fu Dalong was one of his favorite actors, and Wang Baoqiang, Zhang Yi, and Huang Bo were all actors whose acting skills were worthy of respect in the Mesozoic era.
"The lines must also pay attention to logical relationships!" Zhao Yunning analyzed after the broadcast: "One country versus six countries, through the low, medium and high pitch, it is obvious that the six countries are the accent of the sentence."
The words "Qin Neng Di Bu" are all monosyllabic characters, but "neng" and "no" are obviously longer in duration, that is, the method of fast, slow and slow is used to highlight "neng" and "no"
"The key point of this sentence is - can we defeat the Six Nations?"
"We can't require every line to be pithy and concise, let alone every word spoken by the character."
"But a good actor has the ability to transform decay into something magical!"
"Our acting skills in dramas can be said to be superior to those of the others, do you know why?"
"It's because the school has a stage play!"
“That’s the best place to practice your voice, bar none!”
Everyone nodded. The stage play requires all actors not to wear microphones. No matter how many people are sitting in the theater, they must rely on their natural voices to deliver the lines word by word to the ears of every audience.
What a concept!
When watching those operas with veteran Chinese actors and actresses, you can even close your eyes and just listen with your ears to know what is being performed.
This is called real Kungfu!
Su Ze was a little self-reflective. He obviously didn't have enough training in lines. Although his breath was okay, he was just getting started.
“What’s wrong with listening to Hu Jianhua’s lines in the Chinese Dream?”
"Liu Guanjie, tell me."
As the second professional, Liu Guanjie stood up and said confidently: "I guess it's because I didn't pause enough, and my voice sounded a bit petty."
"That's right." Zhao Yunning said with a smile: "It's just that you're just a petty person!"
"The actor's main problem is the lack of pauses. The change in length is an important factor in forming rhythm. He uses almost the same time for each word."
"And there are almost no pauses within the sentence, so this sentence, which expresses the long-lasting culture of our great country, does it sound petty to read?"
Su Ze nodded. Although he has never seen Liu Guanjie's acting skills, he must be outstanding as a second professional.
"Let's see how Secretary Dakang handles it." The same line from the other end of Chinese Dream, just fifteen words, was spoken by Teacher Wu Gang in a heart-wrenching way.
"Teacher Wu Gang properly extended the key words when handling the lines. There were good pauses between sentences and words within the sentences. The rhythm of each sentence was not repeated. Isn't it full of music?"
"The first sentence's alternation between false and true sounds brings out the stress rhythm, and then the second sentence starts quickly and ends slowly, and the third sentence starts slowly and ends quickly, using the method of showing slowness in the fast to highlight the stress, all of which are reasonable in the sentence.
pause."
"Especially, the character Ze has different expressions in the three sentences. The first one is used for a short time with a pause, the second one is used for a long time with a pause, and the third one is used for a short time without a pause."
"In addition to the lines, it also combines reciting classic gestures to strengthen the audience's sense of identity. It only gives the audience a spring breeze-like enjoyment in just fifteen words."
"That's the gap!"
After showing the courseware, Zhao Yunning walked to the stage and said: "Now I will recite a monologue I like, which comes from teacher Zhou Xun."
Everyone pricked up their ears and listened to the boss.
"I'm not afraid of death!"
"What I'm afraid of is the person I love. I don't know why I died!"
"I am leaving this record in purgatory, hoping that my family and Sister Yu will forgive me for my decision at this moment, but I firmly believe that you will eventually understand my feelings."
"My dear people, I am so merciless to you because the nation is at the point of survival, and we can only risk our lives to save ourselves."
"The body will perish soon, but the soul will be with you."
"Our enemies will not understand..."
"Old ghost!"
"Old gun!"
"They are not individuals, but a spirit."
"A faith!"
The heart-stirring feeling of righteousness that felt like death came to my face. Everyone applauded and applauded. He was worthy of being a big shot in the Chinese drama industry.
"It's a pity that there are fewer and fewer actors who pay attention to their lines. Nine times out of ten, they all rely on post-dubbing." Zhao Yuning said dissatisfied: "Are the lines all the dubbing actors' business?"
Zhang Zifeng shrank her neck, feeling a little guilty and not daring to look at the teacher. To be fair, her aura was a bit weak, and her lines were indeed not that good, and she basically relied on post-production dubbing.
Boss, I was wrong!
Don't mention names!
In Su Ze's view, there is no clear standard for the quality of a film and television actor's lines, but from the perspective of an ordinary audience, there is only one criterion for measuring the quality of a film and television actor's lines.
Did anyone make a show?
If when watching an actor's synchronization, he doesn't get distracted because of his lines, doesn't feel transported because of the language, doesn't feel vague and stumbling, and his performance body and lines are consistent, then his line skills are qualified.
In other words, if the audience can focus on the plot, follow the plot and be infected by the actor's emotions, then the actor's skill is eighty percentile.
Those who can use dialects proficiently and even pick up various dialects at their fingertips are masters. Especially dialects with distinctive personalities, such as Northeastern dialect, Shudu dialect, Cantonese, etc.
I have to say that language is definitely a talent, and it is also a powerful weapon for actors to conquer the audience. When a master comes on stage, he can get a lot of applause with just one sentence. This is strength.
This is why more and more actors like to use post-dubbing and are even used to it. There is no way, I can’t do it!