"Zhuo Yang, do you think the 'Fourth Sonata' is about the ocean and the storm?"
"Don't I think." Zhuo Yang said: "Boge, what do you think it is talking about?"
"War and Peace Dove."
"That is war and peace, according to your understanding."
There have been many conversations like this between Zhuo Yang and Ivo Pogleridge in the past six months.
38 years ago, the 22-year-old Bogo was eliminated in the Shawsai rematch and failed to enter the finals, which triggered protests from judges such as the "high priest" Agridge, and thus became famous.
Bogo relied on this popularity touring around the world, including New York and London, and began working with many major record companies, establishing his status as a top performer.
By the way, in the Chopin Competition that year, Vietnamese pianist Dang Taisong (dang     thai     son) won the first place, and it was also the first time that an Asian won the Gold Medal of the Swords.
Bogo and Deng Taisong also became enemies of their lives and looked down upon each other.
But Deng Taisong later said that he was flattered because he came from Vietnam, a remote countryside, and was able to appear on the stage of Xiao Sai. He was cautious throughout the game and did not dare to play a wrong sound. It was these rigorous things that made him feel that he was careful.
Compared with the rebellious Pogleridge, it has a very advantage in the judges.
However, we cannot underestimate Deng Taisong's achievements because of the controversy caused by Bogo. He deserved the title that year.
Bogo's journey to Maicheng on Shausen is also closely related to his love and marriage.
Bogo was very handsome when he was young, and he was so handsome. He only looked at his face, and Zhuo Yang, who was the same age, was not worthy of Bogo to bring shoes.
Bogo, 18, came to Moscow Central Conservatory of Music (Tchaikov Conservatory of Music) for further studies, and his mentor was 39-year-old Alisa Keseraj.
Keserraj reshaped Poglerici's skills and musical concepts, allowing him to quickly win the first prize of the Cassa Grande Piano Competition in Italy and the first prize of the Montreal International Music Competition.
To outsiders, Keserraj and Pogleridge are strict teachers and disciples, and no one knows how their feelings grow and change.
Is it in the touch of correcting hands, or in the common understanding of the situation in the song? I only know that the world of music is vast and vast enough to accommodate the approach of two hearts.
The year after graduation, the year before participating in Shausen, Bogo proposed to Kaiserraj, and she agreed.
Not to mention the conservative and old-fashioned classical music industry back then, even today, teacher-student love is a very unruly thing, especially female teachers and male students.
For an analogy, you can refer to the turmoil caused by Yang Guo, a great hero in the martial arts world, who married his aunt Xiaolongnu during the Southern Song Dynasty. Xiaolongnu was just Yang Guo’s nominal ‘aunt’, and she was only five years older than him.
Professor Kaiserraj is Bogot's real teacher, and she is 21 years older than him. You can taste it carefully.
So he was eliminated in Xiaosai next year, not only because he interpreted Chopin's rebellion, but also because the old people couldn't stand his rebellion in love.
He was abandoned by the mainstream classical music industry, and he and her were abandoned by their family because of their marriage. From then on, the couple wandered around the world. She accompanied him to fame and was controversial.
In 1996, 66-year-old Alisa Keseraj died of lung cancer.
The last kiss before her death, because of a ruptured liver, the wife sprayed blood on her husband's hair and face.
Who would tell me about a sad string? From then on, he was unwilling to perform again and began his long life of seclusion.
Rilke said in his poem: I can never find you again, I am lonely and helpless.
It was only more than ten years later that he appeared before the world again.
Shaved his hair and his performance became more and more outrageous. The slow speed beyond the norm, the thrilling sound and dark tones caused controversy again.
But Pogleridge doesn't care - those who understand will understand that the elongated melody lines, broad range of force and deep bass make the core of the music present; and the emotional processing full of pain can clearly be heard
The voice of the mourner tells the story of the ten years of life and death.
Compared with Bogo's unrestrained and wild playing style after his comeback, his previous rebelliousness was as obedient as a student of the Three Goods.
In this way, I thought that the legendary figure in the piano world was deeply moved by Zhuo Yang's magical romanticism, and took the initiative to contact him and hoped to hold a concert with his works.
I can do whatever I want to play, and when will I play the deceased sages such as Lao Chai, Beethoven, Chopin, etc., but Zhuo Yang's works are not good, because he is still alive, and there are copyright issues here.
Bogo is a traitor to the piano, and Zhuo Yang is the same. Any fantastic breakthrough will touch the cake of the vested interests in the circle.
Zhuo Yang and Bogo are both talented pianists, and both love each other. The football world can generally accept Zhuo Yang's simultaneous pursuit of piano, but the piano world is very dissatisfied with his obsessed with vulgar football.
Zhuo Yang himself can interpret magical romanticism, but he still needs to interpret other ideas from other angles, so you can understand it by listening to both sides.
Bogo is a very ideal interpreter. If he can play Chopin into Mozart, you will know that there is nothing on the piano that he dare not do.
Zhuo Yang needs someone to be able to play magical romance beyond recognition, because his new style is already full of chaos, disorder and fantasy, and only one thing can be the most magical.
Bogo is so suitable.
Zhuo Yang immediately agreed, and Bogo was not vague, and came to Manchester from the mountains of Lugano, Switzerland where he lived.
In the next six months, under the recommendation of Zhuo Yang, Bogo became a visiting scholar of Manchester Royal Beiyin. Whenever Zhuo Yang had time, the two of them would fall together to think about magical romanticism.
Bogo is an old world in the piano world and an old senior. Although Zhuo Yang is also very awesome now, in this classical music scene that is very particular about seniority, Zhuo Yang will naturally show his due respect if he can win Bogo's favor.
Zhuo Yang himself cannot play. He can agree that Bogleridge can play the first person in the special topic of magical romanticism, which is also a great honor for Bogo.
This is a story of a man appreciating each other, and it is also a mutual convincing between two generations of artists.
After half a year of discussion, twenty-two works were finally selected to be displayed by Bogo at the concert, and all of them were played by him. Zhuo Yang only knew how to be an audience, and there were no other assistants.
This is obviously a physical job. Fortunately, Bogo, 60, shaved his big bald head. Although he is no longer the young and handsome guy who was "Hua Zelei in the music scene" when he was young, he has a strong heart in his bones.
Zhuo Yang in a suit doesn't look like a football player at all, but Bogo in a dress is clearly a wild football coach.
Chapter completed!