The second section is a 1942 clip, with Ren Suxi and Zuo Xiaoqing acting opposite each other. Needless to say, Zuo Xiaoqing is a senior actor and even has a close relationship with teacher Cheng Daoming?
Ren Suxi is also an actress that Su Ze admires very much. Her appearance is very poor, even inferior to ordinary people, but her acting skills are absolutely remarkable.
Especially in the interview after the end, Ren Suxi, who has already worked on Lv Deshui, actually said that it is difficult to get roles, so she came to participate in variety shows in the hope of gaining more visibility and more opportunities to be chosen for good scripts.
Then Xu Zheng said: The spring for good actors is coming.
"Awesome!"
"Director Xu, I love you!"
"Although you are bald, you are also stronger!"
“The director’s vision is so sharp!”
The crowd burst into applause. At some point, Han Xuefei silently appeared at the door?
Ren Suxi, whose eyes are red when looking at the big screen, has a small-budget film "Donkey Gets Water" with a box office of 173 million and a score of 8.3 on Douban. Her performance shocked the entire Chinese film industry and was well received by film critics and audiences alike.
But two years have passed...
The results of it?
Still no one cares!
Han Xuefei shook her head. As a Chinese drama instructor, I have seen too many outstanding and even talented actors being ignored and reduced to just walking around on the set?
Are it still those popular stars with mediocre acting skills and poor reputation who can easily get good scripts?
Although movies are art, their essence is a commercial product involving huge economic interests. The film industry must follow the cruel market rules: whoever has box office appeal is the boss!
Fans of popular popular stars don't care whether the film itself is good or bad, or whether their idol's appearance time is long or short. As long as the film is within three times, the box office can be used to compare and brag within the so-called fan circle.
I chanted the slogan of fighting for my brother, stayed up all night to get good reviews, worked around the clock for free, and worked hard to dig out my wallet and lock the game, five brushes, ten brushes, and twenty brushes.
Send your brothers and sisters to debut!
When the investors take a look, they will tell you that you are awesome and the protagonist is you!
What if it were replaced by a powerful faction like Ren Suxi Fu Dalong?
The box office is probably not even a fraction!
So now the rules of the game have become: Driven by profit, big productions including famous directors also favor meteor stars with many fans, and try their best to favor them in terms of publicity, roles and roles.
They even let many veteran actors and actresses with superb acting skills act as actors for them?
Euphemistically called: bringing in new people?
Is Tony Leung awesome or not?
Bring me a European guide?
The investment is said to be 300 million?
The results of it?
He was beaten by Zhang Zifeng's low-cost movie of the same period!
Su Ze still respects Xu Zheng. Among other things, Xu Zheng rarely uses traffic in several of his movies and relies solely on his script and acting skills to ignite the box office. This is the confidence of a director.
Of course, his acting skills are one-dimensional, and his characters are all middle-aged, failed, greasy men. His greatness lies in the in-depth portrayal of the characters, which gives the audience a strong sense of empathy. There is no other way, this is also a strong actor.
"This scene is touching, but I don't think it's very good." Liu Guanjie suddenly said: "I have seen many interviews and footage from 1942. In this scene, Xu Fan and Director Feng even had a fierce argument."
Seeing that everyone was focused, he continued: "She wanted to be treated more openly from a mother's perspective, just like what Zuo Xiaoqing and Ren Suxi did today, but the director rejected it. Do you think why?"
"Why are you pretending!" Zhao Yuncheng, who most disliked Liu Guanjie's limelight, muttered: "I like to talk but don't talk."
Seeing everyone's expectations, Liu Guanjie said proudly: "He thinks that if the victims reached that stage, they would have been tortured to the point of numbness by long-term hunger, common starvation, and dead people everywhere."
"They no longer see hope, so they deal with the matter of selling their children with a mixture of numbness, entanglement, sadness, and reluctance."
"It's because the concentration of sadness in this complex emotion is not heartbreaking, and people who are hungry for a long time simply don't have the energy to mobilize such large emotional fluctuations."
Su Ze nodded secretly. It must be said that top directors still have unique vision.
Looking back at today's scene, the two actors treated it as a simple separation of mother and son. Although Director Veuve Clicquot also mentioned that this was not a sad ending, but a desire for life, it still felt a bit off.
It is indeed easy to arouse the audience's emotions in external performances, because the relationship between mother and child is definitely the weak spot of human beings. As long as the true feelings are true, the audience can be successfully infected and make a lot of tears, but what about the future?
Is it profound enough in the context of a million-person famine?
Pure emotions can move people, but are they shocking enough?
Is facing a natural disaster with corpses everywhere really unforgettable enough?
"That's a stage!" Hu Lei retorted: "A movie is a movie. If you perform on the stage in a reserved and reserved manner, can the audience vote?"
"That's right, without a camera close-up, who can see your micro-expressions?" Xie Yiyi supported her roommate and said, "I think Ren Suxi's performance is very good."
"I think Director Feng is right. The theme will be more profound if it is more restrained."
"This is a stage variety show, what's so profound about it?"
"The stage also has to pay attention to logical relationships, right?"
"Anyway, I think Ren Suxi's performance is good, and the audience's tears are the best proof!"
Everyone was talking a lot, but Han Xuefei didn't interrupt, just watched quietly, with relief on her face.
Su Ze did not express his opinion. Acting skills are a matter of personal opinion and there is no fixed standard. Just like singing, some people like to hit high notes and think this is awesome.
Some people like light music, while others are obsessed with heavy rock. Who can you say is right and who is wrong?
But as a real actor, how can you always play yourself? How can you always interpret the emotions of the character from your own perspective?
Actors must have the ability to conduct in-depth analysis of scripts and characters, and must be layered and rhythmic in their performances so that no matter how intense the emotional drama is, it cannot get out of control.
The real master is the one who can maintain a trace of calmness and deal with it.
Otherwise, if the actors themselves collapse and cannot extricate themselves, what will the audience do?
It is obvious that Ren Suxi uses stage plays to interpret roles, which is her specialty. On the contrary, Zuo Xiaoqing's performance is more restrained and deep. To be fair, Su Ze prefers this approach.
Especially when the millet was spilled on the ground, I was completely shocked!
On the stage, food may be just a prop, and the focus of the two actors is to advance the plot. But if it is placed in a movie, food is the origin of all conflicts.
Why would a mother sell her son or daughter?
It’s not just because of one bite!
Those grains of rice on the ground can save the humblest and noblest life, but the two leading actors just let it scatter?
Are you still stepping on it repeatedly with your feet?
Just throw away five kilograms of millet and you don’t know where it ended up?