Jingzu Yu Yuchi had twelve disciples in total, and was revered as the Twelve Sages of the Yu Sect by later Jing cultivators. Yu Zhi'ao ranked last among the Twelve Sages of the Yu Sect. The famous historian of Jingjing, Lausia, wrote in his book
It is recorded in "Tracing the Origin of Artistic Conception" that Yu Zhi'ao was talented and charming, and was considered to be the disciple most likely to inherit the mantle of ancestor Jing. Unfortunately, he became obsessed with evil spirits in his middle age, and was "unrecorded in history" after that.
From the preface of this "Origin of Artistic Conception", we can know that Yu Zhi'ao once meditated in Chaos Jingyuan, but we don't know whether it was before or after the fire broke out. Chaos Jingyuan was extremely dangerous, and Yu Zhi'ao was able to meditate here.
, which shows that he has achieved success through cultivation.
The creation of Jingzu is the origin of the artistic conception for three thousand years. Due to its long history, the story of that year has long been lost in the long river of time. Laoxia Haosou has tried hard to explore the history of the origin of the artistic conception, but most of the time, he can only start from
It is difficult to tell the truth from the falsehood by guessing and fumbling in myths and legends.
Almost every spiritual practitioner has longed for that era, from myths and legends, and from some unclear texts, and these incomplete records have cast a mysterious color on that era, making people yearn for it even more.
Naturally, Wu Ma Xi had also longed for that era. Now that she saw this book "The Origin of Artistic Conception", one can imagine the excitement in her heart. She solemnly opened the pages of the book, started from the first chapter, and read on with a pilgrimage mood.
.
"In the beginning, my master walked on the mainland and saw hundreds of millions of miles of vast land. The cultivators were either tempering their bodies or forging their spirits, experiencing hardships and hardships. However, there was not one person among ten thousand who could enter the realm of the mind and gain supernatural powers. I
The master made a vow to create a unique skill that would enable all practitioners to gain the magical power of artistic conception. After that, my master traveled across the continent, visiting all the strange and ordinary places in the world, observing all kinds of situations in the world, and observing the detailed physics.
Eventually something will be gained, which is the way of weaving the creative realm.
"When the method of weaving is first developed, it will be unfavorable if it is tried. It is like the majestic power of heaven, like the destruction of a city by thousands of beasts. The great master Chi Heng praised it and said that this technique should usher in a prosperous era of cultivation for thousands of years. However, the words of denial also followed.
Later, the master Mei Zihua said that the artistic conception is a spiritual thing. The weaving method is to tie it with silk threads, and its spirit cannot be relaxed. How is it different from dead objects? Grandmaster Tan Sanhuai also disagreed and said, the silk weaving method
, the artistic conception must be stylized. This is an evil way and is not advisable. Later, the son of Grandmaster Ledu forced himself to learn the weaving method, but failed to get it. He became possessed and died. Ledu was angry at my master. Fortunately, Grandmaster Chi Heng protected me.
The teacher was found to be fine, but the accusations and accusations from thousands of people were like furious waves. My teacher was in the middle of it, and it was difficult to find peace all day long.
"The following year, my master was observing the sunrise on the shores of the East China Sea. Suddenly he felt something, so he took a boat out to sea to explore the source of the sunrise. He traveled hundreds of millions of miles, experienced the mystery and vastness of the world, and experienced all the dangers and hardships. Sixteen
After a while, he perfected the weaving method and returned to the mainland. At the same time, the monks held a grand meeting in Lanchi. My master was invited by Ledu to go on stage and defeated all the masters. Grandmaster Chi Heng was called the number one monk in the world.
The method of artistic conception weaving has become famous in mainland China.
"When I was fifteen years old, I began to set my sights on the realm. I learned the art of weaving the realm from my teacher. I made rapid progress in the early days. At thirty, I achieved some success. I took the realm with me and traveled across the mainland. I visited monks from all over the world to discuss the gains and losses. Then after that
Over the past few years, my progress has been slow, my mind has become confused, but my temper has become more impatient, and I have repeatedly tried too hastily. My teacher said to me, the method of weaving artistic conception is meticulous, and the slightest difference can lead to a huge difference, so you must be careful.
Because, we must not rush forward rashly. However, my mental ape has lost its reins, and I did not change my routine. At the age of 40, disaster struck suddenly and I was suddenly disabled.
"Once I became a fairy and fell into the mortal world at dusk, you can imagine my loss. I became decadent and slovenly, and I almost died of my own death. My master was saddened by my fall, and took me to go back to the old road of the past, to see the wonders of the world, and to see the wonders of the world.
After ten years, my mind has gradually become clearer and clearer of doubts! Standing on the shore of the East China Sea, my teacher asked me, what is the most beautiful thing in my memory? I answered: When I was a child, I walked on the path on a summer night.
The fragrance of rice filled my nose, the stars were whispering, and the fireflies were dancing in front of me, as if they were playing with me. This scene was as clear and unforgettable as it was yesterday. My teacher said, good, so he created a summer night firefly language for me, which he recorded in the painting Fairy Purple
Jade, the artistic conception is complete, but my master's body has declined. On April 3, Bingshen year, he died in a bamboo hut on the corner of the sea at the age of 247.
