"I'm so tired, I can't do it anymore." Seeing Han Xuefei leave, everyone fell to the ground like spoiled puppets.
Even Su Ze was very tired. After all, he tried his best every time he performed, and Han Xuefei was not easy to fool.
"We must go out to eat at noon!" Zhao Yuncheng said loudly: "I'm treating you to a good meal."
"That's what you said!" Zhang Yu said quickly: "Hot pot."
"No problem, just do whatever you want."
Su Ze understood what Zhao Yuncheng was thinking. Friends were friends, and it would be embarrassing to eat him all day long. This kid aa didn't want to lose his dignity, so he might as well just treat him.
It didn't matter. We didn't care about the small money. What we wanted was the atmosphere. At noon, the five of us went to a nearby hot pot restaurant to have a good time.
Seeing that Hu Lei was a follower again, Zhao Yuncheng joked: "Hey, it's not good for you to follow us all day long at a men's party, isn't it?"
"Hmph!" Hu Lei's pretty face turned red and she retorted: "It's rare for you, a stingy man, to treat me to a treat. How can I not eat it back?"
"Who is the stingy guy?" Zhao Yuncheng shouted loudly, "Didn't you invite KFC last time?"
"Last time?" Hu Lei said disdainfully: "Let me think about July or August?"
"It's obviously September!"
Even Zhang Yu and Ding Feng have become accustomed to this pair of live treasures, and it is a daily routine for novices to peck each other. Su Ze naturally understands Hu Lei's thoughts, but is it really a little bit for a girl to hang out with several big men all day long?
Forget it, let her go.
After lunch break, I entered the system and started training my eyes, staring at a candle, starting from the very beginning.
In the dialogue class on Tuesday, Zhao Yuning turned on the computer and started to preach: "If you can pass the Chinese Opera Examination, you have already started to learn dialogue. You must persist in doing morning exercises every day. This is the reason why you can't leave your fists without leaving your hands and your music can't leave your mouth."
"Today we will continue to analyze what it means to have excellent line skills. Listening to the teacher usually is one thing. I hope you can master more important abilities."
"Teach yourself!"
"Last year, I worked as a line guide for the actors on the set of "Eagle Hunter". I have to say that there is a common problem among most young actors nowadays: they are prone to legato, word-sucking or word-swallowing in their performances."
"Don't underestimate this, as it often prevents the audience from getting complete information about the lines. Compared with young actors, the older generation is better at clarity of lines."
After speaking, he turned on the screen and analyzed: "This is some clips from the recently popular TV series "Entrepreneurial Era". Do you think who is stronger, Zhou Yiwei or Huang Xuan?"
Everyone’s eyes are shining, it’s the most anticipated moment of complaining every week?
"Is Huang Xuan's enunciation clearer than Yiwei Yiwei's?" Zhao Yuning did not mince words, commenting: "Occasionally, Yiwei Yiwei will swallow words, such as a monologue he stood on a stool and spoke to all the employees just after the company opened."
"Do you hear that several important words are unclear?"
Su Ze listened carefully, and it turned out that the handling of lines five and six was very poor. Even when he listened carefully, he was confused, let alone the audience.
"In this case, the audience may miss a wonderful moment because of watching the subtitles, which is a pity for the actors and the performance."
Zhao Yuning said: "Many actors have very good voice talent, have standard Mandarin pronunciation, have cadences in handling lines, and have full emotions, but you just don't understand what his lines mean."
"So to evaluate an actor's line skills, it's not about how nice his voice is, how standard his Mandarin is, how well he stresses the lines, how well he handles pauses..."
"First of all, we need to see whether the actor understands the meaning of the lines!"
Next is a clip of Yu Hewei playing the role of the elderly Cao Cao in "Military Alliance", standing on the general stage and summarizing his life in a monologue.
There are many names of people, places and idioms in it. It is a severe test for actors to explain the lines clearly, but Yu Hewei did it.
I saw that he calmly dealt with the meaning of every word and sentence clearly and clearly conveyed it to everyone present. The audience seemed to be experiencing Cao Cao's life with him.
Su Ze can recall a lot of this kind of clip. When you hear an actor say a word or a sentence, you can experience the character's previous situation and encounters, as if experiencing the ups and downs with the character, and even feel the character's subtle psychological activities and delicate emotional changes.
Finally, I think of my own similar encounters or emotional experiences, and am moved by them, unable to calm down. This is the sense of empathy that the lines give the audience.
For example, the line that the old lady Wei Qing, who plays the patient, said to Yiwei in "I'm Not the God of Medicine" left a deep impression on Su Ze. Especially when the old lady said: We all have to wait to die.
Everyone deeply felt the fear and despair of the old man in front of them when facing death, and when she said I don’t want to die, I want to live, the audience felt so deeply the old man’s strong desire to survive.
There is also a deep plea from the bottom of my heart for Zhou Yiwei, which has nothing to do with whether the actor is famous or not.
"For us actors, there are two major ways to shape the image of the character and reflect the character's personality: one is the body, and the other is speech."
Zhao Yuning said earnestly: "An actor with solid script skills will definitely be able to find the character's own voice, tone, intonation, and rhythm. That is the character's unique way of verbal expression."
"The rest is how to make the audience forget that this is the actor himself when listening to the lines, and completely believe that he is the character."
Then "Shadow" was played on the big screen. Deng Chao played two roles, how to clearly distinguish the different images and character traits of the two people. He was portraying a Zi Yuzhen who had been hiding in the darkroom for a long time, was weak, endured humiliation, and had a firm revenge plan.
When singing, boldly use a hoarse and dark voice style.
It should be said that his voice creation is bold and even feels exaggerated, but it does add a distinct and strong touch to the character's personality.
"Do you know what effective expression is?" Zhao Yunning said seriously: "Many actors have the habit of self-absorption and self-performance in their creations. They feel that if they handle their lines well and express well, that's it."
"How many of you have thought about how to have real and in-depth communication with your opponents?"
Everyone looked at each other, Zhang Zifeng and Li Landi fell into deep thought, especially Zhang Zifeng, after all, he had worked with many seniors and had deep feelings about this.
"The so-called effective expression is actually what you often call the dramatic state." Zhao Yuning walked down from the podium and came to the crowd and said: "The actor's lines can really speak into the opponent's heart at that moment, and truly affect and change the opponent's behavior and psychology.
And emotions, can such lines hit the opponent's heart?"
"Can we get real feedback from our opponents?"
"Will it bring the audience into a powerful and sincere emotional exchange between the actors?"
The Three Combinations of Souls made everyone deep in thought, especially Su Ze. Daily theoretical study allowed the experience accumulated by Golden Finger to be integrated, and many flashes of inspiration filled him with a sense of accomplishment.