After reading these wooden slips, Wu Maxi became more confident in controlling the girl and became much more confident. Then he put away the wooden slips and animal skin drawings and took out the large metal box.
The box is about half a meter high and is made of dark gold. Although it has been a thousand years, there are not many traces of decay.
There was a large gold lock hanging in front of the box, but it was not locked. When the box was opened, it was filled with some animal skin wooden slips. Perhaps because of the box, these things were preserved in full.
At the top of these things is a broken animal skin with a corner. There are several lines of sloppy text written on the animal skin. I carefully identify it. It is written on it: All things in the box are witch curses. After you practice it, you
As a disciple of the witch cursive, you should share the honor and disgrace with the witch cursive. If you get the opportunity, you must help the things in the box return to the original branch of the witch cursive. Remember! The final letter of the Fang commandment is written.
It's actually a house commandment!
Wu Maxi once obtained Fang Jie's Taimo Monument in the giant tree space. He also saw Fang Jie's name on Gao Qianhu's monument. He thought he had already died under the giant tree, but he did not expect that he could escape back to the northwest.
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The corpse next to the box seems to be Fang Jie undoubtedly.
He ran back to the northwest with his dying body, just to leave behind such a text and the four big words "Long Live the Witch Curse". Gao Qianhu, who was before his death, cast a monument underground to commemorate the Witch Curse, and finally left it
The four big words "Long Live the Curse" were also given.
The integrity of the seniors is still amazing after thousands of years.
When Fang Jie was about to die, he still told him to send the things back to the witch curse, but when he wrote these words, he must have been a little desperate.
These things that belong to witch curses may return to dust with the secret room, and may turn into ashes in the long river of time. Even if you can see the sky, you don’t know who will fall into the hands of the witch curses. They have nothing to do with witch curses.
.The Fang Jie left these words, probably to make the heirs feel a sense of belonging to the witch curse and increase the possibility that these things will return to the original branch of the witch curse.
Due to Cha Mihou and Taiyin, Wu Maxi had a sense of belonging to the Cha family, the base camp of the witch curse, but when he thought of sending these things back to the Cha family, he would think of his ancestor Wu Makuang.
The ancestor Wanli, who was in his prime, drove the corpse of Cha Mihou and sent the corpse of Cha, back to the Cha family, but in the end he had no choice but to leave sadly, leaving behind a knot that he could not untied even before his death.
The unfair experiences of our ancestors and the ups and downs of the Wuma family for thousands of years made Wuma Xi feel resentful towards the Cha family. When he thought of sending these things back to the Cha family, he felt unreasonable resistance.
Fortunately, no one forced him, so there was no need to rush to make a decision.
Wu Maxi put down these thoughts and was about to put down the animal skin, but suddenly found something else on the back of the animal skin. The four words "Taimo Liujie" were written directly above, and six very small ones were drawn below.
The pattern is like a rune outlined in simple strokes.
Feng Qing Xu once said that the driving of Taimo Monu is based on branches and knots, and these Taimo Six Knots must be the driving branch and knots of Taimo Monu.
Wu Maxi feels like a treasure.
Taimo Stele is a famous talisman from ancient times, and its power is imaginable. Unfortunately, when Wu Maxi obtained this stele, it did not come with a driving method. In the past two years, he has explored it countless times, but only made some simple ones.
The method of using it is now that Taimo Liu Knots is available, this treasure can finally come in handy.
Wu Maxi looked at the animal skins carefully and found that these patterns looked familiar, as if they had seen them somewhere. After thinking about them carefully, I quickly remembered that they were the runes found underground two years ago, and left by Yu Kangjiao.
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Yu Kangjiao was lost underground for sixteen years and walked upstream along the underground river. Finally, he went to despair and committed suicide by jumping into the water. Before his death, he left sixteen runes on the stone wall. Wu Maxi saw that the runes were wonderful.
He copied it with mana kraft paper. After occasionally looking at it over the years, he gained nothing and threw it in the corner of the elephant ring.
Find the piece of barbaric kraft paper from the elephant ring, spread it on the table, and start to compare it with Taimo Liujie.
Observe in detail, these sixteen runes are still different from the sixteen runes, but they are very similar, almost in the same lineage. The six runes of the six runes can almost find similar patterns in these sixteen runes, especially the three runes.
The second and fifth knots of the ink six knots are extremely similar to the seventh and fourteenth knots of the sixteen knots.
These sixteen runes are probably the driving branches of Taimo Monu, and at least have some internal connection.
With these knots, Taimo Monu must reappear strong combat power, and Wu Maxi's combat power will inevitably jump significantly, so it will be much more at ease to walk in this northwest.
Put away the two drawings together and continue to flip them down.
Below are a few animal skin drawings. When you open it, there are a few six views with dense lines, which are the same as the artistic conception of the witch curse.
The top one is called "Swallowing the Heaven and Spitting the Earth".
The name is very generous. Wu Maxi originally thought it was a artistic conception that blessed himself. After a closer look at the annotation, he found that it was not.
