The reason why Ivo Pogleridge is called "Voldemort of the piano" comes from a very vivid answer to "whether beginners should be loyal to the music score".
Beginners are like Hogwarts students. The spells must be recited accurately before magic will appear. But you still have your own voice and magic power, just like when you play the music score, the music will still have your personality.
The mantra has the main paragraph and the second sentence, just like the building has the foundation stone and decoration. The master can change the patterns, but will not shake the beams and pillars, and art is always infinitely possibilities.
"Since it is possible that I can see Voldemort in the music world?"
"Yes. One day, you'll hear Pogleridge playing."
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Bogo is already impeccable in playing skills. When it comes to this level, if you only talk about skills, it is craftsmanship. The key is to look at the performer's understanding of the music.
What is understanding? It is actually the emotions you feel.
The first song of "Zhuo Yang's Magical Dream" is the key to the entire magical romanticism - "Magic Code".
This is a prelude to the praises of love and the fight against suffering, and eternal life in the fire, but Pogleridge conveys a profound and extraordinary peace in suffering.
There are a thousand Hamlets in a thousand readers. In fact, you don’t need to understand classical music, nor do you need to listen to others’ explanations.
Don’t use literary and artistic methods to explain music. Music is the art of auditory. Feeling the beauty of pure auditory is the most important way to appreciate it.
"Sonata No. 14, First Movement", starting from the first note, the powerful force in Bogleridge's heart seemed to be gushing out. The pedals in the song were also more decisive, as if they wanted to make the music.
Turn into pieces.
A feeling of sometimes gentle but broken, sometimes struggling and cruelty is revealed from the music. Perhaps Bogo wants to tear off the skin and remind people of what kind of expression Zhuo Yang is sometimes hideous and sometimes spring breeze when he creates these songs.
The concert attracted the attention of the classical music industry around the world, Ali Vadi, Karl Norman, Mauricio Polyni, Maria Joao Pires, Uta Vaiand, Stanislav
Yudanic, Louis Kentner, etc., these past teachers and current colleagues, all of them came in person.
There are also Zubin Meta, Ricardo Muti, and Mata Agridge, many heavyweights in the industry, and of course, Mark Vincenster, Elena Grimo, and Sean Chap
Men and fellow peer friends like Warner Saroyan.
Angelica Giannini, Andrea Moltney and Judy Yawujila are the three new young pianists, who are Zhuo Yang's best students.
Zhuo Yang's family will not be absent. Koko sometimes frowned and sometimes looked terrified.
It doesn’t matter if you can’t understand the ideological connotation that classical music wants to express, because music is the art of emotions.
Feeling the indescribable inner self, the indescribable delicate and subtlety that can be expressed, and the instant emotional feelings that touch you is the most important way to appreciate music.
Music has never had a standard answer. It can move you and cause fluctuations in your heart. It is a good music, and the emotions it brings are your standard answer.
Classical music is much more complex than pop music. At first glance, it seems not only that it cannot understand, but also very unpleasant.
The rhythm of pop music is fixed, four-four beats are four-four beats, four-three is four-three, while classical music is full of variations and polyphonics, and the rhythm is jumping and changing at any time.
Everyone has their own aesthetic principles, but one thing is absolutely common: simple things are easy to get tired of, complex things are more niche, but deeper, and longer vitality.
Everyone's aesthetics will change with age, rich life experiences, and emotional accumulation. In other words, people's aesthetic threshold will gradually increase.
It's like a joke. At the beginning, "Once there was a donkey" could make people laugh so hard, but after watching too many jokes, I've been full of short videos, and then the rabbit can learn from donkeys and can even scratch it.
Not your laugh point.
When people's aesthetic threshold increases and reaches a certain level, they will naturally move from online literature to traditional literature, from pop music to light music to classical music.
What should I do if I can’t get used to it? I will get used to it if I listen more.
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Real pianists are disgusted with the same imitational performance, but when musicians break free from restrictions, people feel scared and refuse to accept it.
Bogo is not crazy and cannot survive, and he jumps to the extreme, but his extremeness and playing personality are indeed very suitable for interpreting magical romanticism.
Only Zhuo Yang's magical music can convince him a rebellious genius.
Bogo told the media: "If a Martian came to our planet, he wanted to explore the deepest culture of this planet with curiosity, and to bring back the highest honor that best represents our culture and best reflects human research results."
A rare treasure, I will recommend Zhuo Yang's 22 piano music to him without hesitation."
Zhuo Yang said: "Ivo's performance is not sentimental, but it is extremely brilliant. The tragic fragments of the first and fourth movements, the ominous, complex and changeable scherzo movements, and the focused broad-panel movements have been achieved.
Balance. In the broad board, time seemed to have stopped. His performance made me hold my breath."
The last track of the concert, "Rhapsody No. 17, Fourth Movement", Bogo uses an incredible slow speed, deep breath, and oppressive musical tension, which seems to put every note under a magnifying glass to touch the keys
, which shocked the audience at the Paladin Opera House.
When the last bass roar fell, Pogleridge broke the piano strings.
It turns out that he is a master of "heavyweight". His arm strength, finger strength, and powerful penetration, he is definitely a good practice in practicing "Nine Yin White Bone Grasp".
In the shocking silence of the audience, Zhuo Yang, who was sitting in the first row, stood up and ovated, and then the audience applauded like thunder.
"Zhuo Yang's Magical Dream" has been a huge success.
Before today, Zhuo Yang was a piano master, and after today, he was a master.
In 2018, Hanyin University, Miyin Academy, Bayin Academy, Royal Mayin, and Royal Beiyin have successively added courses on magical romanticism styles to their respective piano departments.
Afterwards, many music institutions around the world followed suit.
He politely declined the proposal of five music institutions to hold the "Zhuo Yang Piano Competition". It is too early and I am still young, so wait.
Bogo has the 'Boglerich Piano Competition', which belongs to his name. The first session was held in 1993, at the Paladin Opera House in London. At that time, the first place was Chen Yuxiang, a female pianist at Daiwan, who was known as'
The Pride of Treasure Island'.
"Zhuo Yang's Magical Dream" came to a successful conclusion. After lingering in London for a day, Zhuo Yang and his colleagues in the classical music industry returned to Manchester City and the football world.
Chapter completed!