Morixia, who was watched by Qianjia, was now extremely uneasy.

But even if you are not calm, you will still do what you should do.

Since Hidetaka Miyazaki himself is here, the best way to do the story with him.

When designing novels, animations and games, the requirements for stories are different.

In games, the stage design of the game is particular. The stage of open games and the stage of linear games are different. The thinking and ideas are also different between literary workers and game producers.

The story of "The Witch of the Sword" is from Morika. Although Hidetaka Miyazaki is very interested, the content itself still needs to be adjusted by the original author, which is the best.

Of course, there are also situations where the game producer lets himself go, and there are quite a few. As for the effect... let alone, some are really good.

But Morixia is the big boss now.

Oh, add a prerequisite, it is a rich boss.

No matter how strong the game producers have, their first goal is always funding.

And Senxia is a big boss who can provide sufficient funds.

So there is nothing wrong with Morika writing stories here. On the contrary, this means that the production of this game can get a lot of funds in the future!

Senxia also restrained her emotions.

Senior Sister Qianjia looks like she has no problem, and she is still the best one to create seriously now.

Morika is also quite interested in this whole story.

He really wanted to see what kind of game Hidetaka Miyazaki could make.

Maybe it will be interesting or maybe...

So now Senxia is facing the first problem.

“So where should our story scene be placed?”

Even in a modern city, it requires a suitable place.

Among Japanese games, many games also have modern backgrounds. However, many of these games are very deceptive. The so-called modern background is full of air walls, and there are not many places that can be moved. The whole story gives people the feeling

It's like a funny stage play.

Of course, there are also games with excellent scene production, and some can even be said to be classic.

But Morixia looked around and felt that the possibility of finding the benchmark work... was too few.

He found that the most comparable one was his own "On the Demon Ninja".

But this story is not that type of...

Of course, if it is not limited to Japanese stories, Morika found that there are actually more situations that can be learned from.

Although I was a little embarrassed, at this time, what Mori Naka thought of was the classic European and American open game architecture.

That kind of game is obviously a story structure of Pijin Oil, and the various designs are simply too convenient.

but……

There is a problem...

That is, Hidetaka Miyazaki is not a person who can make such games.

Although the other party’s story is not a completely linear narrative structure, it is also a story-based narrative.

But gradually, the idea of ​​a comic work appeared in Mori Naka's mind.

The name of the comic is "The Girl's End Travel".

Moriya was very impressed by the urban design in this work.

This type of urban design is somewhat similar to the cyberpunk style, and some are similar to the "Nest Capital" design.

He thinks this kind of design seems to be pretty good.

"How about we design the story in a huge three-dimensional city?" asked Senxia.

"Three-dimensional city?" Miyazaki Hidetaka also came into contact with the Warhammer series, so he asked, "What kind of nest is?"

“Slightly close.”

In "The Girl's End Travel", the two heroines are wandering in a huge city and then climbing upwards.

Morixia thinks this concept is good.

"...This is not a witch at all." But Qianjia raised an objection, "Why don't you use the background of the animation?"

"Although the background of the animation looks good, it is not suitable for the story of the Soul series."

Although the background of the animation is interesting, it is not suitable as the background of the game.

The reason here is very complicated, but ultimately, this story is for animation.

This is different from the "Naye" series. The game of "Naye" itself is an action system, and each battle is carried out in a separate scene, and there are various plot fillings during the scenes.

But Miyazaki Hidetaka's soul series is purely speaking with the picture and the game itself.

At this time, the original animation structure is not suitable.

Since I want to do it, Morika certainly wants to do the best.

"Our game story should have a weak correlation with animation." Morika said, "The story between the two sides is different stories under the same worldview system... Well, it's also true with "Yue Ji".

The concept of the "Night of Destiny" series is the same."

When it comes to "Yue Ji", Mori Xia is angry.

The May Line of Nasu Mushroom has not yet been filled, but now more and more people regard Morika's legend as the official history of the May Line, and shamelessly want Morika to "turn this part to be formal"

.

Tsk, there are also such lazy people...

"So that's it, I understand." Senka understood Qianjia's statement.

"But I think the concept design of the city can be... " Miyazaki Hideto said suddenly, "I wonder if you have heard of the mountain castle of a great oriental country next door?"

The mountain city in Sichuan, Sichuan, Bayu region, or Yucheng.

Of course Morika knew.

Not only did he know, he had been there.

And Qianjia went with Morika.

"I know, what's wrong?" he asked.

"Last year, Takeui and Nasu and I went to collect folk songs together."

What's going on?

Did Miyazaki Hideto and these two guys get together?

Huh?

Which butterfly effect is this?

It's so weird that this unrelated relationship can still appear.

Ah, no, the point is... these two guys actually went abroad for a trip last year?

Are they so leisurely?!

"What?" Qianjia spoke first while Morika was thinking in a mess.

"I think the three-dimensional sense of this city is very good, and the combination of this city and the mountains, rivers and rivers complement each other. If we really need a three-dimensional city, I think the design of that city is very good." Miyazaki Hidetoshi

What he said made Morixia nod.

The mountain city is indeed a very special city.

In the future, this city will indeed become a prototype and filming place for many people to create cyberpunk-style cities.

Of course, this city has just become a municipality for a few years and it is still very young.

But this does not prevent Mori Naka from imagining here.

"If you use a similar city as a prototype, it will be very convenient to add some shrines or similar places." Moriya muttered.

The beginning of a story gradually took shape in his mind.

"In a city built against a mountain, I encountered a containment failure incident, scp173...ah, sorry, I'm talking about it. I mean, there are gods from ancient times on the top of the mountain." Senxia muttered,

"But one day, the gods turned into a desolate soul, and the whole city had to start a large evacuation and send a knife envoy to attack..."

Yes, yes, it feels getting better and better.

Moriya thinks it's very good.

"But as the opening, it seems to be a little bit short..."

Qianjia agreed with the background, but she felt that this background seemed a bit too ordinary.

"The setting of a foreigner is normal," Morika said, "It is precisely because the protagonist is an ordinary sword envoy that the story is interesting."
To be continued...