The principle of this artistic conception is to mislead the enemy to inhale a lot, then block the trachea, squeeze the lungs, squeeze the lungs through air pressure, and finally squeeze all the internal organs out of the anus.
This is a typical witch curse artistic conception.
From the annotation, it can be seen that this artistic conception is powerful, but the effect is a bit disgusting.
Wu Maxi didn't care whether the effect was disgusting, but this artistic conception required thirty-six branches of the mind, which really made Wu Maxi disgusted. He could only take the elephant ring in disappointment and decided to read it again if he had time.
The second drawing is called "Red Dragon".
The so-called Red Dragon refers to the bloodline of the human body. This artistic conception is in line with "The Heart-Blooded Chao", and it is all attacked through misleading bloodlines. Wu Maxi used his heart-Blooded Chao to beat the female shopkeeper of Huizhen Pavilion.
The red eye. The heart-blooded chao is just a realmist artistic conception, with such fierce impact. As a twenty-three-brain realmist artistic conception, the Red Dragon will definitely be even more powerful. Wu Maxi immediately decided to practice this
artistic conception.
The third drawing is called "Mingmei".
This is a forced drowsy mood.
This attack on xing's very weak artistic conception once led to a very famous murder case.
There was an emperor in Quzhen Kingdom who was immersed in this artistic conception and fell asleep in the imperial garden. It happened to be snowing heavily that day, so the emperor disappeared, and the palace maids and eunuchs couldn't find them all over the world.
Later, the snow melted and the emperor appeared again, and the body was frozen and hard. Later, there were rumors that the reason why the emperor got into this artistic conception was because of insomnia. He wanted to use this artistic conception to have a good sleep, but he couldn't wake up in an instant.
This kind of artistic conception is slow to achieve and does not help much in fighting, but this artistic conception also has an advantage. It does not require too high a requirement for weaving speed, as long as it can be weaved.
Wu Maxi was attracted by the effect of this artistic conception. If it was blessed by the girl in green, it should be able to relieve her a lot of pain and also reduce Wu Maxi a lot of trouble.
Therefore, this is also an artistic conception that needs to be learned.
The fourth drawing is called "Heavenly Sacrifice".
This is a therapeutic artistic conception. The annotation says it is "inducing the great power of heaven and earth and replenishing the incompleteness of the human body". It is very mysterious, and judging from its weaving structure, it seems to be very wonderful.
The healing artistic conception is a masterpiece of witch curses. It is an artistic conception that must be practiced in almost every realm. Even the celestial phenomena and shape control will cross-border learning one or two low-level healing artistic conceptions. The healing artistic conception that Wu Maxi used was originally kombu.
Chuanxiang, xing energy is a bit insufficient. Now that I have this artistic conception, my ability to survive will be much greater.
This artistic conception is exactly twenty-four branches, as if it was tailor-made for Wu Maxi.
The fifth drawing, "Jingzhe".
There is nothing to say about this. I took a quick look and it was exactly the same as what I got from the ground, so I threw it into the elephant ring.
The sixth drawing, "The Great Investiture of the Gods".
The Cha family's famous top-level inheritance, the ultimate version of the Little God Technique.
At the Lanchi Club a thousand three hundred years ago, the witch curse master Zhu Cihuang won the championship with this artistic conception. His opponent was tortured to the point of almost crazy. After stepping down, he still shouted that he wanted to fight in the hands.
Seeing this artistic conception, Wu Maxi remembered the scene when Ruyi gave him the little magic technique. She stood in the sunny yard like a shy lily of the valley, with a soft voice, like a breeze blowing through her ears.
The memory is still clear, but it seems like a different life.
Wu Maxi really wanted to learn this artistic conception, but unfortunately it needed thirty-two pieces of mind, so it could only be put on hold.
The scale of weaving of these artistic conceptions is extremely exaggerated, and the drawings alone occupy a lot of space. In addition to these six drawings, there are also
A large number of supporting books are annotations and allusions about these artistic conceptions.
After packing these drawings and supporting books, the entire box was almost empty.
At the bottom of the box, there is a book of brown and yellow animal skins, with four seal characters "The Origin of Artistic Concept" written on it.
When I opened the page, the first page was written with the preface, using fly-headed seal script, but it wrote a bold and generous feeling, which was Gao Qianhu's handwriting, which was written in it:
In 2048, 20,000 witch curses fought with the Jian army to death. The remaining forty-three people retreated into the depths of the chaos, and walked through the dangerous land, went through the strange land, and fought against the ferocious beasts.
, Everyone died tragically or lost. After three months, only thirteen people remained struggling to move forward. Just as they were tired and hard, they almost desperate, they found an ancient cave to settle down. This cave was originally Yu, a disciple of Yu's disciple.
Ao Jingxiu left several notes. After resting, everyone sorted and translated them into books. Because he mainly told the story of the ancestors of the realm, he was named "The Origin of the Art Concept"...dd