This wave of public opinion is also a bit strange.
In fact, there wasn't - at least for the first time, no famous scholar came out to set the pace.
But it was countless well-educated Confucians who were not so famous, who instinctively felt a sense of the decision Li Er announced this time.
Unspeakable fear.
I can't say what I was afraid of, but I was extremely afraid.
The emperor has even changed the aesthetic style of the palace, so what will the emperor change next? We don’t even dare to think about it.
This is a true portrayal of the hearts of most of the learned Confucians in Chang'an and other places.
Terrified!
But Li Er still went his own way and implemented it, and...
What's even weirder about this time is that logically speaking, in the eyes of this group of well-educated Confucians, ministers like Wei Zhengfang and Du would not agree with Li Er's idea and would definitely dissuade him.
However, this time, something very magical happened. These ministers who have always been outspoken and dare to remonstrate actually chose to support this decision!
This makes the atmosphere even more strange and the road ahead unpredictable.
In short, a great uneasiness brewed in the minds of almost all the Confucian scholars in the Tang Dynasty.
But this uneasiness actually has no direction. To put it more clearly, these scholars cannot find what they are afraid of!
Of course, all Chinese great scholars know that Li Er's changes to the palace structure and aesthetics subtly changed the foundation of Confucianism, but what about the palace structure itself that Li Er changed?
There is nothing to criticize about this!
For the great Confucians.
As long as the other party shows up, you can observe the other party, find the cultural characteristics of the other party, and then trace the root cause and criticize the other party as unfaithful, unfilial and unjust.
However, this time Li Er changed the shape of the palace, and these great scholars couldn't find any reason for it!
In other words, I have no idea where this aesthetic style came from - of course, Li Er naturally knew that this was all done by Qiao. As for its origin, it is a series of aesthetic upgrades from the 17th to the 20th centuries.
The final product is, of course, the extraordinary level of Dayin Xisheng.
But these great scholars had no way of understanding it, so they thought about it over and over again, but they couldn't find a point to spray it on!
Gradually, the palace renovation plan started, because finally.
Although Li Er also heard objections from many ministers in the court at first, because of the change of the ancestral system, the follow-up voice from the people was naturally stronger - but in the end, it still did not cause any waves.
Without spray points, public opinion will naturally not be able to make a noise!
But the project went on so strangely smoothly, but Li Er still felt a little uneasy.
So after much deliberation, he summoned Wei Zheng and others to the palace for discussion.
After all, if there were any hidden dangers, I would still have to explain it to my ancestors and descendants.
"We have already discussed why this palace needs to be renovated. Now that our country, the Tang Dynasty, has overcome the long-standing shortcomings of the past and created a new atmosphere that has never existed before, we must also innovate in etiquette. In addition to reforming etiquette, edicts, etc., this
Aesthetic' thing."
"Sheng'er has made it very clear to us. The 'rounded rectangle' used in the Tang Dynasty today is in line with the ancients' meaning of 'round sky and square place'. Its simple shape symbolizes the promotion of frugality, and its precise angles symbolize the court's laws."
"The atmosphere of a country must originate from the emperor. This is not just a whim. You all know this, but I have often heard people criticize this recently. What do you think?"
Li Er's face was cold and solemn, and he obviously took this matter very seriously.
That’s right!
At first glance, Li Er thought the "corporate" aesthetic of Port Saint-Vincent was very exquisite and beautiful, and at the same time extremely frugal - because it was all rounded rectangles with no decorative changes at all.
This contradictory beauty that is both frugal and refined appears at the same time, and its charm is naturally extremely powerful.
But then we arrived at Li Sheng’s Blue Manor.
Li Er gradually discovered that more and more things use this kind of rounded rectangle, and it is extremely simple, only a rounded rectangle, without any other fancy!
There were actually the same graphics everywhere, reflected in various places. Gradually, Li Er couldn't help but think about it!
Isn't this just like the dragon and phoenix patterns in the palace?
The dragon and phoenix patterns are the supreme symbols of a country. It goes without saying what the original religious meaning of these images is, but they are restricted to the royal family, which means that this thing not only symbolizes the strong, but also symbolizes the long-term development of this land of China.
Order is stable.
Leaderless, in many situations where this word appears, it is said excitedly, but in fact.
When there is truly no leader, it is just a chaotic world in which human lives are like a piece of grass.
The use of dragon and phoenix patterns everywhere in the palace itself has a shocking effect.
And now, Li Sheng's place is also full of rounded rectangles with a round sky and a round place.
So the question is, does Li Sheng also want to convey some meaning through this thing?
After arriving at the Blue Manor on Qiongzhou Island, Li Er was relieved. Li Sheng's plans to cause trouble were all false and he had overthought them. He could visit for a few days, drink and talk with his children, and then go back and continue living his life.
But seeing the style of the scenery, Li Er unexpectedly thought of many things.
This is what the saying goes, thinking about it day by day and dreaming about it at night, thinking about it over and over again.
——Since it was Li Sheng's invitation, of course, in addition to touring the seaside scenery, he also had to have a meal and drink with Li Sheng. He would have to talk about the past and the present, and talk about heroes over wine.
During this conversation, Li Er naturally talked about the matter that he was most concerned about recently.
This strange rounded rectangle.
At first glance, they look like ordinary graphics, but they are ever-changing and consistent in gathering in this place.
This feels completely different!
Compared with Li Sheng, the "work department" run by brothers Li Tai and Li Ke is simply inferior to a palace, and can only be regarded as a side room - or a first-class toilet.
And this place in Li Sheng is really for people.
An extremely strong feeling, as if I had arrived in another world!
Li Eryi asked about the mystery behind this.
The three ministers Wei Zhengfang and Du also paid attention to it.
Could there be something to say here?
This aspect of things belongs to art and design.
Li Sheng originally studied science and engineering and didn't know much about this aspect.
But nothing.
In terms of industrial design, there happened to be a leading figure named Qiao Moumou. As a student in the past, Li Sheng naturally knew a lot about the experience of this industry icon.
Li Sheng really doesn't know much about other industrial designs, because half of the name "industrial design" is related to industry, but it really falls into the category of fine arts, but this apple has a special tone.