"After my master's death, I guarded the mausoleum at the Cape for nine years. Then I took off my plain clothes and walked back to the old road. My steps were steady and my mind was pure. At the age of eighty, I settled in Lingyuan, a place where chaos was rampant. I recalled
As for my master's voice, appearance, and smile in the past, I recorded them one by one as a reminder of my longing for him. May my master be at ease with his heroic spirit, and may my master's unique skills continue to be talented and live forever."
This concludes the first chapter of "The Origin of Artistic Conception".
Wu Ma was thinking about it at night, and his heart was filled with ups and downs.
Looking at Yu Zhi'ao's words describing Jingzu, Wu Maxi thought of Tai Yin. They both experienced hardships in their youth, taught their apprentices in their later years, and were knowledgeable and kind. However, Yu Yuchi lived for 247 years, and Tai Yin was
But he only lived to be sixty-eight years old.
Wu Maxi leaned on the back of the chair and took a long time to calm down a little.
Empty these sad thoughts, take out the Summer Night Firefly from the elephant ring, and stand it on the table.
It is simply unbelievable that this small stone bar was made by Jingzu and is a three-thousand-year-old artifact.
This Xiaye Yingyu must have been brought out of the chaos by those witchcraft seniors. I can't imagine what kind of story God directed to get this thing into my hands.
Wu Ma Xi exhaled, maybe this is a kind of fate!
Calm down your mind, put away Xia Yeyingyu, and continue reading.
Starting from the second chapter, Yu Zhi'ao began to record the words, deeds, encounters and stories of Jingzu Yu Yuchi, using simple but vivid language. Gao Qianhu occasionally inserted some annotations, as if to pay tribute to his predecessors.
It can be seen from the records that Jingzu Yu Yuchi was also a very interesting person.
When he was traveling in the southwest in his early years, he was almost caught as a son-in-law. Later, he painted his face black and dressed up as a sheep herder before finally escaping. This should have been a very embarrassing thing, but Jingzu was not ashamed but proud of it.
, when chatting with his disciples, he proudly praised himself for his intelligence, and at the same time, he did not forget to show off his handsomeness.
This was the first time Yu Zhi'ao met Yu Yuchi. As an ignorant boy who was only fifteen years old at the time, looking at the proud prospective teacher, the image in his mind that was like a mountain and a bright moon suddenly collapsed. It wasn't until many years later that he
Gradually reshape.
Seeing this, Wu Maxi smiled and couldn't help but think of her first meeting with Tai Lao.
Wu Maxi only skimmed through the following chapters quickly, and he finished most of the book in a short time.
In the second half of the book, Wu Maxi discovered something very familiar, Ningsi Lian.
According to Yu Zhi'ao's records, this Ningsi Lian was found overseas in a place called Hanging Island, and Yu Yuchi called it Han Ningjiao. Judging from the description, it is definitely the so-called Ningsi Lian, but from the pattern in the book
From the looks of it, this Han Ning Jiao has edges and corners, but it is quite different from the Ning Si Jiao that Wu Ma Xi saw.
However, when I think of this pattern, it first came from the mouth of Yu Yuchi, who likes to boast, and then passed through Yu Zhi'ao's painting and Gao Qianhu's copying. It is normal for there to be such a little distortion. After all, every
When individuals write, they always have to do some artistic processing based on their own imagination. The angular Han Ning Jiao is undoubtedly much more powerful than the earthworm-like Ning Si.
When I finished reading this book, it was almost time to get off work.
Wu Maxi put this notebook away with great care.
I don't know what Yu Zhi'ao's mood was when he left this notebook, but it is undoubtedly a notebook of great value.
There are many descriptions and insights about artistic conception in the notes. These insights come from the era when artistic conception originated. They come from Yu Yuchi, the ancestor of Jing Dynasty. They are probably insights closer to the origin of artistic conception. At the same time, the book also contains a lot about that era and the entire world.
description, which is extremely helpful in broadening Wu Ma Xi’s horizons.
There has always been a voice in the realm of realm cultivation, which is to follow the river of history and explore the origin of artistic conception.
However, this kind of tracing back is often exhausted by the Wanliu era. In the earlier Night Walk era, due to the unsystematic recording of artistic conception, most of the inheritance has been lost in the long river of history. This has made it difficult to study the artistic conception of Night Walk.
In terms of scale, just like the Chili Research Institute, the Wanliu Artistic Conception Research Laboratory is the dominant one, while the Yexing Artistic Conception Research Laboratory is an unpopular laboratory.
This book comes from the earliest days of artistic conception, extending its reach upwards for a thousand years. As long as you study it carefully, you will definitely gain a lot. A summer night firefly message left by Jing Zu has changed Wuma Xi’s living conditions.
Earth-shaking changes have taken place, and what kind of miracles will this book bring to Wuma Xi? dd