Chapter 219 The Cultural Invasion of the Celestial Dynasty I
Since the Japanese were no longer the bad guys in the last movie "God of Gamblers", this movie was hesitant and hesitant on the part of the Japanese government and was finally introduced to the Japanese market.
The reason why Wang Jiuling made the Japanese in this film as bad guys is actually because he hopes that the movie can enter the Japanese film market. Militarily, China cannot do anything to Japan yet, but culturally, Wang Jiuling can attack Japan, and
This is a way that the Japanese will not resist
As Chinese movies have become popular around the world, Japanese movie theaters naturally hope to show these movies to make money.
Many people are strongly opposed to the Japanese, especially in the military, but the real behind-the-scenes ethics in Japan these days are those big chaebols, and they also run the movie theaters, so it is really a pain in the ass that such a popular movie cannot be used to make money, and
The movie does not say that the Japanese are bad guys. The role of the Japanese in this movie is positive. Although many people in the military strongly opposed it, the movie was finally introduced.
In fact, many people in Japan have secretly copied the movies produced by Xikang, but they have not been shown publicly. The upper class people have already seen them, so the bosses behind the cinema dare to openly introduce Xikang's movies.
After God of Gamblers was introduced to the Japanese market, it caused a huge response in Japan, especially God of Gamblers Gao Jinke and Wang Jiuling starring in it.
Those girls in Japan first collected dragon coins issued by Xikang, then newspapers with photos of Wang Jiuling, and then magazines of Wang Jiuling
Now they can actually see living people, even though it is only on the movie screen, but they are already very satisfied. They really want to hear what Wang Jiuling talks like and how Wang Jiuling walks...
So as soon as "God of Gamblers" directed by Wang Jiuling was released in the cinema, and the starring role was Wang Jiuling himself, it immediately attracted countless Japanese women and girls.
Movie theaters are showing Wang Jiuling's movies so blatantly that they have nothing to fear. At first, although the Black Dragon Society organizations did not dare to do anything to the movie theater, they would intimidate the girls, but the effect was not great. Come and watch the movie
There are many rich and powerful people
Three days after it was broadcast, people were everywhere in school and at home talking about the plot of "God of Gamblers". Those who could have restrained themselves from watching it all wanted to find out what happened.
But many people hate Wang Jiuling extremely, even though Wang Jiuling has no hatred against them for killing his father, nor for taking away his wife.
On weekdays, these people always pretend to love the country. They are very disdainful that their elder sisters at home collect Wang Jiuling's magazines and have Wang Jiuling's currency. However, they listened to their elder sisters for a few days saying how "God of Gamblers" is in front of their parents.
It's so beautiful, it makes them feel itchy in their hearts. The most painful thing in life is that you can easily get what you want, but you have to restrain yourself and prevent yourself from getting it. After a week of torture, these people can no longer carry it.
I couldn't stand it anymore, so I bought a movie ticket while other friends were not paying attention. But when I went in, I found that many of my classmates were full.
Especially when I see my good friend who usually talks bad things about Wang Jiuling, his mouth is watering. When he sees him coming, he can only smile awkwardly and say: "Are you here?" Then he touches his head and giggles: "Haha...I
I feel that if you want to defeat the enemy, you should first understand the enemy, know yourself and the enemy, and then you can fight without danger." Then I can watch the movie with peace of mind.
Since "God of Gamblers" is so popular, Wang Jiuling immediately started to send out the second one. Now he has forgotten to write the script when he has free time, so now there are several scripts piled up there.
Filmmaking this time is different, because Wang Jiuling pays special attention to the development of color films, so he invests in color films just like he invests in heavy industry. He needs money to give money and people to give people.
Wang Jiuling's profits from several films were immediately discovered by the Jews. They imitated Wang Jiuling's shooting techniques and released many works, earning good profits. Wang Jiuling needed to maintain his advantages. In addition to stepping up efforts to cultivate talents, he also innovated technology and made color films
This is the development direction of the film market in the future, so Wang Jiuling is fully engaged in it.
So far, many film critics still use silent and sound as the criteria for dividing film eras. But it is undeniable that since the invention of film, filmmakers have been pursuing a true or artistic reproduction of the colorful world in our eyes on the screen. The birth of color films
It is the result of scientific and technological progress and the inevitable development of history. It is a huge contribution to world cinema.
In 1900, Melies and Pater of France used the template mechanical printing method to create color film films one by one. In 1903, Leon Didier of France invented a technology related to color dyeing printing. 1908
In 1912, Bertone of France invented a lens additive color method, which is a method of mixing and adding the three primary colors red, green, and blue to obtain a color image. In 1912, Fischer of Germany discovered that using certain chemical substances
Oxidation and coupling can generate pigments. After this, Bella Gaspar invented the color technology of decomposing film color film imaging. The American Kodak Company promptly purchased the patent for this technology and launched color film. In 1932, Walter of the United States
; Disney used the three-color dyeing method for the first time to shoot the animated film "Flowers and Trees". In 1935, the world's first true color film "Vanity City" came out
The long-lasting "Gone with the Wind" shot in 1939 established a monument in the history of color film and won the Academy Award for Best Color Cinematography, Best Color Costume Effects Design and Special Achievement Award in the Use of Color.
Color movies can undoubtedly satisfy the audience's need for stronger sensory stimulation, so they were quickly accepted by the public as soon as they came out. Hollywood directors in the United States were very sensitive to this huge business opportunity and joined the ranks of color movies in the 1940s. Their passion for color
Delicate feelings and flexible use have contributed to the release of a number of color classic films. The Oscar judges are no less sensitive to commercial atmosphere than film producers. In 1939, they lost no time in splitting the Best Cinematography Award into two, one for a black and white film.
The other one is for color film
However, black and white films do not have their unique charm after all. In an era when color dominates the world, many directors use black and white to express their film thoughts or intentions. For example, Hitchcock shot "Psycho" in black and white in order not to confuse the audience.
Too frightened; Spielberg shot "Schindler's List" in black and white in 1995 to reflect the gravity of history; Rostotsky's "The Dawns Here Are Quiet" used black and white to express the cruelty of war and reality
, and use color to express the yearning for love and a better life, and let the contrast of colors arouse the audience's resonance of hating war and longing for peace.