Liu Yifei originally debuted at the time she became popular, has good looks, and has a superior family background. As long as she seizes the opportunity, she can easily stand out and become a diva-level female artist. By then, she can sit quietly.
On the Queen's throne, I watch female artists of the same age, ups and downs in the entertainment industry for the sake of their future.
After reaching the level of king and queen, everything is different. People will no longer be evaluated differently based on the number of works. Just think of Faye Wong. Although there have been very few works in recent years, every time she opens her mouth, she is worth millions.
, this posture, this worth, who can compare with it?
It's a pity that Liu Yifei failed to seize such an opportunity!
Now Ben Xi is also facing a similar situation to Liu Yifei. Now there is no one born in the 90s who can compare with Ben Xi. Even people born in the 1975s like Jay Chou are still active. The mainstream of the music industry is still the 75s and 80s.
It will take some time for even those born in the 1985s, let alone those born in the 1990s, to have basically no rivals. As long as they can seize the time, they can easily establish themselves as future queens, such as South Korea's BoA.
She debuted very early, and there were no opponents at that time. When her peers debuted, BoA had already become famous, and her peers were basically her juniors.
They are all examples of things to learn from!
Zhang Yicheng is confident that as long as he works hard to cultivate Benxi, Benxi's development will be unlimited in the future.
Zhang Yicheng is very confident and will definitely succeed!
In addition to Ben Xi's album, "Thirty-Three Days of Love" is finally entering its final stage. After earning more than 633 million in the second week, in the third week, in mainland China,
The box office in Hong Kong and Taiwan continued to rise, reaching 153 million. It also entered its second week of broadcast in Southeast Asia, with the box office reaching 195 million, and ended with an amount close to 200 million yuan.
In the third week, which is the week of early August, in addition to Southeast Asia and Greater China, there is another region that has also joined the ranks of broadcasting, and that is Japan and South Korea.
The first is South Korea. Although it was after fierce competition that we finally landed in South Korea and caught up with the third week, the box office was still relatively good. It exceeded 10 million yuan on the first day.
Then, instead of falling, the box office continued to rise, reaching 50 million on the third day and 115 million on the seventh day.
Because of the sudden popularity of "Thirty Days of Love" in South Korea, many Korean filmmakers protested. Many filmmakers sat directly in front of the three major TV stations to protest against the three major TV stations' promotion of foreign movies, which directly led to the
of movies suffered box office flops
It is precisely because of the sudden insertion of "30 Days of Love" that, except for some domestic blockbusters and Hollywood blockbusters, South Korea's small and medium-cost movies suffered heavy losses. There were not many screens in the first place, but they were used to play "33 Days of Love".
, coupled with Zhang Yicheng spending a lot of money to advertise on the three major TV stations, this directly led to many young people going into the cinema to watch "Thirty-three Days of Love"
This directly led to many filmmakers going to the three major TV stations to stage sit-in demonstrations.
Zhang Yicheng was also a little speechless about the fuss made by these sticks. He had no ability, and he blamed him. He even alerted several Korean congressmen later. I don't know if he received any benefits, and even started to come forward.
Put pressure on the three major TV stations, but fortunately, because Zhang Yicheng spent a lot of money on the three major TV stations before, the liquidated damages were also set very high. At first, the three major TV stations didn't think it was anything, but now it is really hard.
No, if they want to pay liquidated damages, they will probably have to pay for vomiting blood. According to the compensation set by Zhang Yicheng, each of the three major TV stations will have to pay at least 200 million yuan. If the three major TV stations are willing to pay compensation
, Zhang Yicheng immediately retreated and left South Korea without any complaints.
However, it is obvious that the three major TV stations are not willing to pay for the losses of these filmmakers. It is not them who lose anyway. Furthermore, the current "Love Is Not Blind" is not too great, and those films with large investment are not
It has not been greatly affected. It is just because of the economic downturn that the Korean film market has fallen into weakness. Because Korean films are not as good as Korean TV series and have a market all over Asia. In fact, Korean films are exported from South Korea.
No one knows about it, and this is the opposite of Chinese movies. Only in the scope of Asia, the influence of Chinese movies is still very large. Maybe Indian movies can be a little more interesting, but it is difficult to really see other movies.
Chinese films are more competitive than Chinese films. Don’t forget that it was not other films that dominated the film industry in East Asia before, but Hong Kong films. Now with a large number of Hong Kong film talents entering the mainland, in fact, mainland films should be counted.
It has inherited the mantle of Hong Kong movies. To a certain extent, mainland movies can also be regarded as inheriting part of the status of Hong Kong movies.
In addition, the extensive market in the Mainland has not been fully developed, and South Korea's economy is said to be ranked eleventh in the world in terms of prosperity. It seems quite impressive, but that is because behind them are a group of weak countries. In fact,
It's a bit like France. The only developed country is the capital, Seoul.
Therefore, Chinese movies have not been greatly affected by the world economic crisis, and they continue to set box office records. However, South Korea is different. The economy, which was originally average, has been affected by the world economic crisis, and the entire economy has weakened. Perhaps for those
For blockbusters, the impact is not that great, because even if there is a crisis, those who should watch blockbusters still have to watch them. Anyway, they are not short of money, but those movies with small and medium investment are terrible, and they have lost all their money!
At this time, Koreans, who are used to shirk their responsibilities, of course have to find a scapegoat. At this time, they chose "33 Days of Love" because they wanted to find a scapegoat, and "33 Days of Love" which performed well this week
"has become a thorn in their side. After all, "Thirty-day Love" is a foreign film. In xenophobic South Korea, the fact that you are a foreign film is fatal enough, let alone other things.
This is the twisted and strange mentality of Koreans. On the one hand, they are super inferior and on the other hand, they are super arrogant. It’s like they stubbornly believe that Korean beef and Korean beef are the best in the world